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A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

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26
A
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8
9
-
-
-
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5
6
-
-
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1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
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U
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X
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-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
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H
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-
-
-
-
-
-
-
-
-
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-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
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H
I
J
K
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-
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-
1
-
-
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-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
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-
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45
-
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26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
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-
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9
-
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8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
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9

 

 

THE JESUS MYSTERIES

Timothy Freke & Peter Gandy 1999

WAS THE ORIGINAL JESUS A PAGAN GOD ?

This book is dedicated to the Christ in you.

Page 221

Musaeus, the mythical founder of the Greek Mysteries.41

 

 

M
=
4
14
14
MUSAEUS
171
81
9
-
-
-
-
1
M
13
4
4
-
-
-
-
1
U
21
3
3
-
-
-
-
1
S
19
10
1
-
-
-
-
1
A
1
1
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
U
21
3
3
-
-
-
-
1
S
19
10
1
M
=
4
-
7
MUSAEUS
99
36
18
-
-
-
-
-
-
9+9
3+6
1+8
M
=
4
-
7
MUSAEUS
18
9
9
-
-
-
-
-
-
1+8
-
-
M
=
4
-
7
MUSAEUS
9
9
9

 

 

M
=
4
14
14
MUSAEUS
171
81
9
-
-
-
-
1
M+U+S+A
54
18
9
-
-
-
-
1
E+U+S
45
18
9
M
=
4
-
7
MUSAEUS
99
36
18
-
-
-
-
-
-
9+9
3+6
1+8
M
=
4
-
7
MUSAEUS
18
9
9
-
-
-
-
-
-
1+8
-
-
M
=
4
-
7
MUSAEUS
9
9
9

 

 

q-
7
M
U
S
A
E
U
S
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
+
=
2
-
=
2
=
2
-
-
-
-
19
-
-
-
19
+
=
38
3+8
=
11
1+1
2
q-
7
M
U
S
A
E
U
S
-
-
-
-
-
-
-
-
-
-
4
3
-
1
5
3
-
+
=
16
1+6
=
7
=
7
-
-
13
21
-
1
5
21
-
+
=
61
6+1
=
7
=
7
q-
7
M
U
S
A
E
U
S
-
-
-
-
-
-
-
-
-
-
13
21
19
1
5
21
19
+
=
99
9+9
=
18
1+8
9
-
-
4
3
1
1
5
3
1
+
=
18
2+8
=
18
1+8
9
-
7
M
U
S
A
E
U
S
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
1
-
-
1
occurs
x
3
=
3
2
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
3
-
-
-
3
-
-
-
3
occurs
x
2
=
6
-
-
4
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
32
7
M
U
S
A
E
U
S
-
-
13
-
-
7
-
18
3+2
-
-
-
-
-
-
-
-
-
-
1+3
-
-
-
-
1+8
5
7
M
U
S
A
E
U
S
-
-
4
-
-
7
9
9
-
-
4
3
1
1
5
3
1
-
-
-
-
-
-
-
-
5
7
M
U
S
A
E
U
S
-
-
4
-
-
7
9
9

 

 

q-
7
M
U
S
A
E
U
S
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
+
=
2
-
=
2
=
2
-
-
-
-
19
-
-
-
19
+
=
38
3+8
=
11
1+1
2
q-
7
M
U
S
A
E
U
S
-
-
-
-
-
-
-
-
-
-
4
3
-
1
5
3
-
+
=
16
1+6
=
7
=
7
-
-
13
21
-
1
5
21
-
+
=
61
6+1
=
7
=
7
q-
7
M
U
S
A
E
U
S
-
-
-
-
-
-
-
-
-
-
13
21
19
1
5
21
19
+
=
99
9+9
=
18
1+8
9
-
-
4
3
1
1
5
3
1
+
=
18
2+8
=
18
1+8
9
-
7
M
U
S
A
E
U
S
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
1
-
-
1
occurs
x
3
=
3
-
-
-
3
-
-
-
3
-
-
-
3
occurs
x
2
=
6
-
-
4
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
32
7
M
U
S
A
E
U
S
-
-
13
-
-
7
-
18
3+2
-
4
3
1
1
5
3
1
-
-
1+3
-
-
-
-
1+8
5
7
M
U
S
A
E
U
S
-
-
4
-
-
7
9
9
-
-
13
21
19
1
5
21
19
-
-
-
-
-
-
-
-
5
7
M
U
S
A
E
U
S
-
-
4
-
-
7
9
9

 

 

Musaeus
From Wikipedia, the free encyclopedia

For people surnamed Musaeus, see Musäus.
Musaeus, Musaios (Ancient Greek: Μουσαῖος) or Musäus may refer to:
Three Greek poets Musaeus of Athens, legendary polymath, considered by the Greeks to be one of their earliest poets

 

Musaeus of Athens - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Musaeus_of_Athens‎
Musaeus of Athens (Mousaios) was a legendary polymath, philosopher, historian, prophet, seer, priest, poet, and musician, said to have been the founder of ...

Musaeus of Athens

From Wikipedia, the free encyclopedia

Musaeus of Athens (Mousaios) was a legendary polymath, philosopher, historian, prophet, seer, priest, poet, and musician, said to have been the founder of priestly poetry in Attica. In 450 B.C., the playwright Euripides in his play Rhesus describes him thus, "Musaeus, too, thy holy citizen, of all men most advanced in lore."[1] In 380 B.C., Plato says in his Ion that poets are inspired by Orpheus and Musaeus but the greater are inspired by Homer.[2] In the Protagoras, Plato says that Musaeus was a hierophant and a prophet.[3] In the Apology, Socrates says, "What would not a man give if he might converse with Orpheus and Musaeus and Hesiod and Homer? Nay, if this be true, let me die again and again."[4] According to Diodorus Siculus, Musaeus was the son of Orpheus, according to Tatian he was the disciple of Orpheus, but according to Diogenes Laertius he was the son of Eumolpus and Alexander Polyhistor, Clement of Alexandria, and Eusebius say he was the teacher of Orpheus. Aristotle quotes him in Book VIII of his Politics: "Song to mortals of all things the sweetest." According to Diogenes Laertius he died and was buried at Phalerum, with the epitaph: "Musaeus, to his sire Eumolpus dear, In Phalerean soil lies buried here." According to Pausanias, he was buried on the Mouseion Hill, south-west of the Acropolis.[5] where there was a statue dedicated to a Syrian. For this and other reasons, Artapanus of Alexandria, Alexander Polyhistor, Numenius of Apamea, and Eusebius identify Musaeus with Moses the Jewish lawbringer.[6] He composed dedicatory and purificatory hymns and prose treatises, and oracular responses. Herodotus reports that, during the reign of Peisistratus at Athens, the scholar Onomacritus collected and arranged the oracles of Musaeus but inserted forgeries of his own devising, later detected by Lasus of Hermione.[7] The mystic and oracular verses and customs of Attica, especially of Eleusis, are connected with his name. A Titanomachia and Theogonia are also attributed to him by Gottfried Kinkel (Epicorum graecorum fragmenta, 1878).

 

 

M
=
4
14
14
MUSAEUS
171
81
9
-
-
-
-
1
M+U+S+A
54
18
9
-
-
-
-
1
E+U+S
45
18
9
M
=
4
-
7
MUSAEUS
99
36
18
-
-
-
-
-
-
9+9
3+6
1+8
M
=
4
-
7
MUSAEUS
18
9
9
-
-
-
-
-
-
1+8
-
-
M
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-
7
MUSAEUS
9
9
9

 

 

MUSAEUS

MUSEUM

MORPHEUS

 

 

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

Page 250

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT

IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS

THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE

MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN

A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING

THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL

CONNOTATIONS OF WORDS

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

A
B
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I
1
2
3
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8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

 

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-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
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O
P
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-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
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M
N
O
P
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R
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1
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4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
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7
8
A
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E
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LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"

 

DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA

 

 

 

 

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

A
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1
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3
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5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
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N
O
P
Q
R
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U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
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Y
Z

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

 

THE USBORNE BOOK OF

FACTS AND LISTS

Lynn Bressler (no date)

Page 82

10 most spoken languages
Chinese 700,000,000 English 400,000,000 Russian 265,000,000 Spanish 240,000,000 Hindustani 230,000,000 Arabic 146,000,000 Portuguese 145,000,000 Bengali 144,000,000 German 119,000,000 Japanese 116,000,000

The first alphabet
The Phoenicians, who once lived where Syria, Jordan and Lebanon are today, had an alphabet of 29 letters as early as 1,700 BC. It was adopted by the Greeks and the Romans. Through the Romans, who went on to conquer most of Europe, it became the alphabet of Western countries.

Sounds strange
One tribe of Mexican Indians hold entire conversations just by whistling. The different pitches provide meaning.

The Rosetta Stone
 The Rosetta Stone was found by Napoleon in the sands of Egypt. It dates to about 196 BC.
On it is an inscription in hieroglyphics and a translation in Greek. , Because scholars knew ancient Greek, they could work out what the Egyptian hieroglyphics meant. From this they learned the language of the ancient Egyptians.

Did You KnowMany Chinese cannot understand each other. They have different ways of speaking (called dialects) in different
parts of the country. But today in schools allover China, the children are being taught one dialect (Mandarin), so that one day all Chinese will understand each other.

Translating computers
Computers can be used to help people of different nationalities, who do not know each others' language, talk to each other. By giving a computer a message in one language it will translate it into another specified language.

Worldwide language
English is spoken either as a first or second language in at least 45 countries. This is more than any other language. It is the language of international business and scientific conferences and is used by airtraffic controllers worldwide. In all, about one third of the world speaks it.

Page 83

Earliest writing Chinese writing has been found on pottery, and even on a tortoise shell, going back 6,000 years. Pictures made the basis for their writing, each picture showing an object or idea. Probably the earliest form of writing came from the Middle East, where Iraq and Iran are now. This region was then ruled by the Sumerians.

The most words

English has more words in it than any other language. There are about1 million in all, a third of which are technical terms. Most
people only use about 1 per cent of the words available, that is, about 10,000. William Shakespeare is reputed to have made most use of the English vocabulary.

A scientific word describing a process in the human cell is 207,000 letters long. This makes this single word equal in length to a short novel or about 80 typed sheets of A4 paper.

Many tongues
A Frenchman, named Georges Henri Schmidt, is fluent (meaning he reads and writes well) in 31 different languages.

International language
Esperanto was invented in the 1880s by a Pole, Dr Zamenhof. It was hoped that it would become the international language of Europe. It took words from many European countries and has a very easy grammar that can be learned in an hour or two.
The same language

The languages of India and Europe may originally come from just one source. Many words in different languages sound similar. For example, the word for King in Latin is Rex, in Indian, Raj, in Italian Re, in French Roi and in Spanish Rey. The original language has been named Indo-European. Basque, spoken in the French and Spanish Pyrenees, is an exception. It seems to have a different source which is still unknown.

Number of alphabets
There are 65 alphabets in use in the world today. Here are some of them: Roman
ABCDEFGHUKLMNOPQRS Greek  Russian (Cyrillic) Hebrew  Chinese (examples omitted)

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

 

 

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
10
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
58
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
23
14
10
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
2+3
1+4
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

EVOLVE LOVE EVOLVE

LOVE SOLVES LOVE

EVOLVE LOVE EVOLVE

 

 

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.

With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

Y
=
3
-
3
YOU
61
16
7
A
=
1
-
3
ARE
24
15
6
G
=
7
-
5
GOING
52
34
7
O
=
6
-
2
ON
29
11
2
A
=
1
-
1
A
1
1
1
J
=
1
-
7
JOURNEY
108
36
9
A
=
1
-
1
A
1
1
1
V
=
4
-
4
VERY
70
25
7
S
=
1
-
7
SPECIAL
65
29
2
J
=
1
-
7
JOURNEY
108
36
9
D
=
4
-
2
DO
19
10
1
H
=
8
-
4
HAVE
36
18
9
A
=
1
-
1
A
1
1
1
P
=
7
-
8
PLEASANT
88
25
7
J
=
1
-
7
JOURNEY
108
36
9
D
=
4
-
2
DO
19
10
1
``-
-
55
-
54
First Total
790
304
79
-
-
5+5
-
5+4
Add to Reduce
7+9+0
3+0+4
7+9
-
-
10
-
9
Second Total
16
7
16
-
-
1+0
-
-
Reduce to Deduce
1+6
-
1+6
-
-
1
-
9
Essence of Number
7
7
7

 

 

OF TIME AND STARS

Arthur C. Clarke

Page 205

The Sentinel

"I can never look now at the Milky Way without wondering from which of those banked clouds of stars the emissaries are coming. If you will pardon so commonplace a simile, we have set off the fire alarm and have nothing to do but to wait.

I do not think we will have to wait for long.

 

 

I

CAN NEVER LOOK NOW AT THE MILKY WAY WITHOUT WONDERING

FROM WHICH OF THOSE BANKED CLOUDS OF STARS THE EMISSARIES ARE COMING.

IF YOU WILL PARDON SO COMMONPLACE A SIMILE,

WE HAVE SET OFF THE FIRE ALARM AND HAVE NOTHING TO DO BUT TO WAIT.

I DO NOT THINK WE WILL HAVE TO WAIT FOR LONG.

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
1
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
-
3
CAN
18
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
-
5
NEVER
64
28
1
-
1
-
-
-
-
-
-
-
-
L
=
3
-
4
LOOK
53
17
8
-
-
-
-
-
-
-
-
8
-
N
=
5
-
3
NOW
52
16
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
2
AT
21
3
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
5
MILKY
70
25
7
-
-
-
-
-
-
-
7
-
-
W
=
5
-
3
WAY
49
13
4
-
-
-
-
4
-
-
-
-
-
W
=
5
-
7
WITHOUT
116
35
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
9
WONDERING
109
55
1
-
1
-
-
-
-
-
-
-
-
F
=
6
-
4
FROM
52
25
7
-
-
-
-
-
-
-
7
-
-
W
=
5
-
5
WHICH
51
33
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
5
THOSE
67
22
4
-
-
-
-
4
-
-
-
-
-
B
=
2
-
6
BANKED
37
19
1
-
1
-
-
-
-
-
-
-
-
C
=
3
-
6
CLOUDS
74
20
2
-
-
2
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
5
STARS
77
14
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
E
=
5
-
10
EMISSARIES
117
45
9
-
-
-
-
-
-
-
-
-
9
A
=
1
-
3
ARE
24
15
6
-
-
-
-
-
-
6
-
-
-
C
=
3
-
6
COMING
61
34
7
-
-
-
-
-
-
-
7
-
-
-
-
89
-
102
First Total
1229
491
122
-
3
2
9
8
5
24
28
16
27
-
-
8+9
-
1+0+2
Add to Reduce
1+2+2+9
4+9+1
1+1+2
-
-
-
-
-
-
2+4
2+8
1+6
2+7
-
-
17
-
3
Second Total
14
14
5
-
3
2
9
8
5
6
10
7
9
-
-
1+7
-
-
Reduce to Deduce
1+4
1+4
-
-
-
-
-
-
-
-
1+0
-
-
-
-
8
-
3
Essence of Number
5
5
5
-
3
2
9
8
5
6
1
7
9

 

I

CAN NEVER LOOK NOW AT THE MILKY WAY

WITHOUT WONDERING FROM WHICH OF THOSE BANKED CLOUDS OF STARS THE EMISSARIES ARE COMING

 

 

IF YOU WILL PARDON SO COMMONPLACE A SIMILE,

WE HAVE SET OFF THE FIRE ALARM AND HAVE NOTHING TO DO BUT TO WAIT.

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
9
-
2
IF
15
15
6
-
-
-
-
-
-
6
-
-
-
Y
=
7
-
3
YOU
61
16
7
-
-
-
-
-
-
-
7
-
-
W
=
5
-
4
WILL
56
20
2
-
-
2
-
-
-
-
-
-
-
P
=
7
-
6
PARDON
68
32
5
-
-
-
-
-
5
-
-
-
-
S
=
1
-
2
SO
34
7
7
-
-
-
-
-
-
-
7
-
-
C
=
3
-
11
COMMONPLACE
110
47
2
-
-
2
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
6
SIMILE
67
31
4
-
-
-
-
4
-
-
-
-
-
W
=
5
-
2
WE
28
10
1
-
1
-
-
-
-
-
-
-
-
H
=
8
-
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
S
=
1
-
2
SET
44
8
8
-
-
-
-
-
-
-
-
8
-
O
=
6
-
2
OFF
27
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
4
FIRE
38
29
2
-
-
2
-
-
-
-
-
-
-
A
=
1
-
5
ALARM
45
18
9
-
-
-
-
-
-
-
-
-
9
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
H
=
8
-
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
N
=
5
-
7
NOTHING
87
42
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
D
=
4
-
2
DO
19
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
3
BUT
43
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
4
WAIT
53
17
8
-
-
-
-
-
-
-
-
8
-
-
-
54
-
60
First Total
990
405
126
-
4
6
3
4
5
18
21
32
36
-
-
5+4
-
6+0
Add to Reduce
9+9+0
4+0+5
1+2+6
-
-
-
-
-
-
1+8
2+1
3+2
3+6
-
-
9
-
3
Second Total
18
9
9
-
4
6
3
4
5
9
3
5
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
3
Essence of Number
9
9
9
-
4
6
3
4
5
9
3
5
9

 

 

I DO NOT THINK WE WILL HAVE TO WAIT FOR LONG

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
1
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
D
=
4
-
2
DO
19
10
1
-
1
-
-
-
-
-
-
-
-
N
=
5
-
2
NOT
49
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
2
THINK
62
26
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
2
WE
28
10
1
-
1
-
-
-
-
-
-
-
-
W
=
5
-
4
WILL
56
20
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
4
WAIT
53
17
8
-
-
-
-
-
-
-
-
8
-
F
=
6
-
2
FOR
39
21
3
-
-
-
3
-
-
-
-
-
-
L
=
3
-
3
LONG
48
21
3
-
-
-
3
-
-
-
-
-
-
-
-
54
-
34
First Total
434
173
56
-
2
2
6
4
5
6
7
24
18
-
-
5+4
-
3+4
Add to Reduce
4+3+4
1+7+3
5+6
-
-
-
-
-
-
-
-
2+4
1+8
-
-
9
-
7
Second Total
11
11
11
-
2
2
6
4
5
6
7
6
9
-
-
-
-
-
Reduce to Deduce
1+1
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
9
-
7
Essence of Number
2
2
2
-
2
2
6
4
5
6
7
6
9

 

 

THE

LOST LANGUAGE OF SYMBOLISM

AN ENQUIRY INTO THE ORIGIN OF CERTAIN

LETTERS, WORDS, NAMES, FAIRY-TALES, FOLK-LORE AND MYTHOLOGIES

Harold Bayley 1912

"The Hebrew for man is ish and for woman isha."

Page 300

"Each language, whether Sanscrit or Zulu, is like a palimpsest, which, if carefully handled, will disclose the original text beneath the superficial writing, and though that original text may be more difficult to recover in illiterate languages, yet it is there nevertheless. Every language, if properly summoned, will reveal to us the mind of the artist who framed it, from its earliest awakening to its latest dreams. Everyone will teach us the same lesson, the lesson on which the whole Science of Thought is based, that there is no language without reason, as there is no reason with.out language."1 An analysis of the several terms for man, soul, or spirit reveals the time-honoured belief that the human race emerged in its infancy from the Great Light, and that every human soul was a spark or fragment of the Ever­Existent Oversoul. The Egyptian for man was se, the German for soul is seele - cognate with Selah! - and meaning likewise the "Light of the Everlasting." The Dutch for soul is ziel, the fiery light of God, and the English soul was once presumably is ol, the essence or light of God.2 The Hebrew for man is ish and for woman isha.

 

SELAH HALES

 

 

THE

LOST LANGUAGE OF SYMBOLISM

Harold Bayley 1912

Page 300

The Latin homo is OM, the Sun, as also is the French homme ; and dme, the French for soul, is apparently the Hindoo AUM. The ancient Mexicans traced their descent from an ancestor named Coxcox, i.e. ack ock se, ack ock se, the "Great Great Light, the Great Great Light." 8 The Teutons claim to have descended from TIU or TUISCO, an Aryan God of Light, and the name TUISCO may be restored into tu is ack O , the "brilliant light of the Great O."

Page 300 Notes

1 Biographieses of Words, Intro.
2 We may see similar vowel erosion going on at the present day, and the word cute will soon take its place in the dictionaries in addition to acute, its proper form.
3 This doubling of a title is a world-wide commonplace, similar to our " King of Kings and Lord of Lords, Very God of Very God."

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."

 

THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT

 

 

ATONEMENT

 

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CRUCIFIXION

 

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CRUCIFIED

 

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HOLY BIBLE

Scofield References

Page 1117 A.D. 30.

Jesus answered and said unto him, Verily, verily,
I say unto thee, Except a man be born again,
He
cannot see the kingdom of God.
St  John  C
hapter   3  verse  3
3     +     3     3     x     3
6        x        9
54
5 + 4

9

 

 

IN SEARCH OF THE MIRACULOUS

Fragments of an Unknown Teaching

P.D.Oupensky 1878-1947

Page 217

'A man may be born, but in order to be born he must first die, and in order to die he must first awake.'
" '
When a man awakes he can die; when he dies he can be born' "

 

 

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I

AM THAT LAZARUS COME FROM THE DEAD COME BACK TO TELL YOU ALL I SHALL TELL YOU ALL

 

 

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FINGERPRINTS OF THE GODS

Graham Hancock 1995  


Page 382

Chapter 41

 "Conscious of being alone, this blessed and immortal being contrived to create two divine offspring, Shu, god of the air and dryness, and Tefnut the goddess of moisture: ' I thrust my phallus into my closed hand. I made my seed to enter my hand. I poured it into my own mouth. I evacuated under the form of Shu, I passed water under the form of Tefnut.' 7"

 

CREATE C RE AT E AT RE C CREATE

SEE R SEE

E SEE E

SEE R SEE

CREATE C RE AT E CREATE

REACTIONS CREATIONS REACTIONS

 

 

KEEPER OF GENESIS

A

QUEST

FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock

1996

Return to the Beginning

Page 283

'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .

I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .

I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'

Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)

 

 

KEEPER OF GENESIS

A

QUEST

FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock

1996

Page 282

Map

What can it be that was put in Rostau?

What hidden thing with fire about it?

And where in darkness does it lie?

 

 

KEEPER OF GENESIS

A

QUEST

FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock

1996

Return to the Beginning

Page 283

"Is it possible that men and women of great wisdom and learning cast a 'glamour' over the Giza necropolis at some point in the distant /Page 284/ past? Were they the possessors of as yet unguessed-at secrets that they wished to hide here? And did they succeed in concealing those secrets almost in plain view? For thousands of years, in other words, has the ancient Egyptian royal cemetary at Giza veiled the presence of something else — something of vastly greater significance for the story of Mankind?
One thing we are sure of is that unlike the hundreds of Fourth-Dynasty mastaba tombs to the west of the Sphinx and clustered around the three great Pyramids, the Pyramids themselves were never designed to serve primarily as burial places. We do not rule out the possibility that the Pharaohs Khufu, Khafre and Menkaure may at one time have been buried within them — although there is no evidence for this — but we are now satisfied that the transcendent effort and skill that went into the construction of these awe-inspiring monuments was motivated by a higher purpose.
We think that purpose was connected to the quest for eternal life wrapped up in a complete religious and spiritual system that the ancient Egyptians inherited from unknown predecessors and that they later codified in their eerie and other-worldly funerary and rebirth texts. We suggest, in short, that it was the goal of immortality, not just for one Pharaoh but for many, that the corridors and passages and hidden chambers and concealed gates and doorways of the Giza complex were ultimately designed to serve. Depicted in the Book of What is in the Duat as being filled with monsters, these narrow, claustrophobic, terrifying places, hemmed in on all sides by sheer stone walls, were in our view conceived as the ultimate testing ground for initiates. Here they would be forced to face and overcome their most horrible and debilitating fears. Here they would pass through unimaginable ordeals of the spirit and the mind. Here they would learn esoteric wisdom through acts of concentrated intelligence and will. Here they would be prepared, through practice and experience, for the moment of physical death and for the nightmares that would follow it, so that these transitions would not confuse or paralyse them — as they might other, unprepared, souls — and so that they might become 'equipped spirits' able to move as they wished through heaven and earth, 'unfailingly, and regularly and eternally'.'
Such was the lofty goal of the Horus-King's quest and the ancient /Page 285/ Egyptians clearly believed that in order to attain it the initiate would have to participate in the discovery, the unveiling, the revelation, of something of momentous importance — something that would bestow wisdom, and knowledge of the 'First Time', and of the mysteries of the cosmos, and of Osiris, the Once and Future King.
We are therefore reminded of a Hermetic Text, written in Greek but compiled in Alexandria in Egypt some 2000 years ago, that is known as the Kore Kosmu (or Virgin of the World).2 Like other such writings, this text speaks of Thoth, the ancient Egyptian wisdom-god, but refers to him by his Greek name, Hermes:

Such was all-knowing Hermes, who saw all things, and seeing understood, and understanding had the power both to disclose and to give explanation. For what he knew, he graved on stone; yet though he graved them onto stone he hid them mostly . . . The sacred symbols of the cosmic elements [he] hid away hard by the secrets of Osiris . . . keeping sure silence, that every younger age of cosmic time might seek for them.'

The text then tells us that before he 'returned to Heaven' Hermes invoked a spell on the secret writings and knowledge that he had hidden:
O holy books, who have been made by my immortal hands, by incorruption's magic spells . . . free from decay throughout eternity remain, and incorrupt from time. Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until Old Heaven doth bring forth meet instruments for you . . .4
What instruments might lead to the recovery of `unseeable and unfindable' secrets concealed at Giza?
Our research has persuaded us that a scientific language of precessional time and allegorical astronomy was deliberately expressed in the principal monuments there and in the texts that relate to them. From quite an early stage in our investigation, we hoped that this language might shed new light on the enigmatic civilization of Egypt.

Page 287

"Looking at the awe inspiring scale and precision of the monuments we feel, too, that the purpose of the ancient master-builders was sublime, and that they did indeed find a way to initiate those who would come after - thousands of years in the future - by making use of the universal language of the stars.

They found a way to send a message across the ages in a code so simple and so self explanatory that it might rightly be described as an anti-cipher.

Perhaps the time has come to listen to that clear, compelling signal that beckons us out of the darkness of prehistory. Perhaps the time /Page 288/ has come to seek the buried treasure of our forgotten genesis and destiny:

Stars fade like memory the instant before dawn. Low in the east the sun appears, golden as an opening eye. That which can be named must exist. That which is named can be written. That which is written shall be remembered. That which is remembered lives. In the land of Egypt Osiris breathes . . .6"

Conclusion

The quotation is from the Normandi Ellis's translation of the Ancient Egyptian Book of the Dead, Awakening Osiris, and is drawn from Chapter XV of the Ancient Egyptian Book of the Dead, Papyrus of Ani.

 

 

I

THAT

AM AT MAAT AM MAAT AT AM

THAT

I

 

 

The Official Graham Hancock Website: Library ... of a chapter from the ancient Egyptian Book of the Dead, Reu Nu Pert Em Hru, ... These are the 42 Judges or Assessors of the Dead, before each of whom the ...www.grahamhancock.com/library/hm/c4

 

Chapter 4
In the Hall of the Double Truth

The ancient Egyptians believed that the deceased must journey after death through the eerie parallel universe of the Duat - which is at once a starry "otherworld" and a strange physical domain with narrow passageways and darkened galleries and chambers populated by fiends and terrors. On this journey the jackal-headed mortuary god Anubis would sometimes act as a guide and companion to the soul.
On the west bank of the Nile, opposite Luxor and Karnak, stands the strange and beautiful temple of Deir el Medina - which, like Edfu and Dendera, is a product of the final days of the once-remarkable civilization of ancient Egypt. Dedicated in the third century BC to Maat, the Egyptian goddess of cosmic equilibrium, its walls are inscribed with hieroglyphic texts expressing archaic religious and spiritual ideas.


Detail (omitted) from the "weighing of the soul", Deir el Medina. Top, some of the Assessors who hear the 42 Negative Confessions; left, ibis-headed Thoth, god of wisdom, records the verdict; centre, Ammit, the Eater of the Dead, the agency of the soul's extinction; right, Osiris, Judge of the Dead and agency of the soul's resurrection.

Complete scene of the weighing of the soul, Deir el Medina.
The temple is built around an axis oriented south-east to north-west. We entered it through a gate in the south-eastern wall leading to a courtyard dominated by four elaborately adorned columns with floral capitals. Beyond these we passed into a central hall at the end of which we came to three doorways leading into three separate enclosed shrines. The southernmost of these shrines, dark and unprepossessing though it seemed at first, proved to contain a finely crafted and almost complete scene of what scholars describe as the Psychostasia, or Weighing-of-the-Heart (derived from the Greek psyche = soul, i.e. heart, and stasis = balance).

We took time to examine this scene, which consists of a chapter from the ancient Egyptian Book of the Dead, Reu Nu Pert Em Hru, literally the "Book of Coming Forth By Day", one of a large corpus of funerary texts copied and recopied at all periods of Egyptian history, that concerned themselves with "the freedom granted to spirit forms which survived death to come and go as they pleased".

Standing in the doorway of the shrine our eyes were drawn to the wall on our left containing an elegant relief of Ptolemy IV Philopator (ruled 221–205 BC), the Macedonian Greek Pharaoh on whose orders this Temple of Maat was built. Represented as a deceased soul, dressed in sandals and a simple linen kilt, this scene shows him being ushered into a spacious hall at the head of which, in partially mummified form, sits Osiris, the high god of death and resurrection, identified in the ancient Egyptian sky-religion with the great southern constellation of Orion.

The place to which Ptolemy has been brought is sometimes referred to as the Judgement Hall of Osiris, and sometimes as the Hall of the Double Maati - which translates as "the Hall of the Two Truths" or possibly "the Hall of Double Justice". It is not a place to which the soul was believed to have come immediately after death. Indeed, it could only be reached by those who were spiritually "equipped" to complete a long and hazardous post-mortem journey through the first five of the twelve divisions of the Duat - the fearful parallel dimension, shadowy and terrifying, filled with fiends and nightmares, that was believed by the ancient Egyptians to separate the land of the living from the kingdom of the blessed dead. The reader will recall that it was this same Duat, referred to as the Duat-N-Ba (the "netherworld of the soul"), that was said to have provided the model for the mysterious "primeval temple" spoken of in the Edfu Building Texts.

Ptolemy stands in the posture of salutation, left hand clenched across his right breast, right hand raised. On either side of him is a figure of Maat (hence "Double Maati") - a tall and beautiful goddess, sensual and full-breasted, wearing a head-dress topped by her characteristic ostrich-feather plume (the hieroglyph for "Truth"). The figure behind Ptolemy is empty-handed, and seems to be guiding him into the hall; the figure facing him holds in her right hand a long staff and in her left hand the hieroglyph ankh, the "cross" or "key" of life - the symbol of eternity.

In a double row at the side of the Hall 42 dispassionate figures crouch in the manner of scribes pouring over papyrus, each wearing the feather of Maat. These are the 42 Judges or Assessors of the Dead, before each of whom the deceased must be able to declare himself innocent of a particular wrong - the 42 so-called "Negative Confessions". For example:

No. 4 "I have not stolen";

No. 5 "I have not slain man or woman";

No. 6 "I have not uttered falsehood";

No. 19 "I have not defiled the wife of a man";

No. 38 "I have not cursed the God".


The goddess Nepthys, benefactor and protector of the dead. Tomb of Seti I, Valley of the Kings. Nepthys was the mother of Anubis.
Having completed this stage of his examination, Ptolemy now finds himself confronted by an immense pair of scales beneath the arms of which are to be seen representations of Anubis, the jackal-headed guide of souls, and Horus the falcon-headed son of Osiris. One pan of the scales contains an object, shaped like a small urn, symbolizing the heart of the deceased, "considered to be the seat of intelligence and thus the instigator of man's actions and his conscience". In the other pan stands the feather of Maat, symbolizing once again ... Truth.

On this encounter of the heart with Truth everything hinges.

For at this moment an irrevocable Judgement will be passed which will offer the prospect of eternal life to the soul that triumphs, and eternal annihilation to the soul that fails. Beyond the scales is depicted the agency of the soul's extinction: a monstrous hybrid, part crocodile, part lion, part hippopotamus, who is known as Ammit, the "Devourer", the "Eater of the Dead". And beyond Ammit, seated in majesty on his throne at the extreme right of the scene, our eyes are drawn again towards the mummified figure of the star-god Osiris, the agency of the soul's resurrection.

Horus and Anubis test the scales, and proceed to measure the weight. Meanwhile, to the immediate right of the scales, between the deceased and the snarling, slavering jaws of Ammit, we observe the tall ibis-headed figure of Thoth, the "personification of the mind of god ... the all-pervading and directing power of heaven and earth ... the inventor of astronomy and astrology, the science of numbers and mathematics, geometry and land surveying". Mysteriously referred to in archaic inscriptions as "three times great, great", Thoth was the ancient Egyptian god of wisdom, "the recorder of souls", who - from Ptolemaic times onwards - would also come to be known to the Greeks under the name of Hermes Trismegistus ("Hermes the Thrice Great"). In the Judgement Scene he is shown as a powerful man dressed in a short tunic, wearing his characteristic avian head-mask. In his left hand he holds up a palette and in his right a fine reed pen.

Heart and feather stand poised in equilibrium, as they must if the soul is to be admitted to the afterlife kingdom of Osiris.

Horus confirms the balance.

Anubis announces the verdict.

Thoth records ...

 

Page 2
Chapter 4
In the Hall of the Double Truth (cont)
Thoth and Maat

Hypostyle hall, Karnak: Thoth, the god of wisdom (ibis-headed, left) writes the name of Pharaoh Seti I (centre) on the tree of life. In later times Thoth became known to the Greeks as Hermes Trismegistus. He was the keeper of the knowledge that opened the door to immortality.

The scales of Maat.

The goddess Maat, personification of truth, justice and cosmic harmony.

Osiris, flanked by two Eyes of Horus, stands before an offering table, tomb of Sennedjum.
The deities Thoth and Maat are present in the earliest surviving scriptures of mankind - the ancient Egyptian Pyramid Texts of the third millennium BC - and continue to play pivotal spiritual and cosmic roles throughout the entire 3000-year span of Pharaonic history. Standing either side of Atum-Ra, the sun-god, as he sails the celestial ocean in his "boat of millions of years", they are portrayed in the Book of the Dead as eternal presences or principles whose function is to guide and balance the motion of the universe: "Thoth ... Lord ... self-created, to whom none hath given birth ... he who reckons in heaven, the counter of the stars, the enumerator of the earth and of what is therein, and the measurer of the earth". Elsewhere we read: "The land of Manu [the West] receiveth thee [Ra, the sun-god] with satisfaction, and the goddess Maat embraceth thee both at morn and at eve ... the god Thoth and the goddess Maat have written down thy daily course for you every day."

The word maat has many meanings in addition to "truth" - for example, "that which is straight", and, in the physical and moral sense, "right, real, genuine, upright, righteous, just, steadfast, unalterable", etc. Khebest maat is "real lapis-lazuli" as opposed to blue paste. Shes maat means "ceaselessly and regularly". Em un maat indicates that a thing is really so. The man who is good and honest is maat. And the truth, maat, "is great and mighty and it hath never been broken since the time of Osiris". It is perhaps not surprising that in some versions of the Psychostasia the goddess Maat, with her arms outstretched, takes the form of the scales themselves.


Stupa of Bodinath, Buddhist temple, Kathmandu, Nepal.

Eyes of Horus, tomb of Sennedjum, Luxor west bank.
The feather and the heart, the two objects weighed in these scales, combine to convey a potent symbolic message. The former, as we have seen, is the type and symbol of the goddess herself, whilst it cannot be an accident that the latter, resembling a small vase with two handles, is not only used as the ancient Egyptian hieroglyph for "heart" but also forms the "determinitive" (defining sign) of the word tekh, "a weight". From this etymology - tekh through tehuti - some scholars derive the origins of the name Thoth, a derivation which the Egyptians themselves appear to have favoured. Let us also note in passing that the towering granite obelisks found in temples along the Nile were called tekhen by the ancient Egyptians - "a word of unknown origin" according to Martina D'Alton of New York's Metropolitan Museum of Art.

As we shall see in later chapters, obelisks played a special role in the quest for immortality that was pursued for millennia by Egypt's high initiates. From the remotest times this quest was intimately associated with the cult of Thoth, whose will and power were believed to keep the forces of heaven and earth in equilibrium: "it was his great skill in celestial mechanics," observed Sir E. A. Wallis Budge, "which made proper use of the laws (maat) upon which the foundation and maintenance of the universe rested".

After an exhaustive analysis of funerary texts from all periods of ancient Egyptian history, Budge also comments on the manner in which Thoth is ubiquitously portrayed as possessing "unlimited power" in the afterlife realm of the Duat. It is this power that is symbolized by his role as recording angel in the Judgement Scene. According to the Book of What is in the Duat (numerous representations of which survive in the tombs of Pharaohs from the Eighteenth Dynasty onwards): "The examination of the words takes place, and he [Thoth] strikes down wickedness - he who has a just heart, he who bears the words in the scales - in the divine place of the examination of the mystery of mysteries of the spirits."

But what exactly is meant by "wickedness" and what is the real nature of the mystery that is examined in the Judgement Hall of Osiris?

 

Page 3

Chapter 4
In the Hall of the Double Truth (cont)
The Books of Thoth

Detail from the Book of Gates, tomb of Rameses VI, Valley of the Kings. Like the Book of What is in the Duat, the Book of Gates depicts a journey through the Duat. The journey is by boat. In it, protected by the coils of a cosmic serpent, the sun god Ra stands flanked by the figures of "Mind" (fore) and "Magic" (aft). In the Book of Gates the Judgement Hall of Osiris occupies the Sixth Division of the Duat.
At stake in the Judgement Scene is something more than moral character. This is clear because questions pertaining to moral behaviour are addressed at quite an early stage in the proceedings by the soul of the deceased. This is the function of the 42 Negative Confessions. It follows, therefore, that the "weighing" of the heart must be an evaluation of something else - a measuring of some other quality or character or "truth" that the individual has been given the opportunity to add to during the course of his or her life. It is even possible that this may be the source of the Judgement Hall's "Double Truth" - the concept that it is a place where two distinct and different levels of assessment must be undergone. This would explain why, as one eminent authority has observed:

the testing of the soul in the Balance in the Hall of Osiris is not described as the judging or "weighing of actions" [which the 42 Negative Confessions certainly are] but as utcha metet, the "weighing of words".
Additional light is shed on this curious formula when we remember that Thoth was regarded by the ancient Egyptians as a god who could teach "not only words of power but the manner in which to utter them". Knowledge of these "words" was believed to be essential if the deceased was to hope to complete his afterlife quest through all twelve of the "Divisions" of the Duat:

The words ... must be learned from Thoth, and without knowledge of them, and of the proper manner in which they should be said, the deceased could never make his way through the Duat. The formulae of Thoth opened the secret pylons for him, and provided him with the necessary meat, and drink, and apparel, and repelled baleful fiends and evil spirits, and they gave him the power to know the secret or hidden names of the monsters of the Duat, and to utter them in such a way that they became his friends and helped him on his journey ...
It was believed that Reu Nu Pert Em Hru, the Book of the Dead - "a sort of Baedeker for the transmigration of the soul" - was a composition of Thoth and that certain chapters of it had been written "with his own fingers". In addition numerous passages from the ancient texts have survived in which we learn that the wisdom god was also seen as the author of certain other "books" - books which anyone who sought the prize of immortality should attempt to discover during his lifetime: "I am endowed with glory, I am endowed with strength, I am filled with might, I am supplied with the books of Thoth and I have brought them to enable me to pass through ..."

What the texts imply is that only he or she who has sought and found the books of Thoth can attain eternity. "How long have I to live" the deceased asks in some versions of the Judgement Scene. If all is well at the "weighing of words" Thoth replies by offering the coveted prize: "Thou art for millions of years, a period of life of millions of years ..."

 

Page 4
Chapter 4
In the Hall of the Double Truth (cont)
A Quest for Knowledge
According to Clemens Alexandrinus (Stromata VI) there were 42 books of Thoth, a number that provides a curious sense of balance with the "first truth" - the "weighing of actions" - examined by means of the 42 Negative Confessions. These books of the "second truth" - the "weighing of words" - were thought to be divided into seven categories covering, amongst other subjects, cosmography and geography, the construction of temples, the history of the world, the worship of the gods, medical matters, the hidden meaning of hieroglyphics, and treatises on astrology and astronomy including "the ordering of the fixed stars, the positions of the sun, moon and planets, the conjunctions and phases of the sun and the moon, and the times when stars rise".

The tradition of the books of Thoth persisted well into the Christian era, associated with Graeco-Egyptian temples such as Deir el Medina, Dendera, Edfu and the Temple of Isis at Philae where the ancient Egyptian hieroglyphs continued to be used and understood until as late as the fourth century AD. It is therefore hardly surprising that Clemens (AD 150–215) should have been aware of this tradition which was, indeed, set down afresh in writing in his adopted city of Alexandria at about this time. These writings, the so-called Corpus Hermeticum, repeatedly describe Thoth (the "Hermes Trismegistus" of the Greeks) as "he who won knowledge of all". He:

saw all things, and seeing understood, and understanding had the power both to disclose and to give explanation. For what he knew he graved on stone; yet though he graved them onto stone he hid them mostly, keeping sure silence [so] that every younger age of cosmic time might seek for them ...
A quest, then, appears to have been envisaged for these stone tablets, or "books", of Thoth/Hermes. Indeed the Corpus Hermeticum leaves us in no doubt about this matter, telling us that the wisdom god used magic to postpone for as long as possible the rediscovery of his treasures of knowledge:

Ye holy books ... which have been anointed with the drug of imperish-ability ... remain ye undecaying through all ages, and be ye unseen and undiscovered by all men who shall go to and fro on the plains of this land, until the time when Heaven, grown old, shall beget organisms worthy of you.
Walter Scott, the translator of this passage into English, appends the following explanatory note concerning the term "organisms": "Literally 'composite things'; that is, men composed of soul and body. After long ages there will be born men that are worthy to read the books of Hermes."

 

Page 5
Chapter 4
In the Hall of the Double Truth (cont)
A Serpent which Cannot Die ...
The urge to read them must be very old because it can be traced back deep into ancient Egyptian times, long before the compilation of the Corpus Hermeticum. For example, a papyrus of the Ptolemaic period preserves the story of a certain Setnau-Khaem-Uast, a son of Rameses II (ruled 1290–1224 BC), who sought for a "book written by Thoth himself". Information had come Setnau's way, as a result of diligent research, that this book - which was said to contain a spell capable of granting immortality - lay concealed in an antique tomb in the Memphite necropolis (an extensive burial area stretching for some 35 kilometres along the west bank of the Nile from Meidum to Giza):

Setnau went there with his brother and passed three days and nights seeking for the tomb ... and on the third day they found it. Setnau recited some words over it, and the earth opened and they went down to the place where the book was. When the two brothers came into the tomb they found it to be brilliantly lit up by the light which came forth from the book.
Another papyrus, this time from the Middle Kingdom (the Westcar Papyrus, circa 1650 BC), preserves an even older story from the time of Khufu (ruled 2551–2528 BC), the supposed builder of the Great Pyramid of Giza. The papyrus speaks of a "building called 'Inventory'", located at the sacred city of Heliopolis (18 kilometres north-east of Giza), in which was stored "a chest of flint" containing a mysterious object that Khufu is reported to have "spent much time searching for". The context suggests it could have been a document of some kind because it recorded the "number of the secret chambers of the sanctuary of Thoth".

It is generally agreed that the Westcar Papyrus reports - or at any rate touches upon - real events. According to Professor I. E. S. Edwards it contains a "kernel of truth" and "was certainly a copy of an older document". Edwards further points out that Heliopolis, the site of the "Inventory Building", had been a centre of astronomical and astrological science in Egypt since times immemorial and that the title of the high priest of that city was "Chief of the Astronomers".

The Egyptologist F. W. Green expresses the opinion that the "Inventory building" could well have been a "chart room" at Heliopolis "or perhaps a 'drawing room' where plans were made and stored". Similarly, Sir Alan H. Gardner argues that "the room in question must have been an archive" and that Khufu "was seeking for details concerning the secret chambers of the primeval sanctuary of Thoth".

The central image of the Westcar Papyrus of some great secret of Thoth lying sealed away in a box is repeated in another text which tells how the wisdom god had deposited one of his books "in an iron box in the middle of the Nile at Coptos" (an ancient site some kilometres to the north of Luxor):

The iron box is in a bronze box, the bronze box is in a box of palm-tree wood, the palm-tree wood box is in a box of ebony and ivory, the ebony and ivory box is in a silver box, the silver box is in a gold box ... The box wherein is the book is surrounded by swarms of serpents and scorpions and reptiles of all kinds, and round it is coiled a serpent which cannot die.
Last but not least amongst many similar sources that we could cite, there is a Coffin Text, circa 1900 BC, that speaks of the journey of the soul towards immortality. "I open the chest of Thoth", states the deceased, "I break the seal ... I open what the boxes of the god contain, I lift out the documents ..."

So there is a sense in all of this that what is weighed in the Judgement Scene at the "weighing of words" must in some way have to do with the possession of knowledge by the deceased, the kind of knowledge that can be inscribed on to tablets of stone or written down in books and "documents".

 

Page 6

Chapter 4
In the Hall of the Double Truth (cont)
The Word
Like so many of the other funerary and rebirth texts of ancient Egypt, the Coffin Texts are manuals to guide the afterlife journey of the soul - the terrifying quest in the dark valley of the Duat that culminates with the Judgement Scene. The texts are so called because they were inscribed inside coffins, presumably so as to be easily accessible to the dead. They date from the First Intermediate Period (2134–2040 BC) and were particularly favoured during the Twelfth Dynasty (1991–1783 BC). In the early spells we read:

The young god [the deceased entering the afterlife kingdom of Osiris having found immortality] is born of the beautiful West, having come here from the land of the living; he has got rid of the dust which was on him, he has filled his body with magic, he has quenched his thirst with it ... he has mastered the land through what he knew.
In a later spell an almost identical formula occurs:

See, Your Majesty has come, you have acquired all power, and nothing has been left behind by you ... You have filled your body with magic, you have quenched your thirst with it ... you have mastered the land with what you know like those to whom you have gone down.
And later still we read of the triumph of the "equipped spirit" and may begin to guess as to what it is with which he is "equipped":

I have passed over the paths of Osiris; they are in the limit of the sky. As for him who knows this spell for going down into them, he himself is a god, in the suite of Thoth; he will go down to any sky to which he wishes to go down to. But as for him who does not know this spell for passing over these paths, he shall be taken into the infliction of the dead which is ordained, as one who is nonexistent.

 

Page 7

Chapter 4
In the Hall of the Double Truth (cont)
Celestial Co-ordinates

The Grand Gallery of the Great Pyramid.

The descending corridor. Scholars have as yet failed to consider the possibility that the Pyramids and perhaps even the Sphinx of Giza could have been built as three-dimensional models of the "inner world" of the Duat-places of preparation in which initiates may have been selected to immerse themselves, perhaps in total darkness, perhaps for days, in order to gain foreknowledge of the afterlife realm. Yet there is nothing inherently improbable about such a proposition. We already know that the various ancient Egyptian "books of the dead" provide textual explanations and visual images of the Duat with the explicit purpose of preparing the deceased for the afterlife journey. To create a large-scale three-dimensional "model" of the Duat - a sort of simulated Netherworld - would be no more than an extension of this practice.

Detail from the Book of What is in the Duat, tomb of Thutmosis III, Valley of the Kings. Astronomically, the Duat was located in the sky between the constellations of Orion and Leo, but it was also a parallel universe which was always depicted as a maze of narrow corridors and passageways and rising galleries and chambers, populated by monsters. Compare to the passageway system of the Great Pyramid, facing page.

The Subterranean Chamber of the Great Pyramid.


Scenes from the Book of What is in the Duat, tomb of Thutmosis III.

The sky region of the Duat on the summer solstice circa 2500 BC-also showing the trajectory of Orion until its culmination at the meridian.
There can be no dispute that the equipped spirit was thought to master the land of the Duat with "what he knew". But what exactly was this knowledge? The suggestion in the texts that it was used to "go down to any sky" hints very strongly that astronomy might have been involved. This accords with what has been learnt concerning the astronomical interests of the priests of Heliopolis. It also makes sense of an important characteristic of the Duat to which few modern Egyptologists have paid attention: the afterlife region was not at any time conceived of by the ancient Egyptians as an "underworld" in the conventional Judaeo-Christian sense. On the contrary, as Dr R. O. Faulkner of the British Museum long ago observed, it is better described as a "netherworld" since it was "part of the visible sky".

In fact the Duat had very specific celestial co-ordinates. The first systematic attempt to chart these co-ordinates was undertaken in the 1940s by the Egyptologist Selim Hassan. Through a painstaking study of a mass of funerary and rebirth texts he established that the Duat had been conceived of by the ancient Egyptians as having been "localized in the eastern part of the sky" when the bright star Sirius - identified with the goddess Isis - and the stars of the Orion constellation - Osiris - were visible there in the pre-dawn. This was clear, he reasoned, from passages in the oldest texts which tell us: "Orion has been enveloped by the Duat while he who lives on the Horizon purifies himself. Sothis [Sirius] has been enveloped by the Duat while he who lives on the Horizon purifies himself." Hassan understood that such passages must have been based on observational astronomy:

as the sun rises and purifies himself in the Horizon, the stars Orion and Sothis are enveloped by the Duat. This is a true observation of nature, and it really appears as though the stars are swallowed up each morning by the increasing glow of the dawn. Perhaps the determinative of the word Duat, the star within a circle, illustrates this idea of the enveloping of a star.
More recently the author Robert Bauval has been able to pin down the location of the Duat in time and space still further with a crucial observation that Hassan missed. Because of the earth's orbit, the background stars against which the sun is seen to rise each morning very slowly change throughout the course of the solar year. This means that the sun does not rise in concert with Orion and Sirius on every dawn, but only at certain and specific dawns (when the sun lies roughly between the earth and these stars). Furthermore, because of another characteristic motion of the earth, the season in which the "swallowing up" of Orion and Sirius takes place also very slowly changes. This motion is precession, which retards the moment of the sun's arrival at any given stellar "address" at the rate of one degree every 72 years.

Precessional calculations for 2500–2300 BC - when the oldest surviving funerary texts from ancient Egypt were supposedly compiled - indicate that in that epoch the Duat could only have been regarded as being "active" (i.e. with Orion and Sirius rising just ahead of the sun) at around the summer solstice - the longest day of the year. At this time, and at no other season, would it have been believed to open its gates to the assembled souls of the dead. At one gate stood the constellation of Leo. At the other, divided from Leo by the glowing river of the Milky Way, stood Sirius, Orion and the constellation of Taurus. In 2500 BC this sacred portal in the heavens was said to "open" at the summer solstice because the sun rose in it at that time of the year. Today, because of the effects of precession, the sun "swallows up" Orion and Sirius at the autumnal equinox. In 10,500 BC phenomenon could only have been witnessed on the spring equinox.

Is it possible that the initiate's skill at "going down to any sky" could be a reference to an ability to make precessional calculations - i.e. to harness intellect to imagination and to visualize the skies of former and future epochs?

Was it such knowledge that was believed to be sufficiently powerful to counterbalance the feather of Maat on the scales of Judgement and to triumph over nonexistence?

This is the word which is in darkness. As for any spirit who knows it he will live among the living ... he will never perish ... he will never die.

 

Page 8

Chapter 4
In the Hall of the Double Truth (cont)
Superstition, or Science?
Undeniably powerful and even disturbing, the ideas conveyed in the funerary and rebirth texts of ancient Egypt have been described by Dr Stephen Quirke, Curator of the Department of Egyptian Antiquities at the British Museum, as belonging to an:

everlasting world ... in which the endeavour to outlast eternity reaches its most self-conscious. [They] spell out the precise phrasing by which a dead person could be made into an eternally rejuvenated being. Today we call these ancient texts "funerary literature", but this technical term does them little justice: these are texts to transfigure the dead, to make human beings into immortal gods.

Book of What is In the Duat: the spiritualization of the deceased, flanked by two Eyes of Horus amidst a landscape of stars and winged serpents.

The "sarcophagus" in the King's Chamber of the Great Pyramid. If the Pyramid was built as a model of the Duat then the sarcophagus may have been used as part of the initiate's preparation for his own inevitable death and afterlife journey and hoped-for rebirth.
The ancient Egyptians themselves often called the texts sakhu, Quirke reports:

meaning recitations that would turn a person after death into an akh, "a transfigured spirit". The only alternative was to die and remain mut, "dead". These opposites of akh and mut are roughly equivalent to the European contrast between the blessed and the damned. As in the European tradition, paradise is envisaged in terms of light, and the word akh itself is one of a group in which the idea of light and radiance is paramount, such as the Egyptian for "horizon", akhet, the home of light. Faced with the alternative, the Egyptians concentrated all their resources into securing this eternal radiance.

Seti I Temple, Abydos: Isis, goddess of magic, offers ankh, the gift of eternal life, to the soul of Pharaoh Seti I. Behind the symbolism, and the ethereal beauty of the reliefs, the sense of a lofty and ancient purpose animates the sacred art of Egypt.
In other words, although Quirke does recognize the lofty goal expressed in the texts - to transform human beings into immortal gods - he believes that it was sought for reasons that are largely psychological. Quite simply, he argues, the ancient Egyptians found the alternatives to eternal life - nonexistence, annihilation - too horrible to contemplate and therefore created an elaborate fantasy world which they imagined that their souls could enter and in which, if suitably "equipped", they hoped that they might win the prize of immortality.

In line with Quirke's view, it has become customary amongst Egyptologists today to disparage the texts as little more than wishful thinking - "a strange accretion of spells and mumbo-jumbo ... a reflection of humanity's earliest supreme revolt against the darkness and silence from which none returns". Some scholars have even gone so far as to insist that:

In spite of their meticulous attention to detail in practical matters, the Egyptians of the Pyramid Age never evolved a clear and precise conception of the After-Life ... The impression made on the modern mind is that of a people searching in the dark for a key to truth and, having found not one but many keys resembling the pattern of the lock, retaining all lest perchance the appropriate one should be discarded.
Similarly Dr Margaret Murray observes that "the horror of death is very marked in the religious texts of the Egyptians ... Knowing that death is inevitable [the Egyptian] tried to prepare for it by a knowledge of the magic which would enable him to come back to the land and home he loved so well ..."

It is the fundamental proposition of Heaven's Mirror that matters are by no means so simple and that the Egyptian scriptures contain extraordinary material with an importance vastly deeper and darker than mere mumbo-jumbo, and far, far older than scholars have imagined.

 

 

DISMEMBERED AND REMEMBERED

REMEMBERED AND DISMEMBERED

ALL IN ALL

THE ONLY RIGHT WAY TO DIE

The Magic Mountain
Thomas Mann  1875-1955

Page 511

"Hermetics - what a lovely word "
"...It sounds like magiking,and has all sorts of vague and extended associations .You must excuse my speaking of such a thing but it reminds me of the conserve jars that our housekeeper ..."
"...keeps in her larder. She has rows of them on her shelves, air-tight glasses full of  fruit and meat and all sorts of things.They stand there maybe a whole year-you open them as you need them and the contents are as fresh as on the day they were put up, you can eat them just as they are.To be sure, that isn't alchemy or purification, it is simply conserving , hence the word conserve.The magic part of it lies in the fact that the stuff that is conserved is withdrawn from the effects of time,t is her-metically sealed from time, time passes it by, it stand there on its shelf shut away from time."  

 

 

Brahma

If the red slayer think he slays,
Or if the slain think he is slain

They know not well the subtle ways
I keep and pass and turn again.

R.W.Emerson

 

 

The Prophet

Kahil Gibran 1923

Page 85

" Forget not that I shall come back to you

A

little while, and my longing shall gather dust and foam for another body

A

little while, a moment of rest upon the wind,
and another woman shall bear me"

 

 

THE ELEMENTS OF THE GODDESS

Caitlin Mathews 1997

WE ARE ENTERING THE TIME OF THE NINE-POINTED STAR

THE STAR OF MAKING REAL UPON EARTH THE GOLDEN DREAM OF PEACE THAT LIVES WITHIN US

BROOKE MEDICINE EAGLE

Page 72

"THE WAY OF THE DELIVERER IS THAT OF BONDAGE-BREAKER WHATEVER IS TRAPPED DENIED FREEDOM OF MOVEMENT THE DELIVERER PERSONALLY SETS FREE HER METHOD OF LIBERATION IS TO GO TO THE ROOTS OF THE BLOCKAGE AND LITERALLY BLAST IT FREE IN THIS THE DELIVERER BEARS A STRONG RESEMBLANCE TO THE SHAPER OF ALL WHO IS WILLING TO BE BROKEN INTO PIECES

THE SYMBOLIC IMAGE OF THIS TRANSFORMATION IS THAT OF THE BUTTERFLY EMERGING FROM THE CHRYSALIS FROM APPARENT DEATH AND DESTRUCTION ARISES A NEW FORM OF LIFE SO ARE WE BORNE OF THE DELIVERER RESHAPED AND TRANSFORMED TO LIVE MORE EFFECTIVELY WITHIN OUR CHOSEN FIELD OF OPERATION

Page 38

THIS ENNEAD OF ASPECTS IS ENDLESSLY ADAPTABLE FOR IT IS MADE UP OF NINE THE MOST AJUSTABLE AND YET ESSENTIALLY UNCHANGING NUMBER HOWEVER ONE CHOOSES TO ADD UP MULTIPLES OF NINE FOR EXAMPLE 54 72 108 THEY ALWAYS ADD UP TO NINE"

 

"HOWEVER ONE CHOOSES TO ADD UP MULTIPLES OF NINE FOR EXAMPLE

54 72 108

THEY ALWAYS ADD UP TO NINE"

 

 

THE BULL OF MINOS

Leonard Cottrell 1953

Chapter VII

Page 90

THE QUEST CONTINUES

"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND,

WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . . 

ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS,

KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS

SUN 9 9 SUN

EARTH 7 7 EARTH

MOON 3 3 MOON

JUPITER 99 99 JUPITER

 

 

TIMES LITERARY SUPPLEMENT

January 17, 2008

Chrysalis

Muriel Spark: introduced by Mick Imlah.

Muriel Spark (1918–2004) was one of the most admired and successful novelists in English in the second half of the twentieth century, author of The Prime of Miss Jean Brodie (1961), based on her own experience of school in Edinburgh, The Girls of Slender Means (1963) and others. But it was in poetry that she first made her name. From 1947–49 she was editor of the journal Poetry Review and her collection The Fanfarlo (1952) preceded her first published fiction. One of the poems in that book, "Chrysalis" was published in the TLS in June 1951

Chrysalis

We found it on a bunch of grapes and put it
In cotton wool, in a matchbox partly open,
In a room in London in wintertime, and in
A safe place, and then forgot it.

Early in the cold spring we said "See this!
Where on earth did the butterfly come from?"
It looked so unnatural whisking about the curtain:
Then we remembered the chrysalis.

There was the broken shell with what was once
The head askew; and what was once the worm
Was away out of the window, out of the warm,
Out of the scene of the small violence.

Not strange, that the pretty creature formalized
The virtue of its dark unconscious wait
For pincers of light to come and pick it out.
But it was a bad business, our being surprised.

Muriel Spark (1951)

 

 

DAILY MAIL

Thursday, April 6, 2006

Jonathan Cainer

GEMINI

May 22 -June 22

CATERPILLARS, when they form cocoons, do not succumb to any sudden doubts.They do not wonder why it is necessary to lock themselves away for a while. They do not consider that it might be unhealthy to retreat so far: Nor, when they finally emerge as blazing, beautiful butterflies, do they stop to-wonder whether life might have been better back in the-old days without wings. You are going through a profound transformation. Absolutely nothing is wrong with this."

 

 

MEDITATIONS FOR EVERY DAY

Father Andrew 1934

MONDAY IN EASTER WEEK

RISEN INDEED

'The Lord is risen indeed.'-S. LUKE xxiv. 34­

Page 136

SAINT JOHN tells us in his Gospel that, when he and Peter went speeding down to the sepulchre of our Lord and entered in, he ' saw and believed.' What was it that brought conviction to John? He saw something in the way the grave-clothes were disposed which brought absolute conviction to him of our Lord's Resurrection. If he had just seen the grave­clothes put on one side, surely he would have thought, as the women thought, that the body of our Lord had been taken from the tomb, but there was something about them which he says brought conviction to him.
The Jewish method of burial was to wind linen round and round the body, sprinkling myrrh and spices upon the linen as they did so. The myrrh was sticky and made the bands of linen adhere closely together, so that the body was like a mummy or the chrysalis of a caterpillar. What S. John saw, when he entered the tomb, was that the linen which had been wound round the body still kept its shape, but it was clear that the body was not inside it. The linen lay there like an empty shell or a chrysalis from which the moth has risen. The napkin which had been laid over the face of Jesus had fallen back and lay in its own place by itself. He saw that, and it brought conviction to him, and he went away with a wholly different frame of mind from that with which he came. As Bishop Westcott says so well in his commentary, the feeling of the apostles is better expressed by their words, The Master lives,' than by the words, He is risen.' They realized that our Lord had never been defeated by death.

 

 

MAN'S UNKNOWN JOURNEY

Staveley Bulford 1941

An introduction and contribution to the study of subjects essential to a new revelation - The Evolution of the Mind and Consciousness - in the journey of Mankind towards Perfection on and beyond the Earth

Page 190/191

"Words are inadequate to express the multitude of patterns of both Harmony and Discord portrayed by Thought, and the reader who may be unfamiliar with such a possibility as Thought power, must feel somewhat like a cocoon being told that some day he will be a butterfly himself and fly around from / flower to to flower that even at the present moment he, the cocoon, possesses all the essentials for that almost inconceivable manifestation."

 

 

Encyclopedia Of Ancient And Forbidden Knowledge

Zolar 1988 Edition

Page 39

KABBALISTIC WISDOM

There is no death; there is no destruction. All is but change and transformation-first the caterpillar, then the chrysalis, then the mighty mind, and at last a noble Soul."

 

 

THE DEATH OF FOREVER

A NEW FUTURE FOR HUMAN CONSCIOUSNESS

1991

Page 266

"We should create new rites of passage to celebrate the phases of the human life cycle, rituals for birth, for the transit into adolescence, and above all, for dying.
Of these, the need for a ritual of dying is the most urgent. I know of no greater testament to the failure of our civilisation than the fact that so many people die alone, abandoned like discards on society's junk heap. Dying must again be united with a sense of the sacred, for it is here, if anywhere, that the psyche outgrows its human limitation. The most important message of this book is that consciousness cannot be extinguished by death, for consciousness transcends time. We should learn to approach death with gratitude, seeing it for what it is, the final elimination of ego, the end of the fallacies of time and self.
In the end it can all be said so simply.
Time and self are outgrown husks which consciousness will one day discard, just as a butterfly abandons its chrysalis to fly towards the sun.

 

IN THE END IT CAN ALL BE SAID SO SIMPLY TIME AND SELF

ARE OUTGROWN HUSKS WHICH CONSCIOUSNESS WILL ONE DAY DISCARD

JUST AS A BUTTERFLY ABANDONS ITS CHRYSALIS TO FLY TOWARDS THE SUN

 

 

THE LION PATH

YOU CAN TAKE IT WITH YOU

A Manual of the Short Path to Regeneration for our times

by

Musaios

Page 33

It is time to examine the regenerative process - the way out of our limited state of body and awareness - a state that was thought of in this doctrine as "larval" to that which would ensue, just as the effectively one - dimensional or linear caterpillar has the hidden ability to spin a self - made cocoon - tomb and then turn into a pupal case, with future wings already outlined on it - a stage that can again metamorphose into the winged imago or mature form that emerges from the shell of the tomb - egg of the cocoon and flies aloft into the sky.

 

 

THE LION PATH

YOU CAN TAKE IT WITH YOU

A Manual of the Short Path to Regeneration for our times

by

Musaios

Page 137

"A winged and wondrous child

will whirl a whole world into being . . .

That child alone shall fly the abyss

and reach the Second Sun. . . ."

 

 

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5
SHALL
52
16
7
-
-
-
-
-
-
-
7
-
-
F
=
6
-
3
FLY
43
16
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
5
ABYSS
66
12
3
-
-
-
3
-
-
-
-
-
-
-
-
16
-
30
-
326
119
38
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
R
=
9
-
5
REACH
35
26
8
-
-
-
-
-
-
-
-
8
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
6
SECOND
60
24
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
3
SUN
54
9
9
-
-
-
-
-
-
-
-
-
9
-
-
14
-
20
-
201
84
30
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
77
-
102
First Total
1131
474
123
-
5
4
6
8
5
18
21
16
36
-
-
7+7
-
1+0+2
Add to Reduce
1+7+1
4+7+4
1+2+3
-
-
-
-
-
-
1+8
2+1
1+6
3+6
-
-
14
-
3
Second Total
6
15
6
-
5
4
6
8
5
9
3
7
9
-
-
1+4
-
-
Reduce to Deduce
-
1+5
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
3
Essence of Number
6
6
6
-
5
4
6
8
5
9
3
7
9

 

 

I
=
9
-
-
IMAGO
-
-
-
-
-
-
-
1
I
9
9
9
-
-
-
-
1
M
13
4
4
-
-
-
-
1
A
1
1
1
-
-
-
-
1
G
7
7
7
-
-
-
-
1
O
15
6
6
I
=
9
Q
5
IMAGO
45
27
27
-
-
-
-
-
-
4+5
2+7
2+7
I
=
9
Q
5
IMAGO
9
9
9

 

 

-`
5
I
M
A
G
O
-
-
-
-
-
-
-
-
-
-
9
-
-
-
6
+
=
15
1+5
=
6
=
6
-
-
9
-
-
-
15
+
=
24
2+4
=
6
=
6
-`
5
I
M
A
G
O
-
-
-
-
-
-
-
-
-
-
-
4
1
7
-
+
=
12
1+2
=
3
=
3
-
-
-
13
1
7
-
+
=
21
2+1
=
3
=
3
-`
5
I
M
A
G
O
-
-
-
-
-
-
-
-
-
-
9
13
1
7
15
+
=
45
4+5
=
9
=
9
-
-
9
4
1
7
6
+
=
27
2+7