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A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

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26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

Page 250

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT

IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS

THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE

MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN

A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING

THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL

CONNOTATIONS OF WORDS

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
W
=
5
-
7
WRITING
100
46
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
26
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
-
7
LETTERS
99
27
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
8
ALPHABET
65
29
2
-
-
2
-
-
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
C
=
3
-
7
CERTAIN
70
34
7
-
-
-
-
-
-
-
7
-
-
O
=
6
-
5
ORDER
60
33
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
3
MAY
39
12
3
-
-
-
3
-
-
-
-
-
-
P
=
7
-
3
PUT
57
12
3
-
-
-
3
-
-
-
-
-
-
D
=
4
-
4
DOWN
56
20
2
-
-
2
-
-
-
-
-
-
-
A
=
1
-
6
ALMOST
80
17
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ANY
40
13
4
-
-
-
-
4
-
-
-
-
-
M
=
4
-
7
MESSAGE
69
24
6
-
-
-
-
-
-
6
-
-
-
-
-
67
-
61
First Total
907
349
88
-
2
4
9
4
5
24
14
8
18
-
-
6+7
-
6+1
Add to Reduce
9+0+7
3+4+9
8+8
-
-
-
-
-
-
2+4
1+4
-
1+8
-
-
13
-
7
Second Total
16
16
16
-
2
4
9
4
5
6
5
8
9
-
-
1+3
-
-
Reduce to Deduce
1+6
1+6
1+6
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
7
7
7
-
2
4
9
4
5
6
5
8
9

 

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"

 

F
=
6
-
3
FOR
39
21
3
T
=
2
-
3
THE
33
15
6
G
=
7
-
7
GENETIC
63
36
9
L
=
3
-
8
LANGUAGE
68
32
5
T
=
2
-
5
THERE
56
29
2
I
=
9
-
2
IS
28
10
1
O
=
6
-
4
ONLY
66
21
3
O
=
6
-
3
ONE
34
16
7
U
=
3
-
9
UNIVERSAL
121
40
4
L
=
3
-
8
LANGUAGE
68
32
5
B
-
45
-
52
First Total
576
252
45
-
-
4+5
-
5+2
Add to Reduce
5+7+6
2+5+2
4+5
-
-
9
-
7
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
9
-
7
Essence of Number
9
9
9

 

 

DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA

 

 

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
9
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
57
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+7
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
12
Second Total
23
14
14
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+2
Reduce to Deduce
2+3
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
3
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
34
-
36
Add
458
197
44
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
3+4
-
3+6
Reduce
4+5+8
1+9+7
4+4
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
7
4
9
Deduce
17
17
8
-
1
4
3
8
5
18
14
8
9
-
-
-
-
-
-
-
Produce
1+7
1+7
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
7
-
9
Essence
8
8
8
-
1
4
3
8
5
9
5
8
9

 

1234 5 6789

 

O
=
6
3
ONE
34
16
7
T
=
2
3
TWO
58
13
4
T
=
2
5
THREE
56
29
2
F
=
6
4
FOUR
60
24
6
F
+
6
4
FIVE
42
24
6
S
=
1
3
SIX
52
16
7
S
=
1
5
SEVEN
65
20
2
E
=
5
5
EIGHT
49
31
4
N
=
5
4
NINE
42
24
6
-
-
39
36
-
458
197
44
-
-
3+9
3+6
-
4+5+8
1+9+7
4+4
-
-
12
9
-
17
17
8
-
-
1+2
-
-
-
-
-
-
-
3
9
-
8
8
8

 

1234 5 6789

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Page 32

5


To Sorcerers and Magicians number FIVEis the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.

 

 

THE

BALANCING

ONE TWO THREE FOUR

FIVE

NINE EIGHT SEVEN SIX

 

 

O
=
15
-
3
ONE
34
16
7
-
1
T
=
20
-
3
TWO
58
13
4
-
2
T
=
20
-
5
THREE
56
29
2
-
3
F
=
6
-
4
FOUR
60
24
6
-
4
-
-
61
-
15
Add
208
82
19
-
10
-
-
6+1
-
1+5
Reduce
2+0+8
8+2
1+9
-
1+0
-
-
7
-
6
Deduce
10
10
10
-
1
-
-
-
-
-
Produce
1+0
1+0
1+0
-
-
-
-
7
-
6
Essence
1
1
1
-
1

 

 

N
=
14
-
4
NINE
42
24
6
-
9
E
=
5
-
5
EIGHT
49
31
4
-
8
S
=
19
-
5
SEVEN
65
20
2
-
7
S
=
19
-
3
SIX
52
16
7
-
6
-
-
57
-
17
Add
208
91
19
-
30
-
-
5+7
-
1+7
Reduce
2+0+8
9+1
1+9
-
3+0
-
-
12
-
8
Deduce
10
10
10
-
3
-
-
1+2
-
-
Produce
1+0
1+0
1+0
-
-
-
-
3
-
8
Essence
1
1
1
-
3

 

 

4
FIVE
42
24
6

 

1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1

 

15
ONE TWO THREE FOUR
208
82
1
4
FIVE
42
24
6
17
NINE EIGHT SEVEN SIX
208
91
1

 

 

3
ONE
34
16
7
-
3
SIX
52
16
7
3
TWO
58
13
4
-
5
SEVEN
65
20
2
5
THREE
56
29
2
-
5
EIGHT
49
31
4
4
FOUR
60
24
6
-
4
NINE
42
24
6
15
Add
208
82
19
-
17
Add
208
91
19
1+5
Reduce
2+0+8
8+2
1+9
-
1+7
Reduce
2+0+8
9+1
1+9
6
Deduce
10
10
10
-
8
Deduce
10
10
10
-
Produce
1+0
1+0
1+0
-
-
Produce
1+0
1+0
1+0
6
Essence
1
1
1
-
8
Essence
1
1
1

 

ALWAYS BALANCING IS THAT FIVE THAT FIVE IS BALANCING ALWAYS

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

ZERO IS ONE IS SEVEN IS TWO IS FOUR IS SIX

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
20
-
-
-
24
-
22
Add to Reduce
333
108
27
-
1
2
3
4
5
6
14
8
9
2+0
-
-
-
2+4
-
2+2
Reduce to Deduce
3+3+3
1+0+8
2+7
-
-
-
-
-
-
-
1+4
-
-
2
-
-
-
6
-
4
Essence of Number
9
9
9
-
1
2
3
4
5
6
5
8
9

 

ZERO IS ONE IS SEVEN IS TWO IS FOUR IS SIX

 

 

ZERO ONE SEVEN TWO FOUR SIX

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
20
-
-
-
24
-
22
Add to Reduce
333
108
27
-
1
2
3
4
5
6
14
8
9
2+0
-
-
-
2+4
-
2+2
Reduce to Deduce
3+3+3
1+0+8
2+7
-
-
-
-
-
-
-
1+4
-
-
2
-
-
-
6
-
4
Essence of Number
9
9
9
-
1
2
3
4
5
6
5
8
9

 

ZERO ONE SEVEN TWO FOUR SIX

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
4
6
7
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
7
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
4
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
6
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
7
20
-
-
-
24
-
22
Add to Reduce
333
108
27
-
1
2
4
6
14
2+0
-
-
-
2+4
-
2+2
Reduce to Deduce
3+3+3
1+0+8
2+7
-
-
-
-
-
1+4
2
-
-
-
6
-
4
Essence of Number
9
9
9
-
1
2
4
6
5

 

ZERO ONE SEVEN TWO FOUR SIX

 

 

THREE IS TWO IS FOUR IS SIX IS SEVEN

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
22
-
-
-
12
-
20
First Total
291
102
21
-
1
4
3
4
5
6
7
8
9
2+2
-
-
-
1+2
-
2+0
Add to Reduce
2+9+1
1+0+2
2+1
-
-
-
-
-
-
-
-
-
-
4
-
-
-
3
-
10
Second Total
12
3
3
-
1
4
3
4
5
6
7
8
9
1+0
-
-
-
-
-
1+0
Reduce to Deduce
1+2
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
3
-
1
Essence of Number
3
3
3
-
1
4
3
4
5
6
7
8
9

 

THREE IS TWO IS FOUR IS SIX IS SEVEN

 

 

EIGHT IS FOUR IS SIX IS SEVEN IS TWO

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
2
-
T
=
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
19
-
-
-
18
-
20
First Total
284
104
23
-
1
2
3
8
5
6
7
8
9
1+9
-
-
-
1+8
-
2+0
Add to Reduce
2+8+4
1+0+4
2+3
-
-
-
-
-
-
-
-
-
-
10
-
-
-
9
-
2
Second Total
14
5
5
-
1
2
3
8
5
6
7
8
9
1+0
-
-
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
6
-
2
Essence of Number
5
5
5
-
1
2
3
8
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
2
-
T
=
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
19
-
-
-
18
-
20
First Total
284
104
23
-
1
2
3
8
5
6
7
8
9
1+9
-
-
-
1+8
-
2+0
Add to Reduce
2+8+4
1+0+4
2+3
-
-
-
-
-
-
-
-
-
-
10
-
-
-
9
-
2
Second Total
14
5
5
-
1
2
3
8
5
6
7
8
9
1+0
-
-
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
6
-
2
Essence of Number
5
5
5
-
1
2
3
8
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
2
4
7
2
-
T
=
8
-
5
EIGHT
49
31
4
-
-
4
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
6
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
7
7
-
S
=
1
-
5
SEVEN
65
20
2
-
2
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
4
-
-
19
-
-
-
18
-
20
First Total
284
104
23
-
2
8
6
7
1+9
-
-
-
1+8
-
2+0
Add to Reduce
2+8+4
1+0+4
2+3
-
-
-
-
-
10
-
-
-
9
-
2
Second Total
14
5
5
-
2
8
6
7
1+0
-
-
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
-
-
-
1
-
-
-
6
-
2
Essence of Number
5
5
5
-
2
8
6
7

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
9
-
N
=
5
-
5
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
28
-
-
-
15
-
20
First Total
277
97
25
-
1
2
3
4
5
12
7
8
9
2+8
-
-
-
1+5
-
2+0
Add to Reduce
2+7+7
9+7
2+5
-
-
-
-
-
-
1+2
-
-
-
10
-
-
-
6
-
2
Second Total
16
16
7
-
1
2
3
4
5
3
7
8
9
1+0
-
-
-
-
-
-
Reduce to Deduce
1+6
1+6
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
6
-
2
Essence of Number
7
7
7
-
1
2
3
4
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
9
-
N
=
5
-
5
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
28
-
-
-
15
-
20
First Total
277
97
25
-
1
2
3
4
5
12
7
8
9
2+8
-
-
-
1+5
-
2+0
Add to Reduce
2+7+7
9+7
2+5
-
-
-
-
-
-
1+2
-
-
-
10
-
-
-
6
-
2
Second Total
16
16
7
-
1
2
3
4
5
3
7
8
9
1+0
-
-
-
-
-
-
Reduce to Deduce
1+6
1+6
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
6
-
2
Essence of Number
7
7
7
-
1
2
3
4
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
2
4
6
7
9
-
N
=
5
-
5
NINE
42
24
6
-
-
-
6
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
7
7
-
S
=
1
-
5
SEVEN
65
20
2
-
2
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
4
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
6
-
28
-
-
-
15
-
20
First Total
277
97
25
-
2
4
12
7
2+8
-
-
-
1+5
-
2+0
Add to Reduce
2+7+7
9+7
2+5
-
-
-
1+2
-
10
-
-
-
6
-
2
Second Total
16
16
7
-
2
4
3
7
1+0
-
-
-
-
-
-
Reduce to Deduce
1+6
1+6
-
-
-
-
-
-
1
-
-
-
6
-
2
Essence of Number
7
7
7
-
2
4
3
7

 

 

I

ME

THE

SWORD OF WORDS

THE HEART OF GODS ART

THE ART OF GODS ART

THE R HEAT HEART OF GODS ART

SQUARING THE CIRCLE THE SQUARING

 

 

DECODE CODE CODE DECODE CODE CODE DECODE

453645 3645 3645 453645 3645 3645 453645

DECODE CODE CODE DECODE CODE CODE DECODE

 

 

HAMLET'S MILL

AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE

AND ITS TRANSMISSION THROUGH MYTH

Giorgio De Santillana and Hertha Von Dechend 1969

Intoduction

Page 2

Each age brings a World Era, a Twilight of the Gods. Great structures collapse; pillars topple which supported the great fabric; floods and cataclysms herald the shaping of a new world.

Page 4

"God disposed all things by number, weight and measure"

 

 

G
=
7
-
3
GOD
26
17
8
D
=
4
-
8
DISPOSED
91
37
1
A
=
1
-
3
ALL
25
7
7
T
=
2
-
6
THINGS
77
32
5
B
=
2
-
2
BY
27
9
9
N
=
5
-
6
NUMBER
73
28
1
W
=
5
-
6
WEIGHT
72
36
9
A
=
1
-
3
AND
19
10
1
M
=
4
-
7
MEASURE
82
28
1
B
-
31
-
44
First Total
492
204
42
-
-
3+1
-
4+4
Add to Reduce
4+9+2
2+0+4
4+2
-
-
4
-
8
Second Total
15
6
6
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
4
-
8
Essence of Number
6
3
6

 

 

W
=
5
-
4
WILL
56
20
2
Y
=
7
-
2
YE
30
12
3
N
=
5
-
2
NO
29
11
2
C
=
3
-
4
COME
36
18
9
B
=
2
-
4
BACK
17
8
8
A
=
1
-
5
AGAIN
32
23
5
B
-
23
-
21
First Total
200
92
29
-
-
2+3
-
2+1
Add to Reduce
2+0+0
9+2
2+9
-
-
5
-
3
Second Total
2
11
11
-
-
-
-
-
Reduce to Deduce
-
1+1
1+1
-
-
5
-
3
Essence of Number
2
2
2

 

 

T
=
2
-
3
THE
33
15
6
S
=
1
-
5
SWORD
79
25
7
O
=
6
-
2
OF
21
12
3
W
=
5
-
5
WORDS
79
25
7
B
-
14
-
15
First Total
212
77
23
-
-
2+4
-
1+5
Add to Reduce
2+1+2
7+7
2+3
-
-
5
-
6
Second Total
5
14
5
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
5
-
6
Essence of Number
5
5
5

 

 

P
=
7
-
7
PERSEUS
103
31
4
D
=
4
-
4
DIES
37
19
1
B
-
11
-
11
Add to Reduce
140
50
5
-
-
1+1
-
1+1
Reduce to Deduce
1+4+0
5+0
-
-
-
2
-
2
Essence of Number
5
5
5

 

 

P
=
7
-
-
PERSEIDS
-
-
-
B
B
-
-
1
P
16
7
7
-
-
-
-
1
E
5
5
5
B
-
-
-
1
R
18
9
9
-
-
-
-
1
S
19
10
1
-
-
-
-
1
E
5
5
5
B
-
B
-
1
I
9
9
9
-
-
-
-
2
D+S
23
14
5
P
=
7
-
8
PERSEIDS
95
59
41
-
-
-
-
2+1
-
9+5
5+9
4+1
P
=
7
-
8
-PERSEIDS
14
14
5
-
-
-
-
-
-
1+4
1+4
-
P
=
7
-
8
-PERSEIDS
5
5
5

 

 

-
-
-
-
-
PRECESSION
-
-
-
P
=
7
-
1
P
16
7
7
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
C
=
3
-
1
C
3
3
3
E
=
5
-
1
E
5
5
5
S
=
1
-
1
S
19
10
1
S
=
1
-
1
S
19
10
1
I
=
9
-
1
I
9
9
9
O
=
6
-
1
O
15
6
6
N
=
5
-
1
N
14
5
5
B
-
42
-
10
PRECESSION
123
69
42
-
-
4+2
-
1+0
-
1+2+3
6+9
4+2
-
-
6
-
1
PRECESSION
6
15
6
-
-
-
-
-
-
-
1+5
-
-
-
6
-
1
PRECESSION
6
6
6

 

 

-
-
-
-
-
CONCORD
-
-
-
C
=
3
-
1
C
3
3
3
O
=
6
-
1
O
15
6
6
N
=
5
-
1
N
14
5
5
C
=
3
-
1
C
3
3
3
O
=
6
-
1
O
15
6
6
R
=
9
-
1
R
18
9
9
D
=
4
-
1
D
4
4
4
B
-
36
-
7
CONCORD
72
36
36
-
-
3+6
-
-
-
7+2
3+6
3+6
-
-
9
-
7
CONCORD
9
9
9

 

 

C
=
3
-
-
CONDOLENCES
-
-
-
-
-
-
-
2
C+O
18
9
9
-
-
-
-
2
N+D
18
9
9
-
-
-
-
2
O+L
18
9
9
N
=
5
-
1
E
5
5
5
N
=
5
-
1
N
14
5
5
-
-
-
-
1
C+E+S
27
18
9
C
=
3
-
7
CONDOLENCES
109
55
36
-
-
-
-
-
-
1+0+9
5+5
3+6
C
=
3
-
7
CONDOLENCES
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
C
=
3
-
7
CONDOLENCES
9
9
9

 

 

WHITE WITH E WITH WHITE

 

-
-
-
-
-
WHITE
-
-
-
W
=
5
-
4
WITH
60
24
6
E
=
5
-
1
E
5
5
5
I
=
9
-
2
IS
28
19
1
W
=
5
-
5
WHITE
65
29
2
B
-
14
-
12
First Total
158
77
14
-
-
2+4
-
1+2
Add to Reduce
1+5+8
7+7
1+4
-
-
5
-
3
Second Total
14
14
5
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
5
-
3
Essence of Number
5
5
5

 

 

-
-
-
-
-
WHITE
-
-
-
W
=
5
-
4
WITH
60
24
6
E
=
5
-
1
E
5
5
5
B
-
10
-
5
WHITE
65
29
11
-
-
1+0
-
-
-
6+5
2+9
1+1
-
-
1
-
3
WHITE
11
11
2
-
-
-
-
-
-
1+1
1+1
-
-
-
1
-
3
WHITE
2
2
2

 

 

WHITE WITH E WITH WHITE

IS

LIGHT

BLACK B LACK OF LIGHT WHITE

 

-
-
-
-
-
BLACK
-
-
-
B
=
2
-
1
B
2
2
2
L
=
3
-
4
LACK
27
9
9
O
=
6
-
2
OF
21
12
3
L
=
3
-
5
LIGHT
56
29
2
B
=
2
-
1
B
2
2
2
B
-
16
-
13
Add to Reduce
108
54
18
-
-
1+6
-
1+3
Reduce to Deduce
1+5+8
5+4
1+8
-
-
7
-
4
Essence of Number
9
9
9

 

 

-
-
-
-
-
BLACK
-
-
-
B
=
2
-
1
B
2
2
2
L
=
3
-
4
LACK
27
9
9
B
-
5
-
5
BLACK
29
11
11
-
-
-
-
-
-
2+9
1+1
1+1
-
-
5
-
5
BLACK
11
2
2
-
-
-
-
-
-
1+1
-
-
-
-
5
-
5
BLACK
2
2
2

 

 

W
=
5
-
5
WHITE
65
29
2
B
=
2
-
5
BLACK
29
11
11
B
-
7
-
10
First Total
94
40
13
-
-
-
-
1+0
Add to Reduce
9+4
4+0
1+3
-
-
7
-
1
Second Total
13
4
4
-
-
-
-
-
Reduce to Deduce
1+3
-
-
-
-
7
-
1
Essence of Number
4
4
4

 

 

D
=
4
Q
4
DARK
34
16
7
L
=
3
Q
5
LIGHT
56
29
2
-
-
7
-
9
Add to Reduce
90
45
9
-
-
-
-
-
Reduce to Deduce
9+0
9+0
-
-
-
7
Q
9
Essence of Number
9
9
9

 

 

M
=
4
Q
6
MATTER
77
23
5
M
=
4
Q
4
MIND
40
22
4
-
-
6
-
10
Add to Reduce
117
45
9
-
-
-
-
1+0
Reduce to Deduce
1+1+7
4+5
-
-
-
6
Q
1
Essence of Number
9
9
9

 

 

D
=
4
Q
4
DARK
34
16
7
M
=
4
Q
6
MATTER
77
23
5
M
=
4
Q
4
MIND
40
22
4
L
=
3
Q
5
LIGHT
56
29
2
-
-
15
-
19
First Total
207
90
18
-
-
1+5
-
1+9
Add to Reduce
1+1+1
9+0
1+8
-
-
6
Q
10
Second Total
9
9
9
-
-
-
-
1+0
Reduce to Deduce
-
-
-
-
-
6
Q
1
Essence of Number
9
9
9

 

 

GODS OF EDEN

Egypts Lost Legacy and the Genesis of Civilisation.

Andrew Collins 1998

THE BLACK LAND

Page 332

Generally it is shown in association with the river of heaven3 known as the Eridanus, in which it either swims or is shown with its fore quarters on one bank and the rest of its bulbous body in the water.4

RIVER OF THE NIGHT

The curious star-lore surrounding the constellation of Cetus makes intriguing reading, and yet added very little to this debate. My suspicions were, however, aroused when I realised that the celestial river named Eridanus was in fact a constellation in its own right known variously as 'the river' or the 'starry stream'. Usually it is shown as flowing from the star Rigel, which forms the left foot of the constellation of Orion, across to the 'paws' of Cetus (hence the mythological and artistic associations). More important, it can be shown that Eridanus is a celestial counterpart not only of the river Nile, to which it /Page 332/ is often compared, but also of the Euphrates.5 Robert Brown Jnr, the noted nineteenth-century scholar of star-lore and its relationship to Mesopotamian mythology, wrote much about this subject, his findings being published in 1883 within a book entitled Eridanus: River and Constellation.6 In this classic work he argues in favour of the Eridanus being the celestial counterpart of the Euphrates by citing the following evidence:
[The two rivers are] . . . frequently alluded to, from very early days to the classical age, as The River, the Euphrates originally being Pura or Purat . . . that they resemble each other as long and winding streams with two great branches; that each is connected with a Paradise — Eden and Heaven; that the adjoining constellations seem to be Euphratean in origin; and that each is in some way associated with the Nile, and each with the overthrow of the sun-god.7
In• addition to this, the name Eridanus seems to be a Latinised form of Eridu, a very ancient city at the mouth of the Euphrates.5 Professor George Smith, the noted nineteenth-century scholar of Assyrian studies, who first translated the Mesopotamian account of the Great Flood, believed that he had found reference to the starry stream of Eridanus in ancient cuneiform tablets, where it is named as the Erib-mesali.9 Robert Brown Jnr agreed with him,10 yet added that the root of the name Eridanus derived from the Akkadian word aria, meaning 'the river'.11 This, in the words of French Mesopotamian scholar Francois Lenormant, was 'the ocean of the celestial waters . . . viewed under the form of a river'.12 Using the same word-root, Brown also demonstrated that the /Page 334/ Eridanus was the same as the Assyrian nahru, meaning `river', from which was derived the word Naharin, the name given by the Egyptians of the Eighteenth Dynasty to the land of the Mitanni, the kingdom between the Upper Euphrates and Tigris rivers in northern Syria, eastern Anatolia.13
In Mesopotamian myth, both the Eridanus and the Euphrates were also synonymous with the River of the Night, or the River of the Underworld, which was named as the Hubur.14 This in turn was seen as the River of Creation, which was yet another form of the celestial Euphrates.15
By themselves, such speculations were of little use:' My curiosity had, however, been raised by Brown's assertion that 'adjoining constellations' in the vicinity of the constellation of Eridanus were also seen as 'Euphratean in origin'.16 I soon found that they included Cetus, which, as already stated, was often shown on star-maps in association with the Eridanus. Since Cetus hung low in /Page 335/ the south-western sky in the pre-dawn light of the spring equinox in 8,000 BC, ...

The constellation of Eridanus, the starry stream, as perceived by Ptolemy and drawn by Robert Brown Jnr. (image omitted)

Page 332

The sea-monster Cetus swimming in the mythical Eridanus, the starry stream of the southern sky. (image omitted)

 

E
=
5
-
-
ERIDANUS
-
-
-
-
-
-
-
4
RIDE
36
27
9
-
-
-
-
1
A
1
1
1
-
-
-
-
3
SUN
54
18
9
E
=
5
-
8
ERIDANUS
91
46
19
-
-
-
-
-
-
9+1
4+6
1+9
E
=
5
-
8
ERIDANUS
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
E
=
5
-
8
ERIDANUS
1
1
1

 

 

R
=
9
-
-
RIVER
-
-
-
B
-
-
-
1
R
18
9
9
B
-
-
-
1
I
9
9
9
B
B
-
-
2
V+E
27
9
9
B
-
-
-
1
R
18
9
9
R
=
9
-
5
RIVER
72
36
36
-
-
-
-
-
-
7+2
3+6
3+6
R
=
9
-
5
-RIVER
9
9
9

 

 

E
=
5
-
-
EUPHRATES
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
1
U
21
3
3
B
B
-
-
1
P
16
7
7
B
B
-
-
1
H
8
8
8
B
-
-
-
1
R
18
9
9
B
B
-
-
1
A
1
1
1
-
-
-
-
1
T
20
2
2
-
-
-
-
1
E
5
5
5
-
-
-
-
1
S
19
10
1
E
=
5
-
9
EUPHRATES
113
50
41
-
-
-
-
-
-
1+1+3
5+0
4+1
E
=
5
-
9
EUPHRATES
5
5
5

 

 

E
=
5
-
-
EUPHRATES
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
3
U+P+H
45
18
9
B
-
-
-
1
R
18
9
9
B
B
-
-
4
A+T+E+S
45
18
9
E
=
5
-
9
EUPHRATES
113
50
41
-
-
-
-
-
-
1+1+3
5+0
4+1
E
=
5
-
9
EUPHRATES
5
5
5

 

 

Eridanus seems to be a Latinised form of Eridu, a very ancient city at the mouth of the Euphrates

 

E
=
5
-
-
ERIDU
-
-
-
-
-
-
-
4
RIDE
36
27
9
-
-
-
-
1
U
3
3
3
E
=
5
-
5
ERIDU
39
30
12
-
-
-
-
-
-
3+9
3+0
1+2
E
=
5
-
5
ERIDU
12
3
3
-
-
-
-
-
-
1+2
-
-
E
=
5
-
5
ERIDU
3
1
1

 

 

Menes (king of Egypt) -- Encyclopedia Britannica

www.britannica.com/EBchecked/topic/374923/Menes - Similarto Menes (king of Egypt) -- Encyclopedia Britannica

3 Apr 2014 ... Menes, also spelled Mena, Meni, or Min (flourished c. 2925 bce), first king of unified Egypt, who, according to ancient tradition, joined Upper ...

Alternate titles: Aha; Mena; Meni; Min; Narmer; Scorpion

Menes, also spelled Mena, Meni, or Min (flourished c. 2925 bce), first king of unified Egypt, who, according to ancient tradition, joined Upper and Lower Egypt in a single, centralized monarchy. Manetho, a 3rd-century-bce Egyptian historian, called him Menes; the 5th-century-bce Greek historian Herodotus referred to him as Min; and two native-king lists of the 19th dynasty (13th century bce) call him Meni. Modern scholars have inconclusively identified the traditional Menes with one or more of the archaic Egyptian kings bearing the names Scorpion, Narmer, and Aha.

In addition to crediting Menes with the unification of Egypt by war and administrative measures, tradition attributes to him the founding of the capital, Memphis, near present-day Cairo. Excavations at Ṣaqqārah, the cemetery for Memphis, have revealed that the earliest royal tomb located there belongs to the reign of Aha. Manetho called Menes a Thinite—i.e., a native of the Thinite province in Upper Egypt—and, in fact, monuments belonging to the kings Narmer and Aha, either of whom may be Menes, have been excavated at Abydos, a royal cemetery in the Thinite nome. Narmer also appears on a slate palette (a decorated stone on which cosmetics were pulverized) alternately wearing the red and white crowns of Lower and Upper Egypt (see crowns of Egypt), a combination symbolic of unification, and shown triumphant over his enemies. Actually, the whole process probably required several reigns, and the traditional Menes may well represent the kings involved. According to Manetho, Menes reigned for 62 years and was killed by a hippopotamus.

 

M
=
4
-
-
MENES
-
-
-
-
-
-
-
1
M
13
4
4
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
S
19
10
1
M
=
4
-
5
MENES
56
29
20
-
-
-
-
-
-
5+6
2+9
2+0
M
=
4
-
5
MENES
11
11
2
-
-
-
-
-
-
1+1
1+1
-
M
=
4
-
5
MENES
2
2
2

 

MENES SEMEN MENES

 

M
=
4
-
-
MENES
-
-
-
-
-
-
-
1
S
19
10
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
M
13
4
4
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
M
=
4
-
5
MENES
56
29
20
-
-
-
-
-
-
5+6
2+9
2+0
M
=
4
-
5
MENES
11
11
2
-
-
-
-
-
-
1+1
1+1
-
M
=
4
-
5
MENES
2
2
2

 

 

M
=
4
-
-
MENES
-
-
-
-
-
-
-
1
S
19
10
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
2
M+N
27
9
9
M
=
4
-
5
MENES
56
29
20
-
-
-
-
-
-
5+6
2+9
2+0
M
=
4
-
5
MENES
11
11
2
-
-
-
-
-
-
1+1
1+1
-
M
=
4
-
5
MENES
2
2
2

 

 

N
=
5
-
-
NARMER
-
-
-
-
-
-
-
1
N
14
5
5
-
-
-
-
1
A
1
1
1
-
-
-
-
1
R
18
9
9
-
-
-
-
1
M
13
4
4
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
N
=
5
-
6
NARMER
56
29
20
-
-
-
-
-
-
5+6
2+9
2+0
N
=
5
-
6
NARMER
11
11
2
-
-
-
-
-
-
1+1
1+1
-
N
=
5
-
6
NARMER
2
2
2

 

NARMER R NAME R NARMER

 

N
=
5
-
-
NARMER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
N
14
5
5
-
-
-
-
1
A
1
1
1
-
-
-
-
1
M
13
4
4
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
N
=
5
-
6
NARMER
56
29
20
-
-
-
-
-
-
5+6
2+9
2+0
N
=
5
-
6
NARMER
11
11
2
-
-
-
-
-
-
1+1
1+1
-
N
=
5
-
6
NARMER
2
2
2

 

 

THE MIND OF MIN

 

M
=
4
-
-
MIN
-
-
-
-
-
-
-
1
M
13
4
4
-
-
-
-
1
I
9
9
9
-
-
-
-
1
N
14
5
5
M
=
4
-
5
MIN
36
18
9
-
-
-
-
-
-
3+6
1+8
-
M
=
4
-
5
MIN
9
9
9

 

 

M
=
4
-
-
MIND
-
-
-
-
-
-
-
1
M
13
4
4
-
-
-
-
1
I
9
9
9
-
-
-
-
1
N
14
5
5
-
-
-
-
1
D
4
4
4
M
=
4
-
4
MIND
40
22
22
-
-
-
-
-
-
4+0
2+2
2+2
M
=
4
-
4
MIND
4
4
4

 

 

M
=
4
-
-
MINDS
-
-
-
-
-
-
-
1
M
13
4
4
-
-
-
-
1
I
9
9
9
-
-
-
-
1
N
14
5
5
-
-
-
-
1
D
4
4
4
-
-
-
-
1
S
19
10
1
M
=
4
-
5
MINDS
59
32
32
-
-
-
-
-
-
4+0
3+2
3+2
M
=
4
-
5
MINDS
4
4
4

 

 

M
=
4
-
-
MINDS
-
-
-
-
-
-
-
1
M
13
4
4
-
-
-
-
1
I
9
9
9
-
-
-
-
1
N
14
5
5
-
-
-
-
1
D+S
23
14
4
M
=
4
-
5
MINDS
59
32
23
-
-
-
-
-
-
4+0
3+2
2+3
M
=
4
-
5
MINDS
5
5
5

 

 

-
-
-
-
-
MIND MATTER
-
-
-
M
=
4
-
4
MIND
40
22
4
M
=
4
-
6
MATTER
77
23
5
-
-
8
-
10
MATTER MIND
117
45
9
-
-
-
-
1+0
-
1+1+7
4+5
-
-
-
8
-
1
MIND MATTER
9
9
9

 

 

M
=
4
-
7
MEMENTO
85
31
4
M
=
4
-
4
MORI
55
28
1
B
-
8
-
11
First Total
140
59
5
-
-
-
-
1+1
Add to Reduce
1+4+0
5+9
-
-
-
8
-
2
Second Total
5
14
5
-
-
-
-
-
Reduce to Deduce
-
1+4
-
-
-
8
-
2
Essence of Number
5
5
5

 

 

M
=
4
-
8
REMEMBER
79
43
7
M
=
4
-
5
DEATH
38
20
2
B
-
8
-
13
Add to Reduce
117
63
9
-
-
-
-
1+3
Reduce to Deduce
1+1+7
6+3
-
-
-
8
-
4
Essence of Number
9
9
9

 

 

MEMENTO MORI

MEMENTO 85-31-4
MORI 55-28-10-1

MEMENTO MORI 140-59-5

REMEMBER DEATH 117-63-9

 

Memento mori - Wikipedia, the free encyclopedia
Memento mori , or also memento mortis, “remember death”, is the Latin medieval designation of the theory and practice of the reflection on mortality, especially as a means of considering the vanity of earthly life and the transient nature of all earthly goods and pursuits.

Memento mori is a Latin phrase translated as "Remember your mortality", " Remember you must die" or "Remember you will die". It names a genre of artistic work...


MEMENTO MORTIS

MEMENTO 85-31-4
MORTIS 94-31-4

MEMENTO MORTIS 140-59-5

Memento mori
From Wikipedia, the free encyclopedia

Earthly Vanity and Divine Salvation by Hans Memling. This triptych contrasts earthly beauty and luxury with the prospect of death and hell. (omitted)

The outer panels of Rogier van der Weyden's Braque Triptych shows the skull of the patron displayed in the inner panels. The bones rest on a brick, a symbol of his former industry and achievement.[1]
Memento mori (Latin 'remember (that you have) to die'[2]), or also memento mortis, “remember death”, is the Latin medieval designation of the theory and practice of the reflection on mortality, especially as a means of considering the vanity of earthly life and the transient nature of all earthly goods and pursuits. It is related to the ars moriendi or “Art of Dying” and related literature. Memento mori has been an important part of ascetic disciplines as a means of perfecting the character, by cultivating detachment and other virtues, and turning the attention towards the immortality of the soul and the afterlife.[3]

For art historians, memento mori refers to specific artistic or symbolic reminders of the above.[2] In the European Christian art context, "the expression… developed with the growth of Christianity, which emphasized Heaven, Hell, and salvation of the soul in the afterlife."[4]

Classical

Dance of Death (1493) by Michael Wolgemut, from the Liber chronicarum by Hartmann Schedel
Plato's Phaedo, where the death of Socrates is recounted, introduces the idea that the proper practice of philosophy is "about nothing else but dying and being dead."[5] The Stoics were particularly prominent in their use of this discipline, and Seneca’s letters are full of injunctions to meditate on death.[6]

Popular belief says the phrase originated in ancient Rome: as a Roman general was parading through the streets during a victory triumph, standing behind him was his slave, tasked with reminding the general that, although at his peak today, tomorrow he could fall, or — more likely — be brought down. The servant is thought to have conveyed this with the warning, "Memento mori".

It is further possible that the servant may have instead advised, "Respice post te! Hominem te esse memento! Memento mori!": "Look behind you! Remember that you are a man! Remember that you'll die!", as noted by Tertullian in his Apologeticus.[7]

Subject: memento mori

It is related to the ars moriendi or “Art of Dying

ARS MORIENDI

ARS 38-11-2
MORIENDI 87-51-6

ARS MORIENDI 125-62-8

ART OF DYING 119-56-11-2

 

G
=
7
-
3
GET
32
14
5
T
=
2
-
4
THEE
38
20
2
B
=
2
-
6
BEHIND
42
33
6
M
=
4
-
2
ME
18
9
9
S
=
1
-
5
SATAN
55
19
1
B
-
16
-
20
First Total
185
95
23
-
-
2+0
-
2+0
Add to Reduce
1+8+5
9+5
2+3
-
-
2
-
2
Second Total
14
14
5
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
2
-
2
Essence of Number
5
5
5

 

 

T
=
2
-
4
THOU
64
10
1
S
=
1
-
9
SAVOUREST
140
50
5
N
=
5
-
3
NOT
49
13
4
T
=
2
-
3
THE
33
15
6
T
=
2
-
6
THINGS
77
32
5
O
=
6
-
2
OF
21
12
3
G
=
7
-
3
GOD
26
17
8
B
-
25
-
30<