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Evokation
 
 
Index
 

 

 

 

 

 

 

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
9
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
57
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+7
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
12
Second Total
23
14
14
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+2
Reduce to Deduce
2+3
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
3
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

F
=
6
-
3
FOX
45
18
9
O
=
6
-
2
OF
21
12
3
F
=
6
-
5
FOXES
69
24
6
S
-
18
4
10
Add to Reduce
135
54
18
-
-
1+8
-``
1+0
Reduce to Deduce
1+3+5
5+4
1+8
S
-
9
4
1
Essence of Number
9
9
9

 

 

-
FOX
-
-
-
1
F
6
6
6
1
O
15
6
6
1
X
24
6
6
-
OF
-
-
-
1
O
15
6
6
1
F
6
6
6
-
FOXES
-
-
-
1
F
6
6
6
1
O
15
6
6
1
X
24
6
6
2
E+S
24
6
6

 

 

-
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
-
-
6
6
-
6
-
-
-
6
6
-
1
+
=
31
3+1
=
4
=
4
=
4
-
-
-
15
24
-
15
-
-
-
15
24
-
19
+
=
112
1+1+2
=
4
=
4
=
4
-
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
-
6
-
-
5
-
+
=
23
2+3
=
5
=
5
=
5
-
-
6
-
-
-
-
6
-
6
-
-
5
-
+
=
23
2+3
=
5
=
5
=
5
-
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
-
6
15
24
-
15
6
-
6
15
24
5
19
+
=
135
1+3+5
=
9
=
9
=
9
-
-
6
6
6
-
6
6
-
6
6
6
5
1
+
=
54
5+4
=
9
=
9
=
9
-
10
F
O
X
-
O
F
-
F
O
X
E
S
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
=
5
-
-
6
6
6
-
6
6
-
6
6
6
-
-
-
-
6
occurs
x
8
=
48
=
3
7
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
33
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
12
-
-
10
-
54
-
9
3+3
1+0
6
6
6
-
6
6
-
6
6
6
5
-
-
-
1+2
-
-
1+0
-
5+4
-
-
6
1
F
O
X
-
O
F
-
F
O
X
E
S
-
-
3
-
-
1
-
9
-
9
-
-
6
6
6
-
6
6
-
6
6
6
5
1
T
-
-
-
-
-
-
-
-
-
6
1
F
O
X
-
O
F
-
F
O
X
E
S
-
-
3
-
-
1
-
9
-
9

 

 

10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
-
6
6
-
6
-
-
-
6
6
-
1
+
=
31
3+1
=
4
=
4
=
4
-
-
15
24
-
15
-
-
-
15
24
-
19
+
=
112
1+1+2
=
4
=
4
=
4
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
-
6
-
-
5
-
+
=
23
2+3
=
5
=
5
=
5
-
6
-
-
-
-
6
-
6
-
-
5
-
+
=
23
2+3
=
5
=
5
=
5
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
-
-
-
-
-
-
-
-
-
6
15
24
-
15
6
-
6
15
24
5
19
+
=
135
1+3+5
=
9
=
9
=
9
-
6
6
6
-
6
6
-
6
6
6
5
1
+
=
54
5+4
=
9
=
9
=
9
10
F
O
X
-
O
F
-
F
O
X
E
S
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
=
5
-
6
6
6
-
6
6
-
6
6
6
-
-
-
-
6
occurs
x
8
=
48
=
3
10
F
O
X
-
O
F
-
F
O
X
E
S
-
-
12
-
-
10
-
54
-
9
1+0
6
6
6
-
6
6
-
6
6
6
5
-
-
-
1+2
-
-
1+0
-
5+4
-
-
1
F
O
X
-
O
F
-
F
O
X
E
S
-
-
3
-
-
1
-
9
-
9
-
6
6
6
-
6
6
-
6
6
6
5
1
T
-
-
-
-
-
-
-
-
-
1
F
O
X
-
O
F
-
F
O
X
E
S
-
-
3
-
-
1
-
9
-
9

 

 

T
=
2
-
3
THE
33
15
6
A
=
1
-
6
ANUBIS
66
21
3
-
-
3
Q
9
First Total
99
36
9
-
-
-
-
-
Add to Reduce
9+9
3+6
-
-
-
3
-
9
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
3
-
9
Essence of Number
9
9
9

 

ANUBIS A DOG FOX IS

ANUBIS A NUMBER IS

 

F
=
6
-
3
FOX
45
18
9
O
=
6
-
2
OF
21
12
3
F
=
6
-
5
FOXES
69
24
6
-
-
18
-
10
Add to Reduce
135
54
18
-
-
1+8
--
1+0
Reduce to Deduce
1+3+5
5+4
1+8
-
-
9
-
1
Essence of Number
9
9
9

 

 

-
FOX
-
-
-
1
F
6
6
6
1
O
15
6
6
1
X
24
6
6
-
OF
-
-
-
1
O
15
6
6
1
F
6
6
6
-
FOXES
-
-
-
1
F
6
6
6
1
O
15
6
6
1
X
24
6
6
2
E+S
24
6
6

 

 

1 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 1

2 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 2

3 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 3

4 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 4

5 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 5

6 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 6

7 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 7

8 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 8

9 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 9

10 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 10

11 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 11

12 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 14

13 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 4

14 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 14

15 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 15

16 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 16

17 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 17

18 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 18

19 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 19

20 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 20

21 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 21

22 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 22

23 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 23

24 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 24

25 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 25

26 THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG 26

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
2
-
Q
=
8
-
5
QUICK
61
25
7
-
-
-
-
-
-
-
7
-
-
3
-
B
=
2
-
5
BROWN
72
27
9
-
-
-
-
-
-
-
-
-
9
4
-
F
=
6
-
3
FOX
45
18
9
-
-
-
-
-
-
-
-
-
9
5
-
J
=
1
-
5
JUMPS
79
16
7
-
-
-
-
-
-
-
7
-
-
6
-
O
=
6
-
4
OVER
60
24
6
-
-
-
-
-
-
6
-
-
-
7
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
8
-
L
=
3
-
4
LAZY
64
19
1
-
1
-
-
-
-
-
-
-
-
9
-
D
=
4
-
3
DOG
26
17
8
-
-
-
-
-
-
-
-
8
-
45
-
-
-
34
-
35
Add
473
176
59
-
1
2
3
4
5
18
14
8
18
4+5
-
-
-
3+4
-
3+5
Reduce
4+7+3
1+7+6
5+9
-
-
-
-
-
-
1+8
1+4
-
1+8
9
-
-
-
7
4
8
Deduce
14
14
14
-
1
2
3
4
5
9
5
8
9
-
-
-
-
-
-
-
Produce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
9
-
-
-
7
-
8
Essence
5
5
14
-
1
2
3
4
5
9
5
8
9

 

 

1 THE QUICK BROWN FOX JUMP1 OVER THE LAZY DOG 1

2 2HE QUICK BROWN FOX JUMPS OVER 2HE LAZY DOG 2

3 THE Q3I3K BROWN FOX J3MPS OVER THE 3AZY DOG 3

4 THE QUICK BROWN FOX JU4PS OVER THE LAZY 4OG 4

5 THE QUICK BRO55 FOX JUMPS OV5R TH5 LAZY DOG 5

6 THE QUICK BR6WN 666 JUMPS 6VER THE LAZY D6OG 6

7 THE QUICK BROWN FOX JUM7S OVER THE LAZ7 DO7 7

8 T8E 8UICK BROWN FOX JUMPS OVER T8E LA8Y DOG 8

9 THE QU9CK B9OWN FOX JUMPS OVE9 THE LAZY DOG 9

10 THE QUICK BROWN FOX JUMP1 OVER THE LAZY DOG 10

11 2HE QUICK BROWN FOX JUMPS OVER 2HE LAZY DOG 11

12 THE Q3I3K BROWN FOX J3MPS OVER THE 3AZY DOG 12

13 THE QUICK BROWN FOX JU4PS OVER THE LAZY 4OG 13

14 THE QUICK BRO55 FOX JUMPS OV5R TH5 LAZY DOG 14

15 THE QUICK BR6WN 666 JUMPS 6VER THE LAZY D6OG 15

16 THE QUICK BROWN FOX JUM7S OVER THE LAZ7 DO7 16

17 T8E 8UICK BROWN FOX JUMPS OVER T8E LA8Y DOG 17

18 THE QU9CK B9OWN FOX JUMPS OVE9 THE LAZY DOG 18

19 THE QUICK BROWN FOX JUMP1 OVER THE LAZY DOG 19

20 2HE QUICK BROWN FOX JUMPS OVER 2HE LAZY DOG 20

21 THE Q3I3K BROWN FOX J3MPS OVER THE 3AZY DOG 21

22 THE QUICK BROWN FOX JU4PS OVER THE LAZY 4OG 22

23 THE QUICK BRO55 FOX JUMPS OV5R TH5 LAZY DOG 23

24 THE QUICK BR6WN 666 JUMPS 6VER THE LAZY D6OG 24

25 THE QUICK BROWN FOX JUM7S OVER THE LAZ7 DO7 25

26 T8E 8UICK BROWN FOX JUMPS OVER T8E LA8Y DOG 26

 

 

The quick brown fox jumps over the lazy dog - Wikipedia ...
From Wikipedia, the free encyclopedia

"The quick brown fox jumps over the lazy dog" is an English-language pangram—a phrase that contains all of the letters of the alphabet.

"The quick brown fox jumps over the lazy dog" is an English-language pangram—a phrase that contains all of the letters of the alphabet. It is used to show fonts and to test typewriters and computer keyboards, and in other applications involving all of the letters in the English alphabet. Owing to its brevity and coherence, it has become widely known

History[edit]

The earliest known appearance of the phrase is from The Michigan School Moderator, a journal that provided many teachers with education-related news and suggestions for lessons.[1] In an article titled "Interesting Notes" in the March 14, 1885 issue, the phrase is given as a suggestion for writing practice: "The following sentence makes a good copy for practice, as it contains every letter of the alphabet: 'A quick brown fox jumps over the lazy dog.'"[2] Note that the phrase in this case begins with the word "A" rather than "The". Several other early sources also use this variation.

As the use of typewriters grew in the late 19th century, the phrase began appearing in typing and stenography lesson books as a practice sentence. Early examples of publications which used the phrase include Illustrative Shorthand by Linda Bronson (1888),[3] How to Become Expert in Typewriting: A Complete Instructor Designed Especially for the Remington Typewriter (1890),[4] and Typewriting Instructor and Stenographer's Hand-book (1892). By the turn of the 20th century, the phrase had become widely known. In the January 10, 1903, issue of Pitman's Phonetic Journal, it is referred to as "the well known memorized typing line embracing all the letters of the alphabet".[5] Robert Baden-Powell's book Scouting for Boys (1908) uses the phrase as a practice sentence for signaling.[6]

The first message sent on the Moscow–Washington hotline was the test phrase "THE QUICK BROWN FOX JUMPED OVER THE LAZY DOG'S BACK 1234567890".[7] Later, during testing, the Russian translators sent a message asking their American counterparts "What does it mean when your people say 'The quick brown fox jumped over the lazy dog?'"[8]

During the 20th century, technicians tested typewriters and teleprinters with repeated lines of "THE QUICK BROWN FOX..." sentence.[9]

 

THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
2
-
Q
=
8
-
5
QUICK
61
25
7
-
-
-
-
-
-
-
7
-
-
3
-
B
=
2
-
5
BROWN
72
27
9
-
-
-
-
-
-
-
-
-
9
4
-
F
=
6
-
3
FOX
45
18
9
-
-
-
-
-
-
-
-
-
9
5
-
J
=
1
-
5
JUMPS
79
16
7
-
-
-
-
-
-
-
7
-
-
6
-
O
=
6
-
4
OVER
60
24
6
-
-
-
-
-
-
6
-
-
-
7
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
8
-
L
=
3
-
4
LAZY
64
19
1
-
1
-
-
-
-
-
-
-
-
9
-
D
=
4
-
3
DOG
26
17
8
-
-
-
-
-
-
-
-
8
-
45
-
-
-
34
-
35
Add
473
176
59
-
1
2
3
4
5
18
14
8
18
4+5
-
-
-
3+4
-
3+5
Reduce
4+7+3
1+7+6
5+9
-
-
-
-
-
-
1+8
1+4
-
1+8
9
-
-
-
7
4
8
Deduce
14
14
14
-
1
2
3
4
5
9
5
8
9
-
-
-
-
-
-
-
Produce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
9
-
-
-
7
-
8
Essence
5
5
14
-
1
2
3
4
5
9
5
8
9

 

 

THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
Q
=
8
-
1
Q
17
8
8
-
-
-
-
-
-
-
-
8
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
X
=
6
-
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
J
=
1
-
1
J
10
1
1
-
1
-
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
Z
=
8
-
1
Z
26
8
8
-
-
-
-
-
-
-
-
8
-
Y
=
5
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
V
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
34
-
35
First Total
473
176
59
-
3
8
12
12
25
36
21
32
27
-
-
3+4
-
3+5
Add to Reduce
4+7+3
1+7+6
5+9
-
-
-
1+2
1+2
2+5
3+6
2+1
3+2
2+7
-
-
7
4
8
Second Total
14
14
14
-
3
8
3
3
7
9
3
5
9
-
-
-
-
-
Reduce to Deduce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
Essence of Number
5
5
14
-
3
8
3
3
7
9
3
5
9

 

THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
J
=
1
-
1
J
10
1
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
V
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
W
=
5
-
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
X
=
6
-
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
Y
=
5
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
Q
=
8
-
1
Q
17
8
8
-
-
-
-
-
-
-
-
8
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
Z
=
8
-
1
Z
26
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
34
-
35
First Total
473
176
59
-
3
8
12
12
25
36
21
32
27
-
-
3+4
-
3+5
Add to Reduce
4+7+3
1+7+6
5+9
-
-
-
1+2
1+2
2+5
3+6
2+1
3+2
2+7
-
-
7
4
8
Second Total
14
14
14
-
3
8
3
3
7
9
3
5
9
-
-
-
-
-
Reduce to Deduce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
Essence of Number
5
5
14
-
3
8
3
3
7
9
3
5
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
2
-
Q
=
8
-
5
QUICK
61
25
7
-
-
-
-
-
-
-
7
-
-
3
-
B
=
2
-
5
BROWN
72
27
9
-
-
-
-
-
-
-
-
-
9
4
-
F
=
6
-
3
FOX
45
18
9
-
-
-
-
-
-
-
-
-
9
5
-
J
=
1
-
5
JUMPS
79
16
7
-
-
-
-
-
-
-
7
-
-
6
-
O
=
6
-
4
OVER
60
24
6
-
-
-
-
-
-
6
-
-
-
7
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
8
-
L
=
3
-
4
LAZY
64
19
1
-
1
-
-
-
-
-
-
-
-
9
-
D
=
4
-
3
DOG
26
17
8
-
-
-
-
-
-
-
-
8
-
45
-
-
-
34
-
35
Add
473
176
59
-
1
2
3
4
5
18
14
8
18
4+5
-
-
-
3+4
-
3+5
Reduce
4+7+3
1+7+6
5+9
-
-
-
-
-
-
1+8
1+4
-
1+8
9
-
-
-
7
4
8
Deduce
14
14
14
-
1
2
3
4
5
9
5
8
9
-
-
-
-
-
-
-
Produce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
9
-
-
-
7
-
8
Essence
5
5
14
-
1
2
3
4
5
9
5
8
9

 

 

THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

HURRAH FOR RAH FOR RAH HURRAH

 

 

T
=
2
-
3
THE
33
15
6
A
=
1
-
6
ANUBIS
66
21
3
-
-
3
Q
9
First Total
99
36
9
-
-
-
-
-
Add to Reduce
9+9
3+6
-
-
-
3
-
9
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
3
-
9
Essence of Number
9
9
9

 

 

GOD IS MAAT IS

 

-
-
3
-
-
GOD IS MAAT IS
-
-
-
G
=
7
-
3
GOD
26
17
8
I
=
9
-
2
IS
28
10
1
M
=
4
-
4
MAAT
35
8
8
I
=
9
-
2
IS
28
10
1
-
-
11
-
11
MAAT IS GOD IS
117
45
18
-
-
1+1
-
1+1
-
1+1+7
4+5
1+8
-
-
2
-
2
GOD IS MAAT IS
9
9
9

 

GOD IS MAAT IS

 

 

-
-
-
-
-
THE HOLY GHOST
-
-
-
T
=
2
-
3
THE
33
15
6
H
=
8
-
4
HOLY
60
42
6
G
=
7
-
5
GHOST
69
24
6
-
-
15
-
12
THE HOLY GHOST
153
81
18
-
-
1+5
-
1+2
-
1+5+3
8+1
1+8
-
-
6
-
3
THE HOLY GHOST
9
9
9

 

 

-
12
T
H
E
-
H
O
L
Y
-
G
H
O
S
T
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
8
6
-
-
-
-
8
6
1
-
+
=
37
3+7
=
10
1+0
1
=
1
-
-
-
8
-
-
8
15
-
-
-
-
8
15
19
-
+
=
73
7+3
=
10
1+0
1
=
1
-
12
T
H
E
-
H
O
L
Y
-
G
H
O
S
T
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
-
-
3
7
-
7
-
-
-
2
+
=
26
2+6
=
8
=
8
=
8
-
-
20
-
5
-
-
-
12
25
-
7
-
-
-
20
+
=
89
8+9
=
17
1+7
8
=
8
-
12
T
H
E
-
H
O
L
Y
-
G
H
O
S
T
-
-
-
-
-
-
-
-
-
-
-
-
20
8
5
-
8
15
12
25
-
7
8
15
19
20
+
=
162
1+6+2
=
9
=
9
=
9
-
-
2
8
5
-
8
6
3
7
-
7
8
6
1
2
+
=
63
6+3
=
9
=
9
=
9
-
12
T
H
E
-
H
O
L
Y
-
G
H
O
S
T
1
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
1
1
occurs
x
1
=
1
=
1
1
-
2
-
-
-
-
-
-
-
-
-
-
-
-
2
1
1
2
occurs
x
2
=
4
=
4
1
-
-
-
-
-
-
--
3
-
-
-
-
--
-
-
-
1
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
1
-
1
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
6
-
-
-
-
-
6
-
-
1
1
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
-
7
-
7
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
1
1
-
8
-
-
8
-
-
-
-
-
8
-
-
-
-
-
8
occurs
x
3
=
24
2+4
6
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
13
12
T
H
E
-
H
O
L
Y
-
G
H
O
S
T
-
-
32
-
-
12
-
63
-
27
1+3
1+2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1
3+2
-
-
1+2
-
6+3
-
2+7
4
3
T
H
E
-
H
O
L
Y
-
G
H
O
S
T
1
1
5
-
-
3
-
9
-
9
-
-
2
8
5
-
8
6
3
7
-
7
8
6
1
2
1
-
-
-
-
-
-
-
-
-
4
3
T
H
E
-
H
O
L
Y
-
G
H
O
S
T
1
1
5
-
-
3
-
9
-
9

 

 

 

THE KINGDOM OF GOD

 

-
-
-
-
-
THE KINGDOM OF GOD
-
-
-
T
=
2
-
3
THE
33
15
6
K
=
2
-
7
KINGDOM
73
37
1
O
=
6
-
2
OF
21
12
3
G
=
7
-
3
GOD
26
17
1
-
-
17
-
15
THE KINGDOM OF GOD
153
45
18
-
-
1+7
-
1+5
-
1+5+3
4+5
1+8
-
-
8
-
6
THE KINGDOM OF GOD
9
9
9

 

THE KINGDOM OF GOD

 

 

 

 

WAKEFIELD CENOTAPH WAKEFIELD

WHEN YOU GO HOME TELL THEM OF US

AND SAY FOR YOUR TOMORROWS WE GAVE OUR TODAY

 

AT THE GOING DOWN OF THE SUN AND IN THE MORNING WE WILL REMEMBER THEM

 

 

en.wikipedia.org/wiki/Ode_of_Remembrance

A stone plaque was erected at the spot in 2001 to commemorate the fact. The plaque bears the ... At the going down of the sun and in the morning, We will ...
‎Musical settings - ‎"Condemn" or "contemn"? - ‎Popular culture - ‎References

The "Ode of Remembrance" is an ode taken from Laurence Binyon's poem, "For the Fallen", which was first published in The Times in September 1914.

'For The Fallen' plaque with The Rumps promontory beyond
The poet wrote For the Fallen, which has seven stanzas, while sitting on the cliffs between Pentire Point and The Rumps in north Cornwall, UK. A stone plaque was erected at the spot in 2001 to commemorate the fact. The plaque bears the inscription:
For the FallenComposed on these cliffs 1914
There is also a plaque on the beehive monument on the East Cliff above Portreath in central North Cornwall which cites that as the place where Binyon composed the poem. A plaque on a statue dedicated to the fallen in Valleta, Malta is also inscribed with these words.

The poem honoured the World War I British war dead of that time, and in particular the British Expeditionary Force, which by then already had high casualty rates on the developing Western Front. The poem was published when the Battle of the Marne was foremost in people's minds.

War memorial in ChristChurch Cathedral, Christchurch, NZ
Over time, the third and fourth stanzas of the poem (although often just the fourth)[1] were claimed as a tribute to all casualties of war, regardless of state.

They went with songs to the battle, they were young.
Straight of limb, true of eye, steady and aglow.
They were staunch to the end against odds uncounted,
They fell with their faces to the foe.

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning,
We will remember them.

They mingle not with their laughing comrades again;
They sit no more at familiar tables of home;
They have no lot in our labour of the day-time;
They sleep beyond England's foam

The phrase Lest we forget is often added as a final line at the end of the ode and repeated in response by those listening, especially in Australia. In the United Kingdom, Australia, New Zealand and Singapore, the final line of the ode, "We will remember them", is repeated in response. In Canada, the second stanza of the above extract has become known as the Act of Remembrance, and the final line is also repeated.

The second line of the fourth stanza, 'Age shall not weary them, nor the years condemn', draws upon Enobarbus' description of Cleopatra in Antony and Cleopatra: 'Age cannot wither her, nor custom stale'.[2]

The "Ode of Remembrance" is regularly recited at memorial services held on days commemorating World War I, such as ANZAC Day, Remembrance Day, and Remembrance Sunday. In Australia's Returned and Services Leagues, and in New Zealand's numerous RSA's, it is read out nightly at 7 p.m., followed by a minute's silence. In Australia and New Zealand it is also part of the Dawn service at 6 a.m. Recitations of the "Ode of Remembrance" are often followed by a playing of the "Last Post". In Canadian remembrance services, a French translation[3] is often used along with or instead of the English ode.

The second stanza is also read at the Menin Gate, every evening at 8 p.m., after the first part of the "Last Post". It is mostly read by a British serviceman. The recital is followed by a minute of silence.

 

AT THE GOING DOWN OF THE SUN AND IN THE MORNING WE WILL REMEMBER THEM

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
2
AT
21
3
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
G
=
7
-
5
GOING
52
34
7
-
-
-
-
-
-
-
7
-
-
D
=
4
-
4
DOWN
56
20
2
-
-
2
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
3
SUN
54
18
9
-
-
-
-
-
-
-
-
-
9
-
-
23
-
22
-
270
117
36
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
7
MORNING
90
45
9
-
-
-
-
-
-
-
-
-
9
W
=
5
-
2
WE
28
10
1
-
1
-
-
-
-
-
-
-
-
W
=
5
-
4
WILL
56
20
2
-
-
2
-
-
-
-
-
-
-
R
=
9
-
8
REMEMBER
79
43
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
4
THEM
46
19
1
-
1
-
-
-
-
-
-
-
-
-
-
37
-
33
-
374
176
32
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
60
-
55
First Total
644
293
68
-
3
4
6
4
5
18
14
8
18
-
-
7+7
-
5+5
Add to Reduce
6+4+4
2+9+3
6+8
-
-
-
-
-
-
1+8
1+4
-
1+8
-
-
14
-
10
Second Total
14
14
14
-
3
4
6
4
5
9
5
8
9
-
-
1+4
-
1+0
Reduce to Deduce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
5
-
1
Essence of Number
5
5
5
-
3
4
6
4
5
9
5
8
9

 

 

en.wikipedia.org/wiki/John_Maxwell_Edmonds

"When you go home tell them of us and say: for your tomorrow we gave our today" ... The second of these was used as a theme for the 1942 war movie Went the ...

John Maxwell Edmonds (21 January 1875 – 18 March 1958) was an English classicist, poet, and dramatist who is notable as the creator of celebrated epitaphs.Edmonds is credited with authorship of a famous epitaph in the Kohima Allied war cemetery.
When you go home, tell them of us and say For their tomorrow, we gave our today.
He was the author of an item in The Times, 6 February 1918, page 7, headed "Four Epitaphs" composed for graves and memorials to those fallen in battle – each covering different situations of death. The second of these was used as a theme for the 1942 war movie Went the Day Well?:
Went the day well?We died and never knew.But, well or ill,Freedom, we died for you.
That epitaph was regularly quoted when The Times notified deaths of those who fell during the First World War, and was also regularly used during the Second World War. It appeared on many village and town war memorials.

There has been some confusion between 'Went the day well' and Edmonds’ other famous epitaph published in the same 1919 edition of inscriptions:[2]
When you go home, tell them of us and say,For your tomorrows these gave their today.
This epitaph was inspired by an epigram of the Greek poet Simonides of Ceos to the fallen at the Battle of Thermopylae, and was later used (with a misquote) for the memorial for those who fell at the Battle of Kohima. Some resources incorrectly give Went the day well? as being the translation of the Simonides epigram.

"When you go home tell them of us and say: for your tomorrow we gave our today"

 

WHEN YOU GO HOME TELL THEM OF US

AND SAY FOR YOUR TOMORROW WE GAVE OUR TODAY

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
W
=
5
-
4
WHEN
50
23
5
-
-
-
-
-
5
-
-
-
-
Y
=
7
-
3
YOU
61
16
7
-
-
-
-
-
-
-
7
-
-
G
=
7
-
2
GO
22
13
4
-
-
-
-
4
-
-
-
-
-
H
=
8
-
4
HOME
41
23
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
4
TELL
49
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
4
THEM
46
19
1
-
1
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
2
US
40
13
4
-
-
-
-
4
-
-
-
-
-
-
-
40
-
25
-
330
132
33
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
3
SAY
45
18
9
-
-
-
-
-
-
-
-
-
9
F
=
6
-
3
FOR
39
21
3
-
-
-
3
-
-
-
-
-
-
Y
=
7
-
4
YOUR
79
25
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
8
TOMORROW
137
47
2
-
-
2
-
-
-
-
-
-
-
W
=
5
-
2
WE
28
10
1
-
1
-
-
-
-
-
-
-
-
G
=
7
-
4
GAVE
35
17
8
-
-
-
-
-
-
-
-
8
-
O
=
6
-
3
OUR
54
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
5
TODAY
65
20
2
-
-
2
-
-
-
-
-
-
-
-
-
37
-
35
-
501
186
42
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
77
-
60
First Total
831
318
75
-
3
4
6
12
10
6
14
8
18
-
-
7+7
-
6+0
Add to Reduce
8+3+1
3+1+8
7+5
-
-
-
-
1+2
1+0
-
1+4
-
1+8
-
-
14
-
6
Second Total
12
12
12
-
3
4
6
3
1
6
5
8
9
-
-
1+4
-
-
Reduce to Deduce
1+2
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
5
-
1
Essence of Number
3
3
3
-
3
4
6
3
1
6
5
8
9

 

"When you go home tell them of us and say: for your tomorrow we gave our today"

 

 

WAKEFIELD CENOTAPH WAKEFIELD

READS

WHEN YOU GO HOME TELL THEM OF US

AND SAY FOR YOUR TOMORROWS WE GAVE OUR TODAY

 

 

 

 

ORACLE

973-eht-namuh-973

by sirjon77 » Tue Feb 14, 2012 7:36 pm

Hannah, can you hear me? Wherever you are, look up, Hannah.

The clouds are lifting. The sun is breaking through.

We are coming out of the darkness into the light.

We are coming into a new world, a kindlier world, where men will rise above their hate, their greed and brutality.

Look up, Hannah. The soul of man has been given wings, and at last he is beginning to fly.

He is flying into the rainbow - into the light of hope, into the future, the

glorious future that belongs to you, to me, and to all of us. Look up, Hannah. Look up

 

http://www.youtube.com/watch?v=7WsR6CFlvHY

 

 

sun

energy

energy

energy

energy

energy

energy

energy

energy

energy

energy

rrrraaaaaaaahhhhhhhhhhhhhhhh!

OBJECTIVE REALITY

poems and essays by

lloyd c.daniel1985

 

.

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

IN SEARCH OF THE MIRACULOUS

Fragments of an Unknown Teaching

P. D. Oupensky 1878 - 1947

Page 217

'A man may be born, but in order to be born he must first die, and in order to die he must first awake.'
'When a man awakes he can die; when he dies he can be born'

Gurdjieff

 

 

FROM CATERPILLAR INTO BUTTERFLY

THE WORLD OF NATURE

J. P. Vanden Eeckhoudt 1960

Page 90

THE "butterflies and moths whose life history we have studied are an insignificantly small sample of the hundred thousand or so species known throughout the world. They range in infinite variety from the great GEOMETER of Brazil, with its wing span of nearly thirteen inches, to tiny, clothes moths with a span of only about a tenth of an inch. We find the simplest shapes and patterns and the most fantastic; a riot of gaudy colours and the dowdiest of greys and browns. Fascinating as they are, the perfect insects are often equalled or even outdone in beauty and strangeness by the caterpillars, and sometimes by the chrysalises."

Page 43

"Great numbers of butterflies appear when the weather is good; they flutter everywhere, plundering the flowers, sunning themselves on bushes, on tree-trunks, on the ground. But no Small Tortoise-shells are to be seen. Those that were out in the spring are dead, and the larvae from their eggs have not yet completed their transformation; they are still in the chrysalis state. Beneath their hardened skin a complete remodelling of their organs is in progress, and two weeks at least are necessary for its completion. Then one last moult will release the perfect insect.

Page 22

"The growth of caterpillars is not a continuous process. Their skin does not stretch much, and rapidly becomes too tight for them as they grow. So the caterpillars periodically leave their skin, as people give up clothes which no longer fit them, and emerge in a new skin, which has all this time been forming underneath the old one, and which allows them scope for further growth. When this in turn becomes too tight, it is cast aside in favour of a third, and so on."

MOULT 81 81 MOULT

MOULT 18 18 MOULT

MOULT 9 9 MOULT

 

 

DAILY MAIL

Thursday, October 17. 2013

Jaya Narain

Page 29

"Sue Lightup said her progress was like 'a butterfly coming out of a chrysalis.'..."

 

 

THE ELEMENTS OF THE GODDESS

Caitlin Mathews 1997

WE ARE ENTERING THE TIME OF THE NINE-POINTED STAR

THE STAR OF MAKING REAL UPON EARTH THE GOLDEN DREAM OF PEACE THAT LIVES WITHIN US

BROOKE MEDICINE EAGLE

Page 72

"THE WAY OF THE DELIVERER IS THAT OF BONDAGE-BREAKER WHATEVER IS TRAPPED DENIED FREEDOM OF MOVEMENT THE DELIVERER PERSONALLY SETS FREE HER METHOD OF LIBERATION IS TO GO TO THE ROOTS OF THE BLOCKAGE AND LITERALLY BLAST IT FREE IN THIS THE DELIVERER BEARS A STRONG RESEMBLANCE TO THE SHAPER OF ALL WHO IS WILLING TO BE BROKEN INTO PIECES

THE SYMBOLIC IMAGE OF THIS TRANSFORMATION IS THAT OF THE BUTTERFLY EMERGING FROM THE CHRYSALIS FROM APPARENT DEATH AND DESTRUCTION ARISES A NEW FORM OF LIFE SO ARE WE BORNE OF THE DELIVERER RESHAPED AND TRANSFORMED TO LIVE MORE EFFECTIVELY WITHIN OUR CHOSEN FIELD OF OPERATION

Page 38

THIS ENNEAD OF ASPECTS IS ENDLESSLY ADAPTABLE FOR IT IS MADE UP OF NINE THE MOST AJUSTABLE AND YET ESSENTIALLY UNCHANGING NUMBER HOWEVER ONE CHOOSES TO ADD UP MULTIPLES OF NINE FOR EXAMPLE 54 72 108 THEY ALWAYS ADD UP TO NINE"

 

"HOWEVER ONE CHOOSES TO ADD UP MULTIPLES OF NINE FOR EXAMPLE

54 72 108

THEY ALWAYS ADD UP TO NINE"

 

 

TIMES LITERARY SUPPLEMENT

January 17, 2008

Chrysalis

Muriel Spark: introduced by Mick Imlah.

Muriel Spark (1918–2004) was one of the most admired and successful novelists in English in the second half of the twentieth century, author of The Prime of Miss Jean Brodie (1961), based on her own experience of school in Edinburgh, The Girls of Slender Means (1963) and others. But it was in poetry that she first made her name. From 1947–49 she was editor of the journal Poetry Review and her collection The Fanfarlo (1952) preceded her first published fiction. One of the poems in that book, "Chrysalis" was published in the TLS in June 1951

 

Chrysalis

We found it on a bunch of grapes and put it
In cotton wool, in a matchbox partly open,
In a room in London in wintertime, and in
A safe place, and then forgot it.

Early in the cold spring we said "See this!
Where on earth did the butterfly come from?"
It looked so unnatural whisking about the curtain:
Then we remembered the chrysalis.

There was the broken shell with what was once
The head askew; and what was once the worm
Was away out of the window, out of the warm,
Out of the scene of the small violence.

Not strange, that the pretty creature formalized
The virtue of its dark unconscious wait
For pincers of light to come and pick it out.
But it was a bad business, our being surprised.

Muriel Spark (1951)

 

 

DAILY MAIL

Thursday, April 6, 2006

Jonathan Cainer

GEMINI

May 22 -June 22

CATERPILLARS, when they form cocoons, do not succumb to any sudden doubts.They do not wonder why it is necessary to lock themselves away for a while. They do not consider that it might be unhealthy to retreat so far: Nor, when they finally emerge as blazing, beautiful butterflies, do they stop to-wonder whether life might have been better back in the-old days without wings. You are going through a profound transformation. Absolutely nothing is wrong with this."

 

 

DAILY MAIL

Friday, September 6. 2013

ANSWERS TO CORRESPONDENTS

Anyone for silkworms?

Page 66

"QUESTION Does anyone know if silkworms are edible?

ANYONE who has visited the Donghuamen night market or Wangfujing food street in Beijing will have seen all sorts of weird and wonderful foodstuffs:..."

"There are a wide variety of insects for sale, from deep-fried crickets (which taste slightly fishy) to golden centipede, and silkworms (Bombyx mori).

In fact they are the silkworm pupae, the intermediate stage between caterpillar and moth. During this stage, the caterpillar wraps itself inside the silk cocoon which is such a valuable commodity...."

 

 

MEDITATIONS FOR EVERY DAY

Father Andrew 1934

MONDAY IN EASTER WEEK

RISEN INDEED

'The Lord is risen indeed.'-S. LUKE xxiv. 34­

Page 136

SAINT JOHN tells us in his Gospel that, when he and Peter went speeding down to the sepulchre of our Lord and entered in, he ' saw and believed.' What was it that brought conviction to John? He saw something in the way the grave-clothes were disposed which brought absolute conviction to him of our Lord's Resurrection. If he had just seen the grave­clothes put on one side, surely he would have thought, as the women thought, that the body of our Lord had been taken from the tomb, but there was something about them which he says brought conviction to him.
The Jewish method of burial was to wind linen round and round the body, sprinkling myrrh and spices upon the linen as they did so. The myrrh was sticky and made the bands of linen adhere closely together, so that the body was like a mummy or the chrysalis of a caterpillar. What S. John saw, when he entered the tomb, was that the linen which had been wound round the body still kept its shape, but it was clear that the body was not inside it. The linen lay there like an empty shell or a chrysalis from which the moth has risen. The napkin which had been laid over the face of Jesus had fallen back and lay in its own place by itself. He saw that, and it brought conviction to him, and he went away with a wholly different frame of mind from that with which he came. As Bishop Westcott says so well in his commentary, the feeling of the apostles is better expressed by their words, The Master lives,' than by the words, He is risen.' They realized that our Lord had never been defeated by death.

 

 

MAN'S UNKNOWN JOURNEY

Staveley Bulford 1941

An introduction and contribution to the study of subjects essential to a new revelation - The Evolution of the Mind and Consciousness - in the journey of Mankind towards Perfection on and beyond the Earth

Page 190/191

"Words are inadequate to express the multitude of patterns of both Harmony and Discord portrayed by Thought, and the reader who may be unfamiliar with such a possibility as Thought power, must feel somewhat like a cocoon being told that some day he will be a butterfly himself and fly around from / flower to to flower that even at the present moment he, the cocoon, possesses all the essentials for that almost inconceivable manifestation."

 

 

Encyclopedia Of Ancient And Forbidden Knowledge

Zolar 1988 Edition

Page 39

KABBALISTIC WISDOM

There is no death; there is no destruction. All is but change and transformation-first the caterpillar, then the chrysalis, then the mighty mind, and at last a noble Soul."

 

 

THE DEATH OF FOREVER

A NEW FUTURE FOR HUMAN CONSCIOUSNESS

1991

Page 266

"We should create new rites of passage to celebrate the phases of the human life cycle, rituals for birth, for the transit into adolescence, and above all, for dying.
Of these, the need for a ritual of dying is the most urgent. I know of no greater testament to the failure of our civilisation than the fact that so many people die alone, abandoned like discards on society's junk heap. Dying must again be united with a sense of the sacred, for it is here, if anywhere, that the psyche outgrows its human limitation. The most important message of this book is that consciousness cannot be extinguished by death, for consciousness transcends time. We should learn to approach death with gratitude, seeing it for what it is, the final elimination of ego, the end of the fallacies of time and self.
In the end it can all be said so simply.
Time and self are outgrown husks which consciousness will one day discard, just as a butterfly abandons its chrysalis to fly towards the sun.

 

IN THE END IT CAN ALL BE SAID SO SIMPLY TIME AND SELF

ARE OUTGROWN HUSKS WHICH CONSCIOUSNESS WILL ONE DAY DISCARD

JUST AS A BUTTERFLY ABANDONS ITS CHRYSALIS TO FLY TOWARDS THE SUN

 

 

THE LION PATH

YOU CAN TAKE IT WITH YOU

A Manual of the Short Path to Regeneration for our times

by

Musaios

Page 33

It is time to examine the regenerative process - the way out of our limited state of body and awareness - a state that was thought of in this doctrine as "larval" to that which would ensue, just as the effectively one - dimensional or linear caterpillar has the hidden ability to spin a self - made cocoon - tomb and then turn into a pupal case, with future wings already outlined on it - a stage that can again metamorphose into the winged imago or mature form that emerges from the shell of the tomb - egg of the cocoon and flies aloft into the sky.

 

 

THE LION PATH

YOU CAN TAKE IT WITH YOU

A Manual of the Short Path to Regeneration for our times

by

Musaios

Page 137

"A winged and wondrous child

will whirl a whole world into being . . .

That child alone shall fly the abyss

and reach the Second Sun. . . ."

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
W
=
5
-
6
WINGED
62
35
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
W
=
5
-
8
WONDROUS
129
39
3
-
-
-
3
-
-
-
-
-
-
C
=
3
-
5
CHILD
36
27
9
-
-
-
-
-
-
-
-
-
9
-
-
15
-
23
-
247
112
22
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
W
=
5
-
4
WILL
56
20
2
-
-
2
-
-
-
-
-
-
-
W
=
5
-
5
WHIRL
70
34
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
W
=
5
-
5
WHOLE
63
27
9
-
-
-
-
-
-
-
-
-
9
W
=
5
-
5
WORLD
72
27
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
4
INTO
58
22
4
-
-
-
-
4
-
-
-
-
-
B
=
2
-
5
BEING
37
28
1
-
1
-
-
-
-
-
-
-
-
-
-
32
-
29
-
357
159
33
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
4
THAT
49
13
4
-
-
-
-
4
-
-
-
-
-
C
=
3
-
5
CHILD
36
27
9
-
-
-
-
-
-
-
-
-
9
A
=
1
-
5
ALONE
47
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
5
SHALL
52
16
7
-
-
-
-
-
-
-
7
-
-
F
=
6
-
3
FLY
43
16
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
5
ABYSS
66
12
3
-
-
-
3
-
-
-
-
-
-
-
-
16
-
30
-
326
119
38
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
R
=
9
-
5
REACH
35
26
8
-
-
-
-
-
-
-
-
8
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
6
SECOND
60
24
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
3
SUN
54
9
9
-
-
-
-
-
-
-
-
-
9
-
-
14
-
20
-
201
84
30
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
77
-
102
First Total
1131
474
123
-
5
4
6
8
5
18
21
16
36
-
-
7+7
-
1+0+2
Add to Reduce
1+7+1
4+7+4
1+2+3
-
-
-
-
-
-
1+8
2+1
1+6
3+6
-
-
14
-
3
Second Total
6
15
6
-
5
4
6
8
5
9
3
7
9
-
-
1+4
-
-
Reduce to Deduce
-
1+5
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
3
Essence of Number
6
6
6
-
5
4
6
8
5
9
3
7
9

 

 

THE AGELESS WAY OF THE GODDESS

Charles Muses

Divine Pregnancy and Higher Birth in Ancient Egypt and China

Though both are related to it, the point of shamanism is really not ecstasy, "archaic" or otherwise, or even "healing," but rather the development of communication with a community of higher than human beings and a modus operandi for attaining an eventual transmutation to more exalted states and powers. Those whom that goal does not attract, authentic shamanism does not address.

The point is theurgy, literally a divine working (theo+urg). More specifically, the oldest preserved theurgic teachings of the Sacred Way Home (see the chart, fig. 1) — those of ancient Egypt and China — tell of a goddess-inspired, transcendent "pregnancy." One that takes place within our still mysterious brain and body (of either sex) (1) leading to the attainment, even during lifetime on earth, of a higher body concealed until the physical death of the former one and far more endowed with energy and capability than the bio-molecular body in which it forms, as within a womb or a chrysalid or pupal shell, symbolized in ancient Egypt as the enswathed mummy in its case.

 

C
=
3
-
-
CHRYSALID
-
-
-
-
-
-
-
2
C+H
11
11
2
-
-
-
-
1
R
18
9
9
-
-
-
-
3
Y+S+A
45
9
9
-
-
-
-
1
L
12
3
3
-
-
-
-
1
I
9
9
9
-
-
-
-
1
D
4
4
4
C
=
3
-
9
CHRYSALID
99
45
36
-
-
-
-
-
-
9+9
4+5
3+6
C
=
3
-
9
CHRYSALID
18
9
9
-
-
-
-
-
-
1+8
-
-
C
=
3
-
9
CHRYSALID
9
9
9

 

It is an embryology of metamorphosis that is here involved, stemming from the premise that we are larval forms — a premise very startling to a largely agnostic and indeed rather ignorant culture, knowledgeable really only in the technology of external manipulations upon matter. We know next to nothing of how living bodies organize themselves from within and have their ultimate controls in regions of more than what ordinary quinto-sensory awareness is capable of grasping.

Some Bad News

The current global technological civilization is increasingly showing itself to be inimical to all life-forms except perhaps the most hardy of sewer and wharf rats, other assorted parasites, and those few bacterial prodigies that can survive even in highly radioactive waste. Yet aside from its bio-phobic or life-destroying aspect, the prevalent world society is the first widespread culture in history to be committed to conditioning its members to accepting — without any rational basis, much less evidence — that there is (1) no scheme of things other than the molecular one in which we live on earth, and (2) no higher than human intelligence and ability, and hence (3) that individualized personality and living form cease with the physical dissolution of the molecular body. These unproven and, in fact, quite scientifically dubious dogmas are then made the basis of our educational system, leading at once to both a jungle-law society and, in other aspects, to an essentially hopeless and comfortless collectivism which ultimately reduces all individual suffering and learning to meaninglessness.

Since only love in some form gives meaning to life, the power of love is also finally denied in the shabby and shoddy creed of hopelessness being foisted upon us by patterns of paranoid power-seeking that, by and large, tend to seize control of world society in the dark ages of the latter twentieth century. It is no accident that, contrasted with a 2½ percent rise of general suicide in the United States over the last decade, there was a 44 percent rise in the suicide rate for the age group of fourteen to nineteen-year-olds, about eighteen times as many: our children are being systematically deprived of hope by a system fast losing the perennial ideals.

The voices of the comparatively few leaders of integrity left are voices mostly crying in a growing wilderness of poisoned ecology and psychopathological social systems motivated by tyranny or short-term greed and the increasing fear, panic, and aggression that inevitably accompany such a degraded set of values. To cite one of these voices: "There is a very real possibility that man —through ignorance or indifference or both — is irreversibly altering the ability of our atmosphere to support life." These are not the words of some minor prophet of doom, but the sober, considered conclusions of the chairman of the U.S. congressional committee on the environment, reporting in June 1986 and cited in Newsweek magazine.

The Good News

But most of us now no longer need to be convinced of these trends. We are aware of them only too acutely. We don't need to hear any more bad news. We do want to hear about hope and where we can look for it. This chapter is concerned with that hope. As Joseph Conrad once wrote, the last hope of mankind will contain some almost unimaginably good news, though based on ideas well-nigh unutterable in terms of ordinary ways of thinking. (2)

That hope stretches far back in recorded history and concerns what may be called higher transformation. In brief, the present life-forms, and notably human beings, must be regarded as larval forms whose destiny it is to transform themselves into higher ones capable of living under very different conditions and of exercising powers which would seem quite extraordinary to us in our present state. That is the message of the "Crucible" (fig. 1).(omitted)

FIG. 1. (omitted) The Crucible of World Religions and Their Convergence on the Way Home: Distillation of the Essential Central Sacredness. This mandalic-maze-circuit diagram is well-nigh self-explanatory — designed to show in one view the interrelations of the search for the Divine through the religions of human history, both in their institutionalized and more esoteric forms.

Depending on one's inherited cultural background and individual tendencies — and the two might not be in phase — one follows a path in the crucible. For some, whole lifetimes could be spent just on the fringes of the wheel. Others reach one of the spokes. Some again may even gain access to the first central area in which the particular cultural origin of a religion becomes irrelevant in that numinous nimbus. Beyond the door within that nimbus is the meaning of the whole crucible and its gestational process: the essential distillation at its core, where one begins to undertake the far journey home — the Lion Path in ancient Egypt.

The preparation and technique for that path, which transforms one as one treads it, exist in fragmentary form in the old human records. But those instructions, that operational method, are always available in great clarity to those who again reach that place of accessibility in awareness. Then one can start the heroic quest described in these lines from an obscure poet, Kyril Demys, three decades ago (who also wrote "Song of the Far Journey").

The doors are many
but the key is one . . .
that space has room

for a winged and wondrous child
and whirled a little world to being. . . .
That child alone
shall fly the abyss
and reach the Second Sun.

Anyone who has ever raised caterpillars of, say, the lovely giant moths like lo, Cecropia, Luna, or Prometheus knows that the caterpillar does not at all fear its ineluctable metamorphosis, when the larva sheds its skin and becomes the quasi-entombed, cocooned pupal form deprived of almost all exterior mobility except to twist and turn its abdomen. So when author Richard Bach wrote that the caterpillar looks on its pupation as "death," he wrote too superficially, without having well observed a forming or hatching chrysalis.

The truth is far more interesting. The caterpillar shows by all its behavior, so intense at the cocoon-spinning or chrysalis-forming time, that its entire being is focused and intent upon this change — life itself for the caterpillar and not death at all. From a ravenous and mobile feeder, it now becomes very quiet, fasting and renouncing all food. Then it commences a new and excited round of activity in weaving its cocoon around itself, ending with a hard-varnished core-shell in which it leaves an almost imperceptible air pore. Here it finally discards its caterpillar skin, and the pupal case with wings, tongue, and antennae outlined on it appears.

Although there is no outer activity, there is now intense activity within the pupa, called a chrysalis in the case of butterflies because of its often golden (Greek chrysos, "gold") appearance. Inside the pupal form, all the caterpillar's internal organs now become transformed. Reproductive organs and new digestive organs are formed, as well as new organs of locomotion, notably two pairs of gorgeously colored wings. Note well that there is an increase and not a decrease of individuation in this process, and each winged adult is a specifically individual creature of distinct color, pattern, and sex. The imago, as it is called, is more, not less, individually organically differentiated than the caterpillar. So this metamorphic transformation, an actually higher embryology, leads to both greater powers (for example, of sexuality and flight) and to greater individualization.

The Secret Within the Brain

The caterpillar is so intensely active about ensuring its own disappearance for the very good reason that it innately realizes it is preparing a greater and richer life for itself, made possible through a group of neuro-secretory glands connected with the caterpillar's central ganglion or tiny brain. This new life is an individual outcome for each caterpillar — the very opposite of merging into some engulfing collectivity. Tomb-transcending is nothing if not individual, and as I once wrote of tathagatahood in Mahayana Buddhism: "Salvation, though it have universal results, has by necessity particular achievement. (3)

Similarly, the ancient theurgic doctrine taught that in the dim and mysterious recesses of each human brain are lodged the control centers for transducing a higher metamorphic process in that individual, of which the butterfly, wonderful as it is, is but a crude and imperfect analogue. Those who do not come to activate this process during their physical lifetimes have no choice but to enter the postmortem or inter-incarnational state as the "caterpillars" they were here. That state is called the Duat in ancient Egyptian, corresponding to the Bardo of Tibetan shamanistic Buddhism and the intermediate states of ancient Chinese shamanism that came to be Taoism. For those who did not begin the metamorphic process before dissolution of their physical bodies, this intermediate state would be dreamlike: lovely or nightmarish depending on the person's development and stature as a human being.

But if the transformational process were initiated before molecular dissolution, then the intermediate state could continue the process and the "hatching" might take place in the Duat or Bardo state, thus avoiding the necessity for further entries of the individual into relatively crude molecular bodies such as we on earth have, wonderful as they are for this stage. The acquisition of a higher body by an individual meant also, by that very token, the possibility of communicating with beings already so endowed. (4) The entrance into this higher community and fellowship is one of the principal causes for celebration in the Ancient Egyptian liturgy of the sacred transformative process — sacred because it conferred so much beyond ordinary ken. (5)

Higher Rites of Passage

On folio 237 of the great Codex Manesso (dated about 1425) now at the university library of Heidelberg, there is a magnificent depiction of Liechtenstein's renowned thirteenth-century troubadour Ulrich bearing on his helmet an image of the Goddess in her form of Minne, who presided over chivalric love. Her name has a fascinating etymology, linked to the Indo-European root men — English, "mind") as the seat of consciousness — the same that the Ancient Egyptian and Old Chinese called "the heart." Her form, preserved by Ulrich's late medieval chronicler, wields a down-pointing arrow in the right hand, and the left arm holds aloft a flaming torch, (6) for she is Mistress of both death and life in that order. She is Mut, Great Mother of Death, and also Isis/Sothis, whose love makes possible the higher birth of Horus from the inert Osiris. As Ta-Urt, ruling the Great Dipper (in Egyptian called "the skin of Set" or the physical body destined for dissolution), she governs the dismemberment and recycling of that temporary vehicle until enough experience has been garnered to go on to a nondeath-interrupted mode of life. This is the deep reason why all great love, from Tristan and lseut (= Isolde) to the Central Asiatic Na-Khi love-death pacts reported by botanist-ethnographer Joseph E. Rock, is so deeply linked to death as a rite of passage.

In the old Celtic traditions preserved in the early Breton/Gaulish romances of the twelfth century, love characteristically triumphed through death itself. (7) The Goddess was always there, as that prince of troubadours, Dante Alighieri, (8) depicted in his too-soon departed and beloved Beatrice, who became his divine protectress during the cosmic shamanic journey he unforgettably describes in La Divina Commedia, culminating in her Universal Love: "But yet the Will rolls onward like a wheel in even motion, by the Love impelled that moves the Sun in heaven and all the Stars." The goal in this life was to balance heaven and earth (incidentally, a very Chinese function for man). As the Swabian troubadour Meister Vridank (fl. 1200) wrote in his Instruction in Discrimination (Bescheidenheit), "Who God and World can encompass, there is a blessed one indeed." In profound ways the society of the twelfth and thirteenth centuries was the pinnacle of Western civilization, teaching, as it did, an apotheosis through love.

The present society, however, — forcing people more and more to think only of physical survival and material support, — naturally tends to block the perception of supra-biological fact and our participation in such a higher process. There is then the sheer dulling effect of leaving no time for such considerations in a person's daily life, whereas in the anciently taught theurgic societies such truths and participation in them were the central core and point of human life. The blocking tendency must be combated.

It is simply not true that our higher heritage will be just as active if we concern ourselves with our material existence alone. On the contrary, it will not be activated unless concern with it reflects consistently in a corresponding self-attunement with it in our behavior. Our actual creed is inescapably made manifest in how we behave, regardless of what anyone may verbally profess.

The Price & the Process

So the principal price to be paid for development leading to a higher body and life is the price every imminently pupating caterpillar pays: principal and regular dedication to that process and project. But if a caterpillar's metamorphic glands are tied off or blocked, it will simply live out its life as a caterpillar and never change. Thus, many human beings will not choose to activate themselves transformationally. But those who do and will, will inspire and help the rest, just as even our material, technological civilization rests upon the inventions, dedication, and genius of a comparative handful. The average Bardo experience is passionate and dreamlike, releasing the full force of a Freudian type of unconscious. In fact, never having read Sophocles' Oedipus Rex or Electra and also incredibly anticipating Freud, the great Tibetan commentator Drashi Namjal wrote that one who will be born as a man already begins in the Bardo realm to hate his future father and love his mother:(9) mutatis mutandi for one who will be born a woman. (10) The powerful unconscious drives released with full impact in the Bardo must sooner or later be dealt with and sublimed, there or here (in the alchemical sense).

 

 

I
=
9
-
-
IMAGO
-
-
-
-
-
-
-
1
I
9
9
9
-
-
-
-
1
M
13
4
4
-
-
-
-
1
A
1
1
1
-
-
-
-
1
G
7
7
7
-
-
-
-
1
O
15
6
6
I
=
9
Q
5
IMAGO
45
27
27
-
-
-
-
-
-
4+5
2+7
2+7
I
=
9
Q
5
IMAGO
9
9
9

 

 

THE LION PATH

YOU CAN TAKE IT WITH YOU

A Manual of the Short Path to Regeneration for our times

by

Musaios

Page 33

6. THE PROCESS OF REGENERATION

It is time to examine the regenerative process—the way out of our limited state of body and awareness—a state that was thought of in this doctrine as "larval" to that which would ensue, just as the effectively one-dimensional or linear caterpillar has the hidden ability to spin a self-made cocoon-tomb and then turn into a pupal case, with future wings already outlined on it—a stage that can again metamorphose into the winged imago or mature form that emerges from the shell of the tomb-egg of the cocoon and flies aloft into the sky.
We thus have an `unawakened' larval or caterpillar form, which incidentally remains so if a certain gland connected to the seat of the central nervous system in the neighborhood of the hypothalamus is not functional.* Then we have the larval form in the stage of building its "tomb" which is really the birth place /Page 34/ of the higher form. When the cocoon is finished down to the hard-varnished inner shell, the caterpillar sheds its skin for the last time and the inert wing-marked pupa is born within the cocoon.

Then all the caterpillar's characteristic organs are dissolved * and changed into others and new organs are added over a course of remarkable transformations lasting several weeks. The Egyptian name for this transforming power is Khepera, the winged scarab.
Finally the pupal skin bursts within the cocoon, and the winged adult emerges from it, dissolving the hard walls with a special solvent from glands in its mouth needed only this once. Now, as soon as its still moist wings will expand, dry and become firm, it will fly off into its new existence after this rebirth.
Ancient peoples noted these remarkable changes (called "holometamorphic" by modern entomologists) and it is not without reason that the higher human entity (that was designed to survive the body's death much as the butterfly survives the caterpillar's disappearance) was symbolized by a butterfly among cultures as widely separated as Grecian and Aztec.
The ancient Egyptian doctrine of the possibilities of human metamorphosis used the same metaphor to explain it simply. The bandaged mummy was like the silk-enswathed larva and the folded wings depicted on sarcophagus or coffin lids were the indicated still folded wing-forms embossed on every lepidopteran pupa or chrysalis case. The outer cocoon was also symbolized by the Mes-khent or "birth-tent of skin" placed around the /Page 35/ mummy or in the funeral chamber which in Ancient Egyptian was called "the birth chamber." One of the very words for cemetery meant "Place of Births."
Words like regeneration and transformation have been too thinned down and so almost voided of any living meaning or feasible attainability as many words have been in overintellectualized, and hence all too frequently unintelligent circles. The context for regeneration in the ancient Egyptian teaching is biological and psychophysiological; little known processes within the brain and body trigger, when activated, a supra-biological, transformational and higher embryological development — our too rarely claimed birthright. See also Sections 11 and 12, pages 83 through 94.

Note Page 33 *Caterpillars have a similar gland without whose hormone, ecdysterone, their metamorphoses cannot take place. That remarkable fact of recondite biology was learned only in the latter twentieth century. Cf. Sections 12, 18.

Page 34 note* Technically termed histolysis.

 

L
=
3
-
12
LEPIDOPTERAN
135
63
9
P
=
7
-
4
PUPA
54
18
9
-
-
10
-
16
First Total
189
81
18
-
-
1+0
-
1+6
Add to Reduce
1+8+9
8+1
4+5
-
-
1
-
7
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
1
-
7
Essence of Number
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
R
=
9
-
-
REGENERATION
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
Q
12
REGENERATION
131
68
68
-
1
2
3
4
25
6
7
8
27
-
-
-
-
1+2
-
1+3+1
6+8
6+8
-
-
-
-
-
2+5
-
-
-
2+7
R
=
9
-
3
REGENERATION
5
14
14
-
1
2
3
4
7
6
7
8
9
-
-
-
-
-
-
-
1+4
1+4
-
-
-
-
-
-
-
-
-
-
R
=
9
-
3
REGENERATION
5
5
5
-
1
2
3
4
7
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
5
6
7
9
R
=
9
-
-
REGENERATION
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
-
-
9
-
-
-
-
1
E
5
5
5
-
-
-
5
-
-
-
-
-
-
-
1
G
7
7
7
-
-
-
-
-
7
-
-
-
-
-
1
E
5
5
5
-
-
-
5
-
-
-
-
-
-
-
1
N
14
5
5
-
-
-
5
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
5
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
-
-
9
-
-
-
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
-
1
T
20