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Evokation
 
 
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26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

 

 

 

Tap code
From Wikipedia, the free encyclopedia

 

Roman alphabet tap code
1 2 3 4 5
1 A B C/K D E
2 F G H I J
3 L M N O P
4 Q R S T U
5 V W X Y Z
The tap code table

The tap code table

The tap code, sometimes called the knock code, is a way to encode text messages on a letter-by-letter basis in a very simple way. The message is transmitted using a series of tap sounds, hence its name.

The tap code has been commonly used by prisoners to communicate with each other. The method of communicating is usually by tapping either the metal bars, pipes, or the walls inside a cell.

The tap code is based on a Polybius square using a 5×5 grid of letters representing all the letters of the Latin alphabet, except for K, which is represented by C.

The listener only needs to discriminate the timing of the taps to isolate letters.

Each letter is communicated by tapping two numbers
the first designating the row
the second designating the column

For example, to specify the letter "B", one taps once, pauses, and then taps twice.

Or to communicate the word "water", the cipher would be the following (the pause between each number in a pair is smaller than the pause between letters):

 

6
DECODE
-
-
-
-
D+E
9
9
9
1
C+O
18
9
9
-
D+E
9
9
9
6
DECODE
36
27
27
-
-
3+6
2+7
2+7
6
DECODE
9
9
9

 

 

THE

FIELD

THE QUEST FOR THE SECRET FORCE OF THE UNIVERSE

Lynne McTaggart 2001

LIGHT IN THE DARKNESS

Page III

"Physics may be about to face a revolution similar to that which occurred just a century ago. . .

Arthur C. Clarke, 'When Will the Real Space Age Begin?'

If an angel was to tell us about his philosophy. . .

many of his statements might well sound like 2x2 = 13"

Georg Christophe Lichtenburg, Aphorisms

 

Page 13 "Subatomic particles had no meaning as isolated entities but could only be understood in their realationships. The world at its most basic, existed as a complex web of interdependant relationships, forever indivisible"

 

 

FATHER TERAH THERA HEART EARTH HEART THERA TERAH FATHER

FATHER TERAH THERA HEART EARTH HEART THERA TERAH FATHER

F

ATHER TERAH THERA HEART EARTH HEART THERA TERAH ATHER

F = 6 = F

ATHER TERAH THERA HEART EARTH HEART THERA TERAH ATHER

 

 

THE ATLANTIS SECRET

A COMPLETE DECODING OF PLATOS LOST CONTINENT

Alan F. Alford 2001

Page v

ATLANTIS RECONSIDERED

"All of these myths, and many others besides, concealed a 'Secret of secrets' that was accepted, unquestioningly, as a true account of the origins of the cosmos and man...."

Page v

"...Until now, this mainstream breakthrough in comparative religion has found limited application, for, if truth be told, the literature of the Near East is as much of a puzzle to scholars as the literature of the Greeks. Now, however, in the light of my recent deciphering of the Egyptian and Mesopotamian myths, the full import of these parallels may be felt For the first time ever, it becomes possible to understand the Greek myths by literally standing under them. For the first time ever, we can get inside Plato's mind and reconsider the story of Atlantis from an ancient, rather than a modern, perspective.
The result is nothing short of a sensation. In this book, I present not only a complete decoding of the lost continent of Atlantis, but also a complete decoding of ancient Greek religion in its entirety. I am able to decode the myths of the Olympian gods and their associated mystery cults; I am able to decode the myth of the golden age and the fall of man; I am able to decode the scientific cosmogoniess of Thales, Arnixim-inder, Heraclitus, Anaxagoras, Empedocies and Philolaos; I am able to decode the 'soul religion' of Orpheus, Pythagoras, Parmenides, Socrates and Plato; and I am able to decode Plato's Theory of Forms, his account nf the creation by the Demiourgos, and his story of Atlantis. Behind all of these ideas there lies a single secret of stunning simplicity - ..."

Page 19 (number omitted)

Chapter Two

CATACLYSMS AND THE GODS

Veiled in thick mist, the Muses walk by night, uttering beautiful voice, singing of Zeus who bears the aegis.
(Hesiod, Theogony, 8th-7th century BC)


We now have an overview of the story of the gods. We have learned of their origins, ultimately from Ouranos and Gaia. We have learned of their battles, in which Kronos and then Zeus rose, in turn, to supremacy. We have learned of their establishment of the world order and their division of the world into regions. We have learned of the gods' creation of mankind, apparently preceded by at least one pre-human race of earth- born people. And we have learned of the mingling that allegedly took place between the gods and the earth-born people, which resulted in the race of half-gods, or god-like heroes, and their mighty descendants.
But it is now time to focus in more detail on the various attributes of the gods. Were they really as human-like as Homer and the Euhemerists (such as Ignatius Donnelly) have led us to believe?
We will begin with the physical appearance of the gods, and as good a starting point as any is the hair by which so many were distinguished. There is the 'dark' hair of Poseidon, for example, the 'long, flowing' hair of Apollo, the 'braided' hair of Calypso, and the 'beautiful' hair of Leto and Demeter.' But what should we make of the hair of Zeus, which is described in the Iliad thus:
So the son of Kronos [i.e. Zeus] spoke, and he nodded his dark brows. The lord god's immortal hair streamed forward from his deathless head and he shook the heights of Olympus.2
What kind of hair, might we ask, is 'immortal'? What kind of hair is attached to a head that can shake the Heaven when it is nodded? The unavoidable answer, surely, is the hair of a head of a supernatural body.

Page 20

And, as if to confirm this supposition, the Iliad informs us that when the mighty Zeus sat down upon his throne the Heaven was shaken:

Zeus took his seat on the golden throne and great Olympus was shaken under his feet.3

Similarly, the Heaven was shaken by the movements of Zeus' wife Hera. Again in the Iliad, we read:

Queen Hera was angry. She tossed on her throne and shook the heights of Olympus...4


Were Zeus and Hera literally human-like giants, or are we simply dealing with exaggerated poetic metaphors? Or might there be more to it? Whatever the answer, these descriptions fit into a much wider theme of the gods' supernatural attributes.
Take the way the gods moved around, for example. Poseidon, the god of Atlantis, could descend from the highest mountain of Samos into the depths of the sea in four giant strides.5 Hera could move from Olympus to Lemnos by hopping from one mountain peak to another.6 Apollo, the Far-shooter, could move from Delphi to Thessaly in one stride and his footsteps could cause an entire island to shake.7 The aforementioned descent of Poseidon is described in the Iliad as follows:
Immediately the Earth-shaker [Poseidon] came down from the rocky mountain with fast strides, and the high mountains and the forests trembled under the immortal feet of Poseidon in motion. He took three strides and with the fourth reached his goal, Aigai, where his glorious palace was built in the depths of the water in gleaming gold, imperishable for ever.
Quite apart from Poseidon's supernatural footwork, we might well ask what kind of god had need of such a palace beneath the sea.
Supernatural motion went hand in hand with supernatural body-size and supernatural strength. Although the gods could and did take on the standard human form at will (see later), the true forms of the gods seem to have been literally superhuman. Thus, when the goddess Demeter took on human form in order to search for her missing daughter Persephone, she entered the palace at Eleusis and her head touched the ceiling.8 Thus, similarly, when Aphrodite visited the hero Anchises, she stood as tall as the roof.9 And thus, when the war-god Ares was felled by bright-eyed Athene, his body was said to have covered seven whole acres.10
Superhman size and strength feature particularly in those gods who fought the battle of the Titans. In Theogony, for example, Hesiod tells us / Page 21 / that the Hundred-handers had 'boundless strength'; when they went into battle, they wielded 'sheer cliffs' in their hands and when they launched their missiles they 'darkened the Titans' sky'.11 Later, when Zeus went into mid-air battle against the monstrous god Typhoeus, Heaven and Eart were shaken, and when Typhoeus' body plunged to the ground, the Earth 'burned far and wide'.12 And, in the aftermath of this battle, the superhuman god par excellence is encountered in the form of Atlas - the giant who was forced to, bear the Heave on his head and shoulders.

Men, too, were said to have had supernatural size and strength. In the Odyssey, Homer describes the god-like Otus and Ephialtes as follows:

... those short-lived twins, the god-like Otus and Ephialtes, famed in story, the largest men Earth ever nourished and finer by far than all but the glorious Orion. In their ninth year they were nine cubits across the shoulders and nine fathoms tall. It was this pair that threatened to go to war with the very gods on Olympus in the din and turmoil of battle. It was their ambition to pile Mount Ossa on Olympus and wooded Pelion on Ossa, to make a stairway up to Heaven."
The case of Otus and Ephialtes may be exceptional, but it is nevertheless consistent with the general idea that the half-gods — the heroes — could throw huge rocks which could not even be picked up by 'the folk that live now'.

Page VII

Reading Note 2
"I have used male pronouns throughout this book, and I apologise to anyone who finds this practice offensive; I have done so purely to avoid the constant clumsiness of 'he or she', 'himself or herself, 'his or her', et cetera. In addition, I have used the words 'man', 'men' and 'mankind' to refer, on occasions, to the entire human race. Absolutely no offence is intended towards women, and I certainly do not wish to suggest any inequality between the sexes..."

 

HAIR HEAD CODE DECODE CODE HEAD HAIR

DECODE CODE HEAD HAIR CODE DECODE

HA I R HEAD CO DE DE CO DE CO DE HEAD HA I R

DECODE CODE HEAD HAIR CODE DECODE

 

 

6
DECODE
-
-
-
-
D+E
9
9
9
1
C+O
18
9
9
-
D+E
9
9
9
6
DECODE
36
27
27
-
-
3+6
2+7
2+7
6
DECODE
9
9
9

 

 

 

-
ROTATORS
-
-
-
1
R
18
9
9
3
O+T+A
36
9
9
4
T+O+R+S
72
18
9
8
ROTATORS
126
36
27
-
-
1+2+6
3+6
2+7
8
ROTATORS
9
9
9

 

....

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
ROTATORS
-
-
-
-
-
-
-
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
-
1
S
1
1
1
-
1
-
-
-
-
-
-
-
-
-
-
36
-
8
ROTATORS
126
36
36
-
2
4
3
4
5
12
7
8
18
-
-
3+6
-
-
-
1+2+6
3+6
3+6
-
-
-
-
-
-
1+2
-
-
1+8
-
-
9
-
8
ROTATORS
9
9
9
-
2
4
3
4
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
ROTATORS
-
-
-
-
-
-
-
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
3
4
5
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
3
4
5
6
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
3
4
5
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
3
4
5
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
3
4
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
3
4
5
6
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
3
4
5
-
-
-
9
S
=
1
-
1
S
1
1
1
-
1
-
3
4
5
-
-
-
-
-
-
36
-
8
ROTATORS
126
36
36
-
2
4
3
4
5
12
7
8
18
-
-
3+6
-
-
-
1+2+6
3+6
3+6
-
-
-
-
-
-
1+2
-
-
1+8
-
-
9
-
8
ROTATORS
9
9
9
-
2
4
3
4
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
6
9
-
-
-
-
-
ROTATORS
-
-
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
6
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
O
=
6
-
1
O
15
6
6
-
-
-
6
-
R
=
9
-
1
R
18
9
9
-
-
-
-
9
S
=
1
-
1
S
1
1
1
-
1
-
-
-
-
-
36
-
8
ROTATORS
126
36
36
-
2
4
12
18
-
-
3+6
-
-
-
1+2+6
3+6
3+6
-
-
-
1+2
1+8
-
-
9
-
8
ROTATORS
9
9
9
-
2
4
3
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
6
9
-
-
-
-
-
ROTATORS
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
S
=
1
-
1
S
1
1
1
-
1
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
O
=
6
-
1
O
15
6
6
-
-
-
6
-
O
=
6
-
1
O
15
6
6
-
-
-
6
-
R
=
9
-
1
R
18
9
9
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
9
-
-
36
-
8
ROTATORS
126
36
36
-
2
4
12
18
-
-
3+6
-
-
-
1+2+6
3+6
3+6
-
-
-
1+2
1+8
-
-
9
-
8
ROTATORS
9
9
9
-
2
4
3
9

 

 

 

Daily Mail, Friday, June 10, 2016

ANSWERS TO CORRESPONDENTS

Compiled byCharles Legge

Page 64

QUESTION Is Gabriel the lowest ranked angel that appears In the Bible?

ANGELIC ranking was a preoccupation of medieval theologians. The first to provide a hierarchy was Pseudo-Dionysius (On The Celestial Hierarchy) in the 5th century.

The 13th-century theologian Thomas Aquinas, The Angelic Doctor, was perhaps the most important and influential writer on all things angelic. In his Summa Theologica, he organised the angels into three spheres of three choirs of angels, making nine choirs in total.

The choirs are ranked in order of closeness to God. The word 'angel' itself is used both as a generic term to refer to all heavenly beings, and as a specific term to refer to the members of the third sphere, those closest to the physical.

The first sphere comprises angels who serve as heavenly counsellors. The highest ranked are:

1. Seraphim, guardians of Heaven, they serve as the caretakers of God's throne and continuously shout his praises.
2. Cherubim, guard the way to the tree of life in the Garden of Eden and the Throne of God. They are portrayed as great beings with four faces, not as babies.
3. Thrones are living symbols of God's justice and authority.
The second sphere is charged with governing and ordering the laws of the created universe:
4. Dominions are the 'divine bureaucrats' regulating the duties of lower angels to combine the spiritual and material worlds.
5. Virtues supervise the movements of the heavenly bodies to ensure the cosmos remains in order. Their appearance coincides with miracles.
6. Powers are conscience bearers, power distributors and history keepers.
The third sphere includes angels who act as heavenly messengers to humans.
7. Principalities guide and protect nations, or groups of peoples, and institutions such as the Church.
8. Archangels. The word comes from t, the Greek (archaggelos), meaning chief °- angel. They are princes or rulers among groups of angels. Only the Archangel Michael is mentioned by name in the New Testament.
9. Angels are the celestials most concerned with the affairs of humans. They are sent as messengers to humanity and act as guardian angels.
In most Christian traditions, Gabriel is considered an archangel, but there is no literal support for this assumption.
As a messenger angel he may, indeed, be classed in the lowest rank in the angelic firmament.

Rosa Levy, London E14.

 

EVIL LIVE

 

L
=
3
-
4
LIVE
48
21
3
E
=
5
-
4
EVIL
48
21
3
-
-
8
4
8
First Total
96
42
6
-
-
-
-
-
Add to Reduce
9+6
4+2
-
-
-
8
-
8
Second Total
15
6
6
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
8
-
8
Essence of Number
6
6
6

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LIVE EVIL
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
-
-
42
-
8
LIVE EVIL
96
42
42
-
1
2
6
8
10
6
7
8
18
-
-
4+2
-
-
-
9+6
4+2
4+2
-
-
-
-
-
1+0
-
-
-
1+8
-
-
6
-
8
LIVE EVIL
15
6
6
-
1
2
6
8
1
6
7
8
9
-
-
-
-
-
-
1+5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
8
LIVE EVIL
6
6
6
-
1
2
6
8
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LIVE EVIL
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
6
7
8
-
I
=
9
-
1
I
9
9
9
-
1
2
-
-
-
6
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
6
7
8
-
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
6
7
8
-
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
6
7
8
-
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
6
7
8
-
I
=
9
-
1
I
9
9
9
-
1
2
-
-
-
6
7
8
9
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
6
7
8
-
-
-
42
-
8
LIVE EVIL
96
42
42
-
1
2
6
8
10
6
7
8
18
-
-
4+2
-
-
-
9+6
4+2
4+2
-
-
-
-
-
1+0
-
-
-
1+8
-
-
6
-
8
LIVE EVIL
15
6
6
-
1
2
6
8
1
6
7
8
9
-
-
-
-
-
-
1+5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
8
LIVE EVIL
6
6
6
-
1
2
6
8
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
3
4
5
9
-
-
-
-
-
LIVE EVIL
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
3
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
9
V
=
4
-
1
V
22
4
4
-
-
4
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
V
=
4
-
1
V
22
4
4
-
-
4
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
9
L
=
3
-
1
L
12
3
3
-
3
-
-
-
-
-
42
-
8
LIVE EVIL
96
42
42
-
6
8
10
18
-
-
4+2
-
-
-
9+6
4+2
4+2
-
-
-
1+0
1+8
-
-
6
-
8
LIVE EVIL
15
6
6
-
6
8
1
9
-
-
-
-
-
-
1+5
-
-
-
-
-
-
-
-
-
6
-
8
LIVE EVIL
6
6
6
-
6
8
1
9

 

 

-
-
-
-
-
-
-
-
-
-
3
4
5
9
-
-
-
-
-
LIVE EVIL
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
3
-
-
-
L
=
3
-
1
L
12
3
3
-
3
-
-
-
V
=
4
-
1
V
22
4
4
-
-
4
-
-
V
=
4
-
1
V
22
4
4
-
-
4
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
I
=
9
-
1
I
9
9
9
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
9
-
-
42
-
8
LIVE EVIL
96
42
42
-
6
8
10
18
-
-
4+2
-
-
-
9+6
4+2
4+2
-
-
-
1+0
1+8
-
-
6
-
8
LIVE EVIL
15
6
6
-
6
8
1
9
-
-
-
-
-
-
1+5
-
-
-
-
-
-
-
-
-
6
-
8
LIVE EVIL
6
6
6
-
6
8
1
9

 

 

DEVIL LIVED

 

L
=
3
-
5
LIVED
52
25
3
D
=
4
-
5
DEVIL
52
25
3
-
-
7
4
10
First Total
104
50
6
-
-
-
-
1+0
Add to Reduce
1+0+4
5+0
-
-
-
7
-
1
Second Total
6
6
6
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
7
-
1
Essence of Number
6
6
6

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
DEVIL LIVED
-
-
-
-
-
-
-
-
-
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
-
-
50
-
10
DEVIL LIVED
104
50
50
-
1
2
6
16
10
6
7
8
18
-
-
5+0
-
1+0
-
1+0+4
5+0
5+0
-
-
-
-
1+6
1+0
-
-
-
1+8
-
-
5
-
1
DEVIL LIVED
15
5
5
-
1
2
6
7
1
6
7
8
9
-
-
-
-
-
-
1+5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
1
DEVIL LIVED
6
5
5
-
1
2
6
7
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
DEVIL LIVED
-
-
-
-
-
-
-
-
-
-
-
-
-
D
=
4
-
1
D
4
4
4
-
1
2
-
4
-
6
7
8
-
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
6
7
8
-
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
6
7
8
-
I
=
9
-
1
I
9
9
9
-
1
2
-
-
-
6
7
8
9
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
6
7
8
-
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
6
7
8
-
I
=
9
-
1
I
9
9
9
-
1
2
-
-
-
6
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
6
7
8
-
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
6
7
8
-
D
=
4
-
1
D
4
4
4
-
1
2
-
4
-
6
7
8
-
-
-
50
-
10
DEVIL LIVED
104
50
50
-
1
2
6
16
10
6
7
8
18
-
-
5+0
-
1+0
-
1+0+4
5+0
5+0
-
-
-
-
1+6
1+0
-
-
-
1+8
-
-
5
-
1
DEVIL LIVED
5
5
5
-
1
2
6
7
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
3
4
5
9
-
-
-
-
-
DEVIL LIVED
-
-
-
-
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
4
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
V
=
4
-
1
V
22
4
4
-
-
4
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
9
L
=
3
-
1
L
12
3
3
-
3
-
-
-
L
=
3
-
1
L
12
3
3
-
3
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
9
V
=
4
-
1
V
22
4
4
-
-
4
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
D
=
4
-
1
D
4
4
4
-
-
4
-
-
-
-
50
-
10
DEVIL LIVED
104
50
50
-
6
16
10
18
-
-
5+0
-
1+0
-
1+0+4
5+0
5+0
-
-
1+6
1+0
1+8
-
-
5
-
1
DEVIL LIVED
5
5
5
-
6
7
1
9

 

 

-
-
-
-
-
-
-
-
-
-
3
4
5
9
-
-
-
-
-
DEVIL LIVED
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
3
-
-
-
L
=
3
-
1
L
12
3
3
-
3
-
-
-
D
=
4
-
1
D
4
4
4
-
-
4
-
-
V
=
4
-
1
V
22
4
4
-
-
4
-
-
V
=
4
-
1
V
22
4
4
-
-
4
-
-
D
=
4
-
1
D
4
4
4
-
-
4
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
I
=
9
-
1
I
9
9
9
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
9
-
-
50
-
10
DEVIL LIVED
104
50
50
-
6
16
10
18
-
-
5+0
-
1+0
-
1+0+4
5+0
5+0
-
-
1+6
1+0
1+8
-
-
5
-
1
DEVIL LIVED
5
5
5
-
6
7
1
9

 

 

DELIVERED

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
DELIVERED
-
-
-
-
-
-
-
-
-
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
-
-
48
-
9
DELIVERED
84
48
48
-
1
2
3
12
15
6
7
8
18
-
-
4+8
-
-
-
8+4
4+8
4+8
-
-
-
-
1+2
1+5
-
-
-
1+8
-
-
12
-
9
DELIVERED
12
12
12
-
1
2
3
3
6
6
7
8
9
-
-
1+0
-
-
-
1+2
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
3
-
9
DELIVERED
3
3
3
-
1
2
3
3
6
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
DELIVERED
-
-
-
-
-
-
-
-
-
-
-
-
-
D
=
4
-
1
D
4
4
4
-
1
2
-
4
-
6
7
8
-
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
6
7
8
-
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
6
7
8
-
I
=
9
-
1
I
9
9
9
-
1
2
-
-
-
6
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
6
7
8
-
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
6
7
8
-
R
=
9
-
1
R
18
9
9
-
1
2
-
-
-
6
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
6
7
8
-
D
=
4
-
1
D
4
4
4
-
1
2
-
4
-
6
7
8
-
-
-
48
-
9
DELIVERED
84
48
48
-
1
2
3
12
15
6
7
8
18
-
-
4+8
-
-
-
8+4
4+8
4+8
-
-
-
-
1+2
1+5
-
-
-
1+8
-
-
12
-
9
DELIVERED
12
12
12
-
1
2
3
3
6
6
7
8
9
-
-
1+0
-
-
-
1+2
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
3
-
9
DELIVERED
3
3
3
-
1
2
3
3
6
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
3
4
5
9
-
-
-
-
-
DELIVERED
-
-
-
-
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
4
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
L
=
3
-
1
L
12
3
3
-
3
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
9
V
=
4
-
1
V
22
4
4
-
-
4
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
R
=
9
-
1
R
18
9
9
-
-
-
-
9
E
=
5
-
1
E
5
5
5
-
-
-
5
-
D
=
4
-
1
D
4
4
4
-
-
4
-
-
-
-
48
-
9
DELIVERED
84
48
48
-
3
12
15
18
-
-
4+8
-
-
-
8+4
4+8
4+8
-
-
1+2
1+5
1+8
-
-
12
-
9
DELIVERED
12
12
12
-
3
3
6
9
-
-
1+0
-
-
-
1+2
1+2
1+2
-
-
-
-
-
-
-
3
-
9
DELIVERED
3
3
3
-
3
3
6
9

 

 

-
-
-
-
-
-
-
-
-
-
3
4
5
9
-
-
-
-
-
DELIVERED
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
3
-
-
-
D
=
4
-
1
D
4
4
4
-
-
4
-
-
V
=
4
-
1
V
22
4
4
-
-
4
-
-
D
=
4
-
1
D
4
4
4
-
-
4
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
I
=
9
-
1
I
9
9
9
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
9
-
-
48
-
9
DELIVERED
84
48
48
-
3
12
15
18
-
-
4+8
-
-
-
8+4
4+8
4+8
-
-
1+2
1+5
1+8
-
-
12
-
9
DELIVERED
12
12
12
-
3
3
6
9
-
-
1+0
-
-
-
1+2
1+2
1+2
-
-
-
-
-
-
-
3
-
9
DELIVERED
3
3
3
-
3
3
6
9

 

 

-
-
-
-
-
DELIVERED
-
-
-
D
=
4
-
1
D+E
9
9
9
-
-
-
-
1
L
12
3
3
-
-
-
-
1
I
9
9
9
-
-
-
-
1
V+E
27
9
9
-
-
-
-
1
R
18
9
9
-
-
-
-
1
E+D
9
9
9
D
=
4
-
9
DELIVERED
84
48
48
-
-
-
-
-
-
8+4
4+8
4+8
D
=
4
-
9
DELIVERED
12
12
12
-
-
-
-
-
-
1+2
1+2
1+2
D
=
4
-
9
DELIVERED
3
3
3

 

 

THE TUTANKHAMUN PROPHECIES

Maurice Cotterell

1
999

BEHIND THE WALL OF SILENCE

Page 190

The holy number of sun-worshippers is 9, the highest number that can be reached before becoming one (10) with the creator. This is why Tutankhamun was entombed in nine layers of coffin. This is why the pyramid skirts of the two statues, guarding the entrance to the Burial Chamber, were triangular (base 3), when the all-seeing eye-skirt of Mereruka contained a pyramid skirt with a base of four sides. The message concealed here is that the 3 should be squared, which equals 9"

"The message concealed here is that the 3 should be squared, which equals 9"

 

 

TUTANKHAMEN

Christiane Desroches-Noblecourt 1963

Page177

"The red oxen had been left behind; now the "Nine Friends" and the two viziers-of the North and South- drew the ropes attached to the bier behind which followed a last high dignitary of the royal procession."

Page158 (Chapter 7) 1343

The death of the king and preparations for immortality 

"Analysis of his mummy shows that Tutankhamen was between eighteen and twenty years old when he died. This allows one to set the approximate date of his coronation in his ninth year, since there is no date mentioned in connexion with him after year 9 which appears on wine jars found in his tomb."

 

 

TRANSFORMATION THE BREAKTHROUGH

Whitley Strieber 1988

“nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three
“nine of them in three groups of three

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

Page 30

"In total, Atum and his immediate descendants numbered nine deities, three times three expressing the the ancient Egyptian concept of completeness.

“nine deities, three times three

 

 

STEPHEN HAWKING

Quest For A Theory Of Everything

Kitty Ferguson 1992

Page 103

"...The square root of 9 is 3. So we know that the third side

This occurs on the 33rd line down of page 103

 

 

TRANSFORMATION THE BREAKTHROUGH

Whitley Strieber 1988

Page 128

"Dr Gliedman had given me his essay "Quantum Entanglements: On Atomic Physics and the Nature of Reality," and I had been reading it..."

"Page 129

"I returned to Dr. Gliedman's essay.

I read the following sentence: "The mind is not the playwright of reality."

At that moment there came a knocking on the side of the house. This was a substantial noise, very regular and sharp. The knocks were so exactly spaced that they sounded like they were being produced by a machine. Both cats were riveted with terror. They stared at the wall. The knocks went on, nine of them in three groups of three, followed by a tenth lighter double-knock that communicated an impression of finality.

These knocks were coming from just below the line of the roof, at a spot approximately eighteen feet above the gravel driveway. Below the point of origin of the knocks were two open windows. Had anybody been out on the driveway with a ladder I would certainly have heard their movements on the gravel.

In addition, to get a ladder to that point they would have activated the movement-sensitive lights. But it was dark beyond the windows.

It would be next to impossible to stand on the sharply angled roof that covers the living room of the cabin. While the angle of the roof above the upstairs bedroom is almost flat, this roof is extremely steep. What's more, I would certainly have heard anybody crawling around on the roof. There would have been creaks and groans from the boards, and there is no question but that I would have noticed the sounds, given the profound silence of the country night.

I am absolutely dead certain about the reality of the knocks. They were not made by the house settling. Nothing but an intentional act could have produced such loud, evenly spaced sounds. They were not a prank being played by neighbors. In the summer of 1986 I had not yet told my neighbors about the visitors. What's more, the prank explanation was hopelessly impractical.

To reach the place from which I heard the knocks..."

Page 131

cannot be put down to disease. Such a thing is not a symptom. My cats would not have reacted to something happening in my mind. I am reporting a true event. It was the first definite, physical indication I had while in a state of commpletely normal consciousness that the visitors were part of this world.

They were responding to my attempts to develop the relationship and accept my fear by making their physical reality more plain.

The stunning event of August 27, 1986, strengthened my wavering resolve to keep the matter where it belongs, which is in question. It is an awfully serious business, and it cannot be removed from question except as we learn more facts. Should we decide to believe something about this that is not true, we will ruin it for ourselves. We will form yet another mythology around the visitors, as I suspect we have been doing throughout our history.

The moment after the nine knocks I thought to go outside. I also thought, You're not ready yet. You just go up to bed.

The next morning I thought that was exactly what I had done. But there was something wrong. While the knocks were taking place I was unquestionably in a normal state of mind. As soon as I began to move from the chair, though, I feel that I may have entered another state.

Unfortunately, I did not remember that something may have happened after the knocks until weeks later. On the morning after, my immediate thought was that I had failed miserably. The visitors had come, had knocked-and I'd just sat there, too scared even to open the door!

I therefore don:t know whether I concocted the subsequent memories to make myself feel better, or if they were hidden by a more prosaic screen memory.

One day I glanced at the clock on our videotape machine and suddenly remembered seeing it when it said 2:18 A.M. An instant later I recalled that I'd seen it reading that time as I went upstairs on the night of the nine knocks.

Page 134 (omitted)

TWELVE

Fire of the Question

"In the days after I heard the nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three perfectly measured, exactly spaced sounds, each precisely as loud as the one previous. And then there had been a soft double-knock completely different in tone from the others. It had communicated a distinct sense of finality, and seemed by its lightness of tone not to be a part of the group. The nine knocks were a sort of communication. The tenth was punctuation..."

Page 135

""The nine knocks made me struggle even harder to understand. And I did not understand. But I had a few ideas"

"It was as if I had discovered an unknown world that has always been around us, that may be an even greater reality..."
"In the days after I heard the nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three perfectly measured, exactly spaced sounds,”

Page 135

"The nine knocks made me struggle even harder to understand. And I did not understand. But I had a few ideas

It was as if I had discovered an unknown world that has always been around us, that may be an even greater reality..."

 

 

Daily Mail, Thursday December 17, 2015

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

Page 64

QUESTION When we were kids, we used to knock on people's doors and run and hide. We called this Knock Down Ginger. Why?

AT LEAST 100 terms have been collected for this activity though the variants are sometimes slight; in Coventry they played Rat-tat-tat, in Solihull Rat-a-tat-tat.
Other terms include Ding Dong Ditch, Knock Door Run, Dolly Knock, Chap Door Run or Knock, Knock Ginger Ring and Run, and Nicky Nicky Nine Door.
The most common variant seems to involve the word ginger. A popular suggestion for this is that the doors of council estates were once stained ginger Another suggestion is that it comes from an Old Mother Goose rhyme:
`Ginger, Ginger broke a winder/Hit the winda — crack!/The baker came out to give 'im a clout/And landed on his back.'
Annie Crouch, St Ives, Cambs.

 

K
=
2
-
5
KNOCK
54
18
9
K
=
2
-
5
KNOCK
54
18
9
K
=
2
-
5
KNOCK
54
18
9
-
-
6
-
15
-
162
54
18
-
-
-
-
1+5
-
1+6+2
5+4
1+8
-
-
6
-
6
-
9
9
9

 

 

https://www.youtube.com/watch?v=amc_7l16LSM

Knock Three Times - Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/Knock_Three_Times

"Knock Three Times" is a popular song credited to Tony Orlando and Dawn. ... The song was released as a single in November 1970, paired with Orlando's other hit song, "Candida" (also written by Toni .... Full lyrics of this song at MetroLyrics ...

 

Knock Three Times
Tony Orlando & Dawn
Lyrics: Irwin Levine / Larry Russell Brown

Hey girl, what ya doin' down there?
Dancin' alone every night
While I live right above you

I can hear your music playin'
I can feel your body swayin'
One floor below me
You don't even know me, I love you

Oh, my darling, knock three times
On the ceiling if you want me
Hmm, twice on the pipe
If the answer is no

Oh, my sweetness
Means you'll meet me in the hallway
Oh, twice on the pipe
Means you ain't gonna show

If you look out your window tonight
Pull in the string with the note
That's attached to my heart

Read how many times I saw you
How in my silence I adored you
And only in my dreams did
That wall between us come apart

Oh, my darling, knock three times
On the ceiling if you want me
Mmm, twice on the pipe
If the answer is no

Oh, my sweetness
Means you'll meet me in the hallway
Whoa, twice on the pipe
Means you ain't gonna show

Oh, I can hear the music playin'
I can feel your body swayin'
One floor below me
You don't even know me, I love you

Oh, my darling, knock three times
On the ceiling if you want me
Oh, twice on the pipe
If the answer is no
(I love you, I love you, I love you)

Oh, my sweetness
Means you'll meet me in the hallway
Mmm, twice on the pipe
Means you ain't gonna show

 

 

Meter reading

Wakefield August 2016

Knock Knock

We popped back to read your meter today but unfortunately you weren't home.

 

-
-
-
-
-
KNOCK
-
-
-
K
=
2
-
1
K
11
2
2
N
=
5
-
1
N
14
5
5
O
=
6
-
1
O
15
6
6
C
=
3
-
1
C
3
3
3
K
=
2
-
1
K
11
2
2
-
-
18
Q
5
KNOCK
54
18
18
-
-
1+8
-
-
-
5+4
1+8
1+8
-
-
9
Q
5
KNOCK
9
9
9

 

 

10
CODE DE CODE
67
13
4
6
C+O
18
9
9
4
D+E
9
9
9
4
D+E
9
9
9
6
C+O
18
9
9
4
D+E
9
9
9
10
CODE DE CODE
63
36
36
1+0
-
6+3
3+6
3+6
1
CODE DE CODE
9
9
9

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

Page 30

"In total, Atum and his immediate descendants numbered nine deities, three times three expressing the ancient Egyptian concept of completeness.

“nine deities, three times three

 

 

STEPHEN HAWKING

Quest For A Theory Of Everything

Kitty Ferguson 1992

Page 103

"...The square root of 9 is 3. So we know that the third side

This occurs on the 33rd line down of page 103

 

 

TRANSFORMATION THE BREAKTHROUGH

Whitley Strieber 1988

Page 134

"In the days after I heard the nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three perfectly measured, exactly spaced sounds,”

“nine knocks” “three groups of three

 

Whitley Strieber 1988 Page 134 “nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three
“nine of them in three groups of three

Page 135

"The nine knocks made me struggle even harder to understand. And I did not understand. But I had a few ideas

It was as if I had discovered an unknown world that has always been around us, that may be an even greater reality..."

 

 

Toby Wilkinson 2010 Page 30 "In total, Atum and his immediate descendants numbered nine deities, three times three expressing the ancient Egyptian concept of completeness.


Kitty Ferguson 1992 Page 103 "...The square root of 9 is 3. So we know that the third side
This occurs on the 33rd line down of page 103

 

 

Daily Mail, Thursday, December 24, 2015

By Ben Wilkinson

Page 124

Life-saving 999 call by girl of 3 after pregnant mother fell down stairs

WHEN pregnant Catherine Bazzard fell downstairs and knocked herself out, she was lucky to have a cool-headed life-saver nearby-her three-year old daughter Emma.

The youngster calmly told the emergency operator that Mrs Bazzard had a baby in her tummy and directed paramedics to her house.

Yesterday, South Western Ambukance Service released the 11 minute transcript of her call as it gave her a bravery award.

Emma found her mother slipping in and out of consciousness at the foot of the stairs after the 27-year old fell while rushing to get her son Harry, five from school.

In the recording of the call on November 27, Emma tells the call handler: 'Mummy fell down a stairs and she has got a baby'

After she was asked whether the baby is 'asleep' and how old it is. Emma reveals: It's in mummy's tummy. It's very very big. It's coming at Christmas.'

Extracts of the call from Emma to 999 call handler Sara Morris:

S:You are so clever to ring up E: Mummy said '999' and I did it.

"Pre-school worker Mrs Bazzard said: 'I remember Emma bringing me the phone. She couldn't get the nine button to work so I pressed it."

"...her mum spent three nights in hospital..."

Mrs Bazzard who is married to Ben, 33, a teacher said that had Emma not responded so quickly her son George would have been born dangerously early ...

"George was born healthy on December 4th four weeks early Ambulance call handler Sarah Morris said: 'I was amazed to discover that she was only three."

 

 

"THE WORD FIRST USED FOR MAN IS LULLU"

"THE WORD FIRST USED FOR MAN IS 33333"

"THE WORD FIRST USED FOR MAN IS LULLU"

 

 

ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-

The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...

I hereby name it Babylon, home of the great gods.

The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
Then he decides to create man, to serve the gods with offerings, so that they can be at leisure. The word used for man is lullu , meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found guilty of the war between the gods, his blood is used to create mankind. Here, it is unclear if Marduk or Ea creates mankind. Later in the text, Ea is specified as the creator of man. Finally, the gods praise Marduk, and give him fifty names that represent different aspects of his powers and sovereignty.
The text ends with instructions on how it should be passed on from generation to generation, and the command to worship Marduk, king of the gods.

 

ENUMA ELISH
The Babylonian Creation Myth

"The word used for man is lullu"

LULLU 33333 LULLU

"The word used for man is lullu"

 

-
-
-
-
-
LULLU
-
-
-
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
L
3
L
-
1
L
12
3
3
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
-
15
-
-
6
LULLU
78
15
15
-
1+5
-
-
-
-
7+8
1+5
1+5
-
6
-
-
6
LULLU
15
6
6
-
-
-
-
-
-
1+5
-
-
-
6
-
-
6
LULLU
6
6
6

.

 

Attius Tullius - Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/Attius_Tullius

Attius Tullius was a political and military leader of the Volsci in the early fifth century BC, who ... in which he and Coriolanus led the Volscian forces. He appears in William Shakespeare's tragedy Coriolanus under the name of Tullus Aufidius.

 

-
-
-
-
-
-
-
-
-
C
=
3
-
-
CORIOLANUS
-
-
-
-
-
-
-
1
C+O
18
9
9
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
1
O+L
18
9
9
-
-
-
-
1
A+N+U
36
9
9
-
-
-
-
1
S
19
10
1
C
=
3
-
10
CORIOLANUS
127
55
46
-
-
-
-
1+0
-
1+2+7
5+5
4+6
C
=
3
-
1
CORIOLANUS
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
C
=
3
-
1
CORIOLANUS
1
1
1

 

Jupiter: Facts About the King of the Roman Gods | Primary Facts

primaryfacts.com/3565/jupiter-facts-about-the-king-of-the-roman-gods/

23 Jan 2014 - Here are some facts about the Ancient Roman God, Jupiter.

Jupiter is sometimes known as Jove. He is the King of the Gods, God of the Sky ...

 

 

J
=
1
-
-
JUPITER
99
36
9
-
-
-
-
-
-
-
-
-
G
=
7
-
1
GOD
26
17
8
O
=
6
-
1
OF
21
12
3
T
=
2
-
1
THE
33
15
6
S
=
1
-
1
SKY
55
19
1
-
-
16
-
16
-
135
63
18
-
-
1+6
-
1+6
-
1+3+5
6+3
1+8
-
-
9
-
7
-
18
9
9

 

 

Jupiter - Encyclopedia Mythica

www.pantheon.org › Areas › Mythology › Europe › Roman mythology

3 Mar 1997 - Jupiter is the supreme god of the Roman pantheon, called dies pater, "shining father". ... The Romans worshipped him especially as Jupiter Optimus Maximus (all-good, all-powerful). ... His attribute is the lightning bolt and the eagle is both his symbol and his messenger.

 

-
-
-
-
-
JUPITER
-
-
-
J
=
1
-
1
J
10
1
1
U
=
3
-
1
U
21
3
3
P
=
7
-
1
P
16
7
7
I
=
9
-
1
I
9
9
9
T
=
2
-
1
T
20
2
2
E
=
5
-
1
E
5
5
5
3
=
9
-
1
R
18
9
9
-
-
36
-
7
JUPITER
99
36
36
-
-
3+6
-
-
-
9+9
3+6
3+6
-
-
9
-
7
JUPITER
18
9
9
-
-
-
-
-
-
1+8
-
-
-
-
9
-
7
JUPITER
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
JUPITER
-
-
-
-
-
-
-
-
-
-
-
-
-
J
=
1
-
1
J
10
1
1
-
1
-
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
36
-
7
JUPITER
99
36
36
-
1
2
3
4
5
6
7
8
18
-
-
3+6
-
-
-
9+9
3+6
3+6
-
-
-
-
-
-
-
-
-
1+8
-
-
9
-
7
JUPITER
18
9
9
-
1
2
3
4
5
6
7
8
18
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
7
JUPITER
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
JUPITER
-
-
-
-
-
-
-
-
-
-
-
-
-
J
=
1
-
1
J
10
1
1
-
1
-
-
4
-
6
-
8
-
U
=
3
-
1
U
21
3
3
-
-
-
3
4
-
6
-
8
-
P
=
7
-
1
P
16
7
7
-
-
-
-
4
-
6
7
8
-
I
=
9
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
T
=
2
-
1
T
20
2
2
-
-
2
-
4
-
6
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
4
-
6
-
8
9
-
-
36
-
7
JUPITER
99
36
36
-
1
2
3
4
5
6
7
8
18
-
-
3+6
-
-
-
9+9
3+6
3+6
-
-
-
-
-
-
-
-
-
1+8
-
-
9
-
7
JUPITER
18
9
9
-
1
2
3
4
5
6
7
8
18
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
7
JUPITER
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
5
7
9
-
-
-
-
-
JUPITER
-
-
-
-
-
-
-
-
-
-
J
=
1
-
1
J
10
1
1
-
1
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
7
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
5
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
9
-
-
36
-
7
JUPITER
99
36
36
-
1
2
3
5
7
18
-
-
3+6
-
-
-
9+9
3+6
3+6
-
-
-
-
-
-
1+8
-
-
9
-
7
JUPITER
18
9
9
-
1
2
3
5
7
18
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
9
-
7
JUPITER
9
9
9
-
1
2
3
5
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
JUPITER
-
-
-
-
-
-
-
-
-
-
-
-
-
J
=
1
-
1
J
10
1
1
-
1
-
-
4
-
6
-
8
-
T
=
2
-
1
T
20
2
2
-
-
2
-
4
-
6
-
8
-
U
=
3
-
1
U
21
3
3
-
-
-
3
4
-
6
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
P
=
7
-
1
P
16
7
7
-
-
-
-
4
-
6
7
8
-
I
=
9
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
3
=
9
-
1
R
18
9
9
-
-
-
-
4
-
6
-
8
9
-
-
36
-
7
JUPITER
99
36
36
-
1
2
3
4
5
6
7
8
18
-
-
3+6
-
-
-
9+9
3+6
3+6
-
-
-
-
-
-
-
-
-
1+8
-
-
9
-
7
JUPITER
18
9
9
-
1
2
3
4
5
6
7
8
18
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-