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WISE WISDOM LOST AT SEA DROWNED IN A SEE OF KNOWLEDGE

 

A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

 

...

 

 

 

 

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

18
THE ENGLISH ALPHABET
-
-
-
1
THE
33
15
6
-
ENGLISH
74
38
2
1
ALPHABET
65
29
2
18
THE ENGLISH ALPHABET
172
82
10
1+8
-
1+7+2
8+2
1+0
9
THE ENGLISH ALPHABET
10
10
1
-
-
1+0
1+0
-
9
THE ENGLISH ALPHABET
1
1
9

 

 

C
=
3
-
8
CREATORS
99
36
9
R
=
9
-
8
REACTORS
99
36
9
-
-
12
-
16
First Total
198
72
18
-
-
1+2
-
1+6
Add to Reduce
1+9+8
7+2
1+8
-
-
3
-
7
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
3
-
7
Essence of Number
9
9
9

 

GOD WITH US AND US WITH GOD

 

HALLELUJAH HURRAH FOR RAH FOR RAH HURRAH HALLELUJAH

 

11
THE ADVENT
-
-
-
3
THE
33
15
6
6
ADVENT
66
21
3
9
THE ADVENT
99
36
9
-
-
9+9
3+6
-
2
THE ADVENT
9
9
9

 

 

SCULPTURE OF VIBRATIONS 1971

 

 

EGYPTIAN CHRONOLOGY

THE MYTHIC DYNASTIES

F. G. Fleay

1899

Page 93

GODS MEMPHITE SCHEME

"PTAH reigned for 9000 months"

 

YEA

THOUGH I WALK THROUGH

THE

VALLEY OF THE SHADOW OF DEATH

I

WILL FEAR NO EVIL FOR THOU ART WITH

ME

ALWAYS

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT

PLANETS STARS AND LIFE

Page 24

A

proton

is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'

 

 

I

OSIRIS

UNAS OSIRIS AM I AM OSIRIS UNAS

AM

I

SOKAR OSIRIS AM I AM OSIRIS SOKAR

AM

I

I THAT AM THAT THAT THAT ISISISIS THAT THAT THAT AM THAT I

 

 

O

NAMUH

WHEN SHALL WE C THY LIKE AGAIN

 

 

I

ME

EGO

OGRE

CONSCIENCE

NAME ME I ME NAME

ME

AMEN

I MEAN NAME THAT NAME MEAN

 

 

I

I 9 I

ME

ME 45 EM

EGO 576 EGO

OGRE 6795 OGRE

CONSCIENCE 3651395535 CONSCIENCE

DIVINE THOUGHT GODS THOUGHT DIVINE

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

NAME ME I ME NAME

ME

AMEN

I MEAN NAME THAT NAME MEAN

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

....

ADDED TO ALL MINUS NONE SHARED BY EVERYTHING MULTIPLIED IN ABUNDANCE.

 

 

I

AM

WHOLE SOURCE AM I 9 I AM WHOLE SOURCE

AM

I

 

 

OSIRIS SO IRIS OSIRIS

 

SO IR IS IS IR SO

ISIS IS IS ISIS

OSIRIS SO IRIS OSIRIS

 

 

DIVINE LOVE IS 99 99 IS LOVE DIVINE

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SUN

OSIRIS SO RI IS THAT SUNSETSUN IS RI SO OSIRIS

OSIRIS ISISISIS OSIRIS

BIRTHING THE NEW HORUS NEW THE BIRTHING

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SUN

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

 

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

IS

KRISHNA SHIVA VISHNU VISHNU SHIVA KRISHNA

IS

 

 

ZE US US ZE

C ZEUS C

C RHEA C

HEAR US C US HEAR

ZEUS SEE US US SEE ZEUS

 

 

THE HOURS OF HORUS NOW IS IS NOW THE HORUS OF HOURS

 

 

RA AR R RA AR

IS RA EL EL IS RA

IS REAL REAL IS

REAL REALITY REVEALED REALITY REAL IS

 

 

EARTH HEART R HEAT R HEART EARTH

EARTH HEART EARTH THERA TERAH

 

 

SELF FEELS SELF

SEE ELS FISH SELLS FISH ELS SEE

SELFISH SELLS ELS FISH ELS SELLS SELFISH

 

 

I

INCA

THE SON OF THE SUN

I

9531

THE SON OF THE SUN

I

9

THE SON OF THE SUN

I

9

 

 

ANUS RA'S ARS ARS RA'S ANUS

ANUS UR RU ANUS

ANU 153 ANU

153 ANU 153

ANU 153 ANU

ANUS A SUN A SUN ANUS

URANUS UR A SUN A SUN R U URANUS

 

 

SPINE PENIS IS IS PENIS SPINE

VAGINA V AGAIN AGAIN V VAGINA

MENSTRUATE MENS TRU-E HATE TRU-E MENS MENSTRUATE

MENOPAUSE MEN O PAUSE PAUSE O MEN MENOPAUSE

 

 

A

LINE A NILE A LINE

 

 

ALIEN IS IS ALIEN

 

 

ANUBIS A NUMBER IS IS A NUMBER ANUBIS

 

 

R U SOL SOL U R

SOUL SO U LIVE SOUL SO U LEARN SOUL SO U LOVE

R U SOL SOL U R

 

 

ABRAHAM A BRAHMAN IS IS ABRAHAM A BRAHMAN

 

 

SOLOMON SOL MOON MOON SOL SOLOMON

 

 

ERUSALEM JESU MALES R R MALES JESU JERUSALEM

JERU-SALEM MALES JERU-SALEM

 

 

MARY Y RAM MARY MARY Y RAM MARY

 

 

ISHI TELL IRISH RISHI HOW MANY FISH ISHI

 

 

ISHMAEL IS HE MALE MALE IS HE ISHMAEL

 

 

AND DNA AND DNA AND DNA AND DNA AND

 

 

HALAL ALLAH HALAL

TEAM TAME MEAT TAME TEAM

EAT TEA TEA EAT

TEAT TAKE IT EAT IT TAKE TEAT

 

 

FELT HAND LEFT HAND

FELT RIGHT FELT

 

 

EROS ROSE IS SORE IS ROSE EROS

 

 

MOUTH IS O IS MOUTH

 

 

BUDDHA BUD HAD HAD BUD BUDDHA

HASHISH HE HAS ISH ISH HAS HE HASHISH

HASHISH SHE HAS ISH ISH HAS SHE HASHISH

IS THAT IRISH HASHISH RISHI IS THAT IS IS THAT IRISH HASHISH RISHI THAT IS

 

 

THREAD R DEATH R THREAD

IM- MORTAL AM I AM MORTAL-IM

IMMORTAL AM I AM IMMORTAL

IMMORTAL THOU ART THOU IMMORTAL

 

 

DECIPHER

MANKIND HAD 1200 YEARS YEARS

TO CRACK THE CODE WE HAVE

ONE WEEK LEFT

Stel Pavlou

Page 357

24 hours

"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly intervals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."

Ian Stewart, Nature's Numbers, 1995

 

 

THOSE PATENT PATIENT PATTERN MAKERS

 

 

Nature's Numbers
Ian Stewart 1995

Numerology is the easiest-and consequently the most dangerous-method for finding patterns. It is easy because anybody can do it and dangerous for the same reason. The difficulty lies in distinguishing significant numerical patterns from accidental ones. Here's a case in point. Kepler was fascinated with patterns in nature, and he devoted much of his life to looking for them in the behaviour of the planets. He devised a simple and tidy theory for the existence of precisely six planets (in his time only Mercury, Venus, Earth, Mars, Jupiter, and Saturn were known). He also discovered a very strange pattern relating the orbital period of a / planet- the time it takes to go once around the Sun-to its distance from the Sun. Recall that the square of a number is what you get when you multiply it by itself: for example, the square of 4 is 4 x 4 = 16. Similarly, the cube is what you get when you multiply it by itself twice: for example, the cube of 4 is 4 x 4 x 4 = 64. Kepler found that if you take the cube of the distance of any planet from the Sun and divide it by the square of its orbital period, you always get the same number. It was not an especially elegant number, but it was the same for all six planets.

Which of these numerological observations is the more significant? The verdict of posterity is that it is the second one, the complicated and rather arbitrary calculation with squares and cubes. This numerical pattern was one of the key steps towards Isaac Newton's theory of gravity, which has explained all sorts of puzzles about the motion of stars and planets. In contrast, Kepler's neat, tidy theory for the number of planets has been buried without trace. For a start it must have been wrong, because we now know of nine planets, not six. There could be even more, farther out from the Sun, and small enough to be undetectable But more important, we no longer expect to find a neat, tidy theory for the number of planets. We think that the Solar System condensed from a cloud of gas surrounding the Sun, and the number of planets presumably depended on the amount of matter in the gas cloud, how it was distributed, and how fast and in what directions it was moving. An equally plausible gas cloud could have given us eight planets, or eleven; the number is accidental, depending on the initial conditions of the gas cloud, rather than universal, reflecting a general law of nature"

Page 6

" The big problem with numerological pattern-seeking is that it generates millions of accidentals for each universal. Nor is it always obvious which is which. For example, there are three stars, roughly equally spaced and in a straight line, in the belt of the constellation Orion. Is that a clue to a significant law of nature?
Here's a similar question. Io, Europa, and Ganymede are three of Jupiter's larger satellites. They orbit the planet in , respectively, 1.77, 3.55, and 7.16 days. Each of these numbers is almost exactly twice the previous one. Is that a significant pattern? Three stars in a row, in terms of orbital period. Which pattern if either, is an important clue..."
    "… In addition to numerical patterns there are geometric ones…"
    "… Until recently the main shapes that appealed to mathematicians were very simple ones: triangles, squares, pen / Page 7 /tagons, hexagons, circles, ellipses, spirals, cubes, spheres, cones, and so on. All of these shapes can be found in nature, although some are far more common, or more evident, than others. The rainbow, for example, is a collection of circles, one for each colour. We don't normally see the entire circle just an arc; but rainbows seen from the air can be complete circles. You also see circles in the ripples on a pond, in the human eye, and on butterflies wings.
         Talking of ripples, the flow of fluids provides an inexhaustible supply of nature's patterns. There are waves of many different kinds-surging toward a beach in parallel ranks, spreading in a V-shape behind a moving boat, radiating outward from an underwater earthquake…"
"…There are swirling spiral whirlpools and tiny vortices. And there is the apparently structureless, random frothing of turbulent flow, one of the great enigmas of mathematics and physics. There are similar patterns in the atmosphere, too, the most dramatic being the vast spiral of a hurricane…"
    "…There are also wave patterns on land. The most strikingly mathematical landscapes on Earth are to be found in the great ergs, or sand oceans, of the Arabian and Sahara deserts. Even when the wind blows steadily in a fixed direction, sand dunes form. The simplest pattern is that of transverse dunes, which-just like ocean waves-line up in parallel straight rows at right angles to the prevailing wind direction. Sometimes the rows themselves become wavy in which case they are called barchanoid ridges; sometimes they break up into / Page 8 / innumerable shield-shaped barchan dunes. If the sand is slightly moist, and there is a little vegetation to bind it together, then you may find parabolic dunes-shaped like a U, with the rounded end pointing in the direction of the wind. These sometimes occur in clusters, and they resemble the teeth of a rake. If the wind direction is variable, other forms become possible. For example, clusters of sand shaped dunes can form, each having several irregular arms radiating from a central peak. They arrange themselves in a random pattern of spots.

Chapter 6

Page 81

"Nature's symmetries can be found on every scale, from the structure of subatomic particles to that of the entire universe. Many chemical molecules are symmetric. The methane molecule is a tetrahedron - a triangular-sided pyramid - with one carbon atom at its center and four hydrogen atoms at its corners Benzene has the sixfold symmetry of a regular hexagon. The fashionable molecule buckminsterfullerene is a truncated icosahedral cage of sixty carbon atoms. (An icosahedron is a regular solid with twenty triangular faces;
"truncated" means that the corners are cut off.) Its symmetry lends it a remarkable stability, which has opened up new possibilities for organic chemistry.
    On a slightly larger scale than molecules, we find symmetries in cellular structure; at the heart of cellular replication lies a tiny piece of mechanical engineering. Deep within each / Page 82  / living cell, there is a rather shapeless structure known as the centrosome, which sprouts long thin microtubules, basic components of the cell's internal "skeleton", like a diminutive sea urchin. Centrsomes were first discovered in 1887 and play an important role in organizing cell division. How-ever in one respect the structure of the centresome is astonishingly symmetric. Inside it has two structures, known as centrioles, positioned at right angles to each other. Each centriole is cylindrical, made from twenty-seven microtubules fused together along their lengths in threes, and arranged with perfect ninefold symmetry. The microtubules themselves also have an astonishingley regular symmetric form. They are hollow tubes, made from a perfect regular checkerboard pattern of units that contain two distinct proteins, alpha- and betatubulin. One day, perhaps, we will understand why nature chose these symmetric forms. But it is amazing to see symmetric structures at the core of a living cell. "

 

 

THE SUPERGODS

Maurice M Cotterell

1997

"Once we understood the intellectual game of the Maya, in the Temple of Inscriptions, we were invited to count. We counted firstly 11111,22222, 33333,44444,55555, 66... the number of the beast, of blasphemy, is miss-ing from the Temple of Inscriptions at Palenque. But then we began to count the beads on the necklace from the neck of Lord Pacal (see Chapter 4). Only when we began the count did the numbers 666 appear, not as themselves but as part of the number 13, which occurred in three sections of the necklace. Then the numbers 777 and 888 appeared in the necklace and then the 9s were found elsewhere: 'Let him that hath understanding count the number of the beast.'
The expression 'Let he that hath an ear, let him.hear' appears no less than eight times in Revelations, and we recall that one of the plaster heads of Lord Pacal found on the floor of the tomb had one ear missing:
'Let he that hath an ear, let him hear' (see Fig 37).
Revelations continues by telling of an angel that came to 'seal the servants of God'

 

 

THE

PATH OF PTAH

 

 

THE EGYPTIAN BOOK OF THE DEAD

E. A. Wallace Budge

1899

OF LIVING NIGH UNTO RA

 Page 397

And I say, 'On every road " and among (11) these millions of years is Ra the lord, "and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "

 

"and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "

 

 

In 1913 Bohr perfected the Rutherford theory of the atom by an early use of quantum theory. An electron moving in a circle around the nucleus can be held in orbit by a balance between the electrostatic force of attraction to the nuclei and the centrifugal force due to its motion.

 

 

THE MORNING OF THE MAGICIANS

Lois Pauwels and Jacques Bergier

1963

Page 226

The 'Sun' was the fixed centre round which the electrons revolve"

 

 

THE SUPERGODS

Maurice M Cotterell

1997

Page 110

And I saw another angel ascending from the East, having the seal of the living God: and he cried with a loud voice to the four angels, to whom it was given to hurt the Earth and the sea, saying 'Hurt not the Earth, neither the sea, nor the trees, till we have sealed the servants of our God in their foreheads: And I saw the number of them which were sealed; and there were sealed an hundred and forty, and four thousand of all the tribes of the childrel} of Israel. (Rev VII 3,4)
It goes on, 'And it was commanded them that they should not hurt the grass of the Earth, neither any green thing, neither any tree, but only those men which have not the seal of God on their foreheads...' (Rev IX, 4).
Look again at The Physical Death of Lord Pacal, Scene 4 (Fig 49 below). Look again at his forehead, and count the number sealed: 144,000.
Like all composites, the picture is made up of two halves which are 'reflected' either side of the centre line of the drawing. It is therefore not possible to show the number 144,000 from left to right and again (the mirror image) from right to left. To overcome this, 1440 is written from left to right. The mirror image of 1440 can be seen from right to left. The missing two zeros (in Mayan notation, an oval embellished with three lines) are shown above this number.
It seems that the man in the tomb at Palenque had much in common with the other Supergods - Jesus, Krishna and Buddha - and that he brought the same message and the same super-knowledge which has powerfully influenced the intellectual ascent of man since time began."

 

 

THE SUPERGODS

Maurice M Cotterell

1997

Page 118

"Sacrifice at first appears as penance, difficult and tortuous, attracting few followers. In the Hindu holy book, the Bhagava-Geeta, the teacher Lord Krishna supports this view saying:

Hear further the three kinds of pleasure. That which increases day after day and delivers one from misery, which at first seems like poison, but afterwards acts like nectar - that pleasure is pure, for it is born of wisdom. That which is at first like nectar, because the senses revel in their objects, but in the end acts like poison - that pleasure arises from passion. While the pleasure which from first to last merely drugs the senses, which springs from indolence, lethargy and folly - that pleasure flows from ignorance. (BG, 18:36-9)

(BG, 18:36-9)

 

 

HARMONIZED

Page number omitted

THE STUDENT'S ASSISTANT

 IN

ASTRONOMY AND ASTROLOGY

  : CONTAINING
 
 OBSERVATIONS ON THE REAL AND APPARENT MOTIONS OF THE
SUPERIOR PLANET8.-THE GEOCENTRIC LONGITUDE OF THE
       SUN AND SUPERIOR PLANETS,
              CALCULATED FOR 44 YEARS TO COME.
 Geocentric Longitude of the Planet Herschel for 100 years during the 18th Century. The Moon's Node on the first day of
         every month, from1836 to 1880. Heliocentric
and Geocentric Longitude of all the f
PLANETS' ASCENDING AND DESCENDING
NODES
LONGITUDE, LATITUDE, AND MAGNITUDE OF  ONE HUNDRED AND
FORTY-FOUR FIXED STARS, FOR PAST AND  FUTURE YEARS.
        Eclipses of the Sun visible in England.
 ALSO
           A DISCOURSE ON THE HARMONY OF
PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY.
BY J.T. HACKET.
LONDON:
BRAY AND KING, 55, ST. MARTIN'S LANE,
         AND  E. GRATTAN, 51, PATERNOSTER ROW.
Milton Press J. Nichols, 9, Chandos Street. Strand.

PREFACE

"A work of this kind may not be so amusing to some individuals as a pleasing romance; yet it is hoped will prove to the Astronomical Stu-dent and learner, gratifying and instructive. At  the request of a select number of students, the present laborious calculations were made, in order to give others and themselves an opportunity of more perfectly understanding the apparent motions of the superior Planetary bodies herein mentioned, together with an illustration of the various phenomena the above planets present to us, the observers on this Earth, caused by the revolution of the planets and the earth, around the Sun, as the centre and great point of attraction tion to the Solar System. I have given a correct Table of the longitude and latitude of 144 fixed stars, calculated up to1836 ,..."

Page 9 (number omitted)

INTRODUCTION TO ASTRONOMY.

"THIS Introduction is merely intended to con-vey a sufficient idea to those who are not already acquainted with the solar system, the propor-tional distances of the Planets' orbits from the Sun, and the Earth, together with the apparent motions of the superior planets, as viewed from this Earth, called their geocentric places or motions. The path of the Planets or circles which their orbits describe in the heavens, is called the Zodiac. Suppose it a belt 20° wide with the Ecliptic, orbit, or path of the Earth in the centre thereof; in as much as a planet's orbit differs from the exact plane of the Ecliptic, or orbit ,of the Earth, so much is the planet's latitude in degrees and minutes; the points where these imaginary circles intersect the Ecliptic, are cal!ed the nodes: The ascend-ing node is that point which the planet enters / Page 10 / for north latitude, the opposite is the descending node for south latitude. The Zodiac is divided into 12 Constellations, called signs, each sign divided into 30 degrees, each degree into minutes and seconds."

 

 

THE TUTANKHAMUN PROPHECIES

Maurice Cotterell 1999

Page 193

" The centre of Solomon's courtyard contained a perfect cube, the 'holy of holies', the solid gold 'Oracle' encrusted in jewels. The inner / Page 194 / temple was a marvel of courtyards and balconies, adorned with 1,453 magnificently sculpted Parisian-marble columns, 2,906 decorated pilasters and statues of stone and metal. The buildings and courtyards could hold an estimated gathering of 300,000.

Anderson's Constitutions of the Freemasons (1723) comments:

. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the work according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600..."

183,600
"...According to the Biblical account, Chiram returned home following completion of the temple, although according to A. E. Waite (New Encyclopaedia of Freemasonry);

The legend of the Master Builder is the greatest allegory of Masonry. It happens that this figurative story is grounded on the fact of a personality mentioned in Holy Scripture, but this historical background is of the accident and not of the essence; the significance is in the allegory and not in any point of history which may lie behind it."

 

 

JUST SIX NUMBERS

Martin Rees 1999

A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "

 

 

HARMONIC 288

Bruce Cathie

1977

"(144 is the harmonic of the speed of light) and 6942 is the harmonic reciprocal."

Page 95

"The value that I calculated for length was extremely close to that.of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833,46 geodetic inches."

"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted) Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron..."

 

153 x 12 = 1836

1 x 8 x 3 x 6 = 144

 

HARMONIC 288

Bruce Cathie

1977

"(144 is the harmonic of the speed of light) and 6942 is the harmonic reciprocal."

11 SAGITTARIUS 144 45 9

11 TUTANKHAMUN 144 36 9

11 SERENDIPITY 144 63 9

 

 

HARMONIC 288

Bruce Cathie

1977

Page 95

"The value that I calculated for length was extremely close to that.of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833,46 geodetic inches.
A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided the ,clue. If 57.6 (the amount in inches by which the base is inset) is divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave-forms set up in the cavity were finely tuned to light frequencies.

A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted) Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron..."

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE ATOMIC TABLE OF ELEMENTS AS A HARMONIC SERIES

Page 54

"NATURAL LAW IS NOT ERRATIC. The universe does not rely on chance to manifest within itself the physical substance which we perceive, and call reality. A very strict and ordered system of mathematical progressions is necessary to create the smallest speck of matter from the primeval matrix of space.
During my years of research into the complexities of the earth grid system I have gradually built up a picture in my mind of the possible geometric combinations necessary to form matter from resonating, interlocking wave-forms. My limited abilities in the various academic fields have made this task a taxing one at times, but I think I have discovered how to apply the original values, published in my first two books, in a practical mathematical sense, to build up a model which 'demonstrates the harmonic formation of matter.
This model indicates to me that the number of individual elements to be found in the universe will be 144. Each of these elements will have, in theory, six isotopes, which will make up a completed table of separate substances numbering 1008. An isotope is an atom of the same element which has a different nuclear mass and atomic weight.
Mathematically, the progression would create 144 octaves of separate substances giving a theoretical value of 1152. The differen~ between the total number of substances (1008) and the harmonic value in octaves (1152) would be 144, the light harmonic. The table of elements, in octaves, would create a cycle which would be in perfect resonance with the harmonic circumference of every atom from which it is constituted. It will be demonstrated that the harmonic circumference of every atom is 1152 units.
 The harmonic values which create the geometric structure of matter can all be derived from the basic harmonic of the speed of light, 144. I have shown in Chapter Four how all the spherical / Page 54 / bodies in the universe are precipitated from space by resonances tuned to the reciprocal harmonic of light (6944). This applies to an atom and to the largest of planetary bodies, as the geometric harmonic diameter of any sized sphere has a constant harmonic affinity with the light reciprocal.
Once the precipitation of physical matter has occurred, the buildup of the substances we know as the elements takes place, according to a very well-ordered mathematical sequence. Light- waves, guided seemingly by superior intelligence, form intricate interlocking grid patterns which graduate from the simple to the more complex, as the elements from hydrogen, at the l°v:'er end of the scale, to element 144, come into being.
When we think of reality we must think of mass in relation to any physical manifestation, and the smallest particle of physical matter that we are aware of is the electron. Therefore, electron mass must be the starting point in our quest for a feasible theory to explain the structure of matter. The physics books give the best experimental value for rest mass of 9.11 x 10-31 kg for the electron, (9.2 x 10-31 in some physics books) and all modern- day calculations for mass and energy have a relationship relative
to this figure. To form the basis for a harmonic series we must , find a mass number for the electron which can be derived directly! from the harmonic of light, 144.
The mathematical analysis I carried out on the Great Pyramid, gave me the first clues upon which to base a unit for electron
mass that would show connecting relationships throughout the atomic scale. The theoretical figure proved to be 9.24184 units.
This was a fairly close approximation to the harmonic equiva-lent of 9.11 found by scientific experiment. A difference of 1.426 per cent.'
To form an atomic structure, the electron mass unit must have some sort of constant mass ratio in relation to the protons which form the nucleus of an atom. Most textbooks give an experi- mental value for this ratio of 1836 units. I found again from my work on the Pyramid that the most likely true value was 1833.464944 units. This turned out to be the theoretical length of the Grand Gallery in geodetic inches, and indicated to me that the Gallery was in fact constructed as a wave guide, tuned to light harmonics." 

Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book their value being1836 inches, and my theoretical value 1833.46 geodetic inches..."

"...A search of my physics books revealed that1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted)Page 97 /ratio of the positive hydrogen ion, i.e. the proton to the electron."

Page 86

"A further interesting comment was found in the preface to the third edition of Davidson and Aldersmith's book on the Great Pyramid. The religious symbolism of the displacement factor (the "hollowing-in" of the sides of the pyramid during construc- tion) was discussed as follows: "This aspect of the structural allegory throws a flood of light upon an element of the scriptural allegory that clearly refers to the completion of 'all the building'
. . . 'unto the measure of the fullness of the stature', required by the design. This concerns the symbolic '144000 . . . redeemed
from among men. . . without fault before the throne of God'
(Rev XIV, 1':'5); 'Living stones' . . . without flaw for the perfect casing."
It is the symbolic 144000 that appears to have great signifi-cance in the ancient writings and it is interesting to note that this particular value has been connected in some way by other researchers to the enigma of the Great Pyramid. Considering that the angular velocity of light value in grid seconds is also 144000, as postulated in other sections of this book, it is obvious to me that the structure is in fact a measure of light, and by applying this value it should be possible to solve the mathematical puzzle which has been handed down to us."

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE MEASURE OF LIGHT

Page 80

THE OBELISK RISING majestically from the sandswept plain has been visible to man for many centuries. Its massive bulk and geometric simplicity of shape have caused wonder and endless speculation to countless generations of wise men throughout history. The meaning, or reason, for such a structure has been lost and those responsible for the building of an edifice such as this must have been in possession of extremely advanced scientific knowledge. Were they an advanced race of this world who destroyed themselves by unwise manipulation of their own scientific achievement? Or, so-called gods? Or, people from other worlds who left amongst us an almost indestructible repository of advanced knowledge in the mathematical com-plexities of the universe?
The obelisk I speak of is not the cold, black, forbidding obelisk depicted in Stanley Kubrick's movie 2001, but a pyramid of shining splendour built on a rocky mile-square plateau ten miles west of Cairo, The plateau is known as Giza; the pyramidal structure of an estimated two-and-a-half million blocks of granite and limestone, is the Great Pyramid of Cheops",     Page 95 "The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being1836 inches, and my theoretical value 1833.46 geodetic inches.
A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided the clue. If 57.6 (the amount in inches by which the base is inset) is I divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave - forms set up in the cavity were finely tuned to light frequencies.
A search of my physics books revealed that1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram omitted)) / Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron. tf we dare to assume that the value, of 1833.46 is the true geometric ratio then the wave-forms in the Gallery will also have a harmonic affinity with the structure of the atom, the building block of the universe itself. Pressing on with this train of thought I again consulted a book on atomic physics and found that the mass of the electron is given as 9.2 x 10-31 kilo- grammes. I believe that, according to the clues presented by the Pyramid, the true value of electron mass, in the harmonic sense, could be taken as a standard of 9.24184 x 10-31 kilo- grammes." 

 

THE JUPITER EFFECT

John Gribbin and Stephen Plagemann 1977

Page 122

"Seventeen 'major historical earthquakes' are referred to in the report all of which occurred since 1836"

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE MEASURE OF LIGHT


Page 95


"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."


Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches,"

Page 95/97

"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."

 

 

THE TUTANKHAMUN PROPHECIES

Maurice Cotterell

Page 195

"Anderson's Constitutions of the Freemasons (1723) comments:
. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the w,ork according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600."

"being in all 183,600."

 

 

JUST SIX NUMBERS

The Deep Forces that Shape the Universe

Martin Rees

1
999

OUR COSMIC HABITAT 1 PLANETS STARS AND LIFE

A COMMON CULTURE WITH ALIENS

 

Page 21

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "

Page 21 / 22

"...A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelligence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons.A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

Page 21

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "

 

 

THE TUTANKHAMUN PROPHECIES
Maurice Cotterell
1
999
BEHIND THE WALL OF SILENCE

Page 190

The holy number of sun-worshippers is 9, the highest number that can be reached before becoming one (10) with the creator. This is why Tutankhamun was entombed in nine layers of coffin. This is why the pyramid skirts of the two statues, guarding the entrance to the Burial Chamber, were triangular (base 3), when the all-seeing eye-skirt of Mereruka contained a pyramid skirt with a base of four sides. The message concealed here is that the 3 should be squared, which equals 9"

"The message concealed here is that the 3 should be squared, which equals 9"

 

 

STEPHEN HAWKING

Quest for a theory of everything

Kitty Ferguson 1991

Page 103

"The square root of 9 is three. So we know that the third side.' (line ends)

There are 13 words and number 9 in the 33rd line down of page 103

 

 

URI
Andrija Puharich

Copyright 1974 By Lab Nine Ltd

Page 132

"This is how we remembered it at the time: Abraham was liv-ing near Hebron at Mamre. He was lying in his tent in the heat of
the day when three men appeared before him. They seemed to be real men. Abraham treated them hospitably with food and drink as though they were real men. Then one of them predicted that Sarah, who was around ninety years old, would have a child. She, of course, laughed this off as blarney. The three men indi-cated that they were on a serious mission for the Lord."

 

 

MARIO AND THE MAGICIAN

AND OTHER STORIES

Thomas Mann 1875 - 1955


Page366

"You speak of Nature, but you strike her in the face with your demands, you want me to strike her in the face, by stifling the spring of pain with which she has miraculously blest my soul! What a sin that would be, what ingratitude, what disloyalty to her, to Nature, and what a denial of my faith in her beneficent omnipotence! You remember how Sarah sinned? She laughed to herself be-hind the door and said: "After I am waxed old shall I have pleasure, my lord being old also?" But the Lord God was angry and said: "Wherefore did Sarah laugh?" In my opinion, she laughed less on account of her own withered old age than be-cause her lord, Abraham, was likewise so old and stricken in years, already ninety-nine. And what woman could not but laugh at the thought of indulging in lust with a ninety-nine year-old man, for all that a man's love life is less strictly limited / Page367 than a woman's. But my lord is young, is youth itself, and how much more easily and temptingly must the thought come to me "

"Abraham, was likewise so old and stricken in years, already ninety-nine"

"...with a ninety-nine year-old man"

 

 

 

MINDOTHDREAMWHATDOTHMINMEAN

 

 

TUTANKHAMEN

Christiane Desroches-Noblecourt 1963

Page177

The red oxen had been left behind; now the "Nine Friends" and the two viziers-of the North and South- drew the ropes attached to the bier behind which followed a last high dignitary of the royal procession."

Page158 (Chapter 7) 1343

The death of the king and preparations for immortality 

"Analysis of his mummy shows that Tutankhamen was between eighteen and twenty years old when he died. This allows one to set the approxi-mate date of his coronation in his ninth year, since there is no date mentioned in connexion with him after year 9 which appears on wine jars found in his tomb."

 

 

THE NEW BOOK OF REVELATION

INNER LIGHT PUBLICATIONS 1995

COMPILED BY TUELLA

THE

HOLY

999

Page 32

Part 6 "3. You have finally located in your search the only passage or use of the number 666 in the entire written record. In vain did you search for another, for no other corresponding witness exists any- where. For it is here at this point in the record (Rev. 13:18) that the perversion of this number made entry, calculated and deliberate in its destructive intent. In the (four) references to this subject that follow, the number becomes a mark that is not My Seal. The few references that follow go on to expand the prized lie that it is the "mark of the beast" and even that it appears in the forehead as well as the hand. Once an awareness is born of these interferences and the motive, the entire proposal is clearly exposed.

4. The number 999 is identified as truly of My Kingdom. It rep-resents a Divine number of the Creation of Life itself in this and other Universes. This is a widely known fact in other worlds. It is a code number within the consciousness of many who have come to Page 32 / this planet to serve the father, and who are actual extensions of myself. To disguise this number as a mark of the fallen ones has dia-bolically and thoroughly confused the souls of this planet, but it was easily accomplished by another source simply by inverting the number upside down."

Page 32

Part 6

"...3. You have finally located in your search the only passage or use of the number 666 in the entire written record. In vain did you search for another, for no other corresponding witness exists any- where. For it is here at this point in the record (Rev. 13:18)..."

4. The number 999 is identified as truly of My Kingdom. It represents a Divine number of the Creation of Life itself in this and other Universes."

"...but it was easily accomplished by another source simply by inverting the number upside down."

simply by inverting the number upside down."

 

 

DICTIONARY OF SCIENCE

Siegfried Mandel

1969

Page number (omitted)

"Appendix 5. Symbols Atomic Numbers, and Atomic Weights of Elements (1947)

 Dysprosium . Symbol Dy . Atomic Number 66 . Atomic Weight of Elements 162.46

Einsteinium . Symbol Es . Atomic Weight 99 . Atomic Weight of Elements 253"

Alphabetical sequence as presented in book

 

CIRCLE = 5 5 = CIRCLE

 

 

LOVE DIVINE IS 99 99 IS LOVE DIVINE

ADD TO REDUCE REDUCE TO DEDUCE

ESSENCE OF NUMBER

 

 

THE NUMERICAL ROOT VALUE OF THE ENGLISH ALPHABET

ISISIS

9

A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z

1+2+3+4+5+6+7+8+9+10+11+12+13+13+15+16+17+18+10+20+21+22+23+24+25+26

First Total = 351 3+5+1 = 9

 

 

A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z

1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8

Second Total 126 1+2+6 = 9

 

 

i

THE

BLESSED

9

unless integral to quoted work.

all arithmetical machinations, emphasis,

comment, insertions subterfuge and insinuations

are those of the Zed Aliz Zed as recorded by the far yonder scribe.

 

 

STORM ON THE SUN

HOW THE SUN AFFECTS LIFE ON EARTH

Joseph Goodavage

1979

Page 5

THE STAR

Chapter 1

"Eliminate the impossible. Whatever remains, however improbable must be true"

Sherlock Holmes

 

The Seven Secrets of How toThink Like a Rocket Scientist
As Sherlock Holmes told Dr. Watson, “When you eliminate the impossible—whatever remains—however improbable, must be true.” I submit that it would be ...
www.scribd.com/.../The-Seven-Secrets-of-How-toThink-Like-a-Rocket-Scientist - Cached - Similar

 

 

Adherents.com - Religious Groups in Literature
The Sherlock Holmes maxim: Eliminate the impossible; whatever remains, however improbable, must be true. " literature - Sherlock Holmes, galaxy, 2365 ... www.adherents.com/lit/Na/Na_301.html - Cached - Similar

 

 

FINGERPRINTS OF THE GODS

G Hancock

1995

Page 287

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics."

"Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3"

 

 

"WHAT ONE WOULD LOOK FOR THEREFORE WOULD BE A UNIVERSAL LANGUAGE

THE KIND OF LANGUAGE COMPREHENSIBLE TO ANY TECHNOLOGICALLY ADVANCED SOCIETY IN ANY EPOCH"

"SUCH LANGUAGES ARE FEW AND FAR BETWEEN BUT MATHEMATICS IS ONE OF THEM"

 

 

WITH EPISODIC SENSE OF DE JAVU THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED

SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER THE SACRED NUMBERS AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROWOF THE NINTH ARM WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE

RECORD OF THE FALL

 

 

2
IS
28
10
1
9
UNIVERSAL
121
40
4
4
MIND
40
22
4
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

CITY OF REVELATION

John Michell 1972

"The great alchemists, whose ultimate aspiration was to procure the birth of a divinity among men found it necessary first to invoke within themselves the spirit they wished to share with others. In the same tradition Plato wrote that the man who aquires the art of stereometry, the likening of unlike things which is function of the canon, sanctifies not only himself but also the city and the age in which he lives. The thought behind these various expressions was that the state of a society is determined by the individuals who comprise it; that the cosmic influences are manifest on earth through the medium of the human mind, and this is the instrument by which they may be controlled and held in balance. For the instument to be effective, it requires that the individual become aware of the current influences to which he is subject, and to this end the canon was devised; for by analogy with the dynamics of geometrical and numerological relationships, the world of phenomena is revealed as the product of archetyple forces, whose behaviour in any circumstances is predicatable once the nature is understood."

"the art of stereometry, the likening of unlike things"

 

 

THE ART OF STEREOMETRY

THE LIKENING OF UNLIKE THINGS

 

-
-
-
-
-
STEREOMETRY
-
-
-
S
=
1
-
1
S
19
10
1
T
=
2
-
1
T
20
2
2
E
=
5
-
1
E
5
5
5
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
O
=
6
-
1
O
15
6
6
M
=
4
-
1
M
13
4
4
E
=
5
-
1
E
5
5
5
T
=
2
-
1
T
20
2
2
R
=
9
-
1
R
18
9
9
Y
=
7
-
1
Y
25
7
7
-
-
44
-
11
STEREOMETRY
163
64
55
-
-
4+4
-
1+1
-
1+6+3
6+4
5+5
-
-
4
-
2
STEREOMETRY
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
4
-
2
STEREOMETRY
1
1
1

 

 

THE ART OF STEREOMETRY

 

-
-
-
-
-
STEREOMETRY
-
-
-
T
=
2
-
3
THE
33
15
6
A
=
1
-
3
ART
39
12
3
O
=
6
-
2
OF
21
12
3
S
=
1
-
11
STEREOMETRY
163
55
1
-
-
10
-
19
Add to Reduce
256
94
13
-
-
1+0
-
1+9
First Total
2+5+6
9+4
1+3
-
-
1
-
10
Reduce to Deduce
13
13
4
-
-
-
-
1+0
Second Total
1+3
1+3
-
-
-
1
-
1
Essence of Number
4
4
4

 

 

THE LIKENING OF UNLIKE THINGS

 

-
-
-
-
-
STEREOMETRY
-
-
-
T
=
2
-
3
THE
33
15
6
L
=
3
-
8
LIKENING
81
45
9
O
=
6
-
2
OF
21
12
3
U
=
3
-
6
UNLIKE
72
27
9
T
=
2
-
6
THINGS
77
32
5
-
-
16
-
25
Add to Reduce
284
131
32
-
-
1+6
-
2+5
First Total
2+8+4
1+3+1
3+2
-
-
7
-
7
Reduce to Deduce
14
5
5
-
-
-
-
-
Second Total
1+4
-
-
-
-
7
-
7
Essence of Number
5
5
5

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
3
ART
39
12
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
11
STEREOMETRY
163
55
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
6
THINGS
77
32
5
-
-
-
-
-
5
-
-
-
-
-
-
26
-
44
Add to Reduce
540
225
45
-
1
2
9
4
5
12
7
8
18
-
-
2+6
-
4+4
Reduce to Deduce
5+4+0
2+2+5
4+5
-
-
-
-
-
-
1+2
-
-
1+8
-
-
8
-
8
Essence of Number
9
9
9
-
1
2
9
4
5
3
7
8
9

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
1
3
5
6
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
6
-
A
=
1
-
3
ART
39
12
3
-
-
3
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
3
-
-
-
S
=
1
-
11
STEREOMETRY
163
55
1
-
1
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
6
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
3
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
9
T
=
2
-
6
THINGS
77
32
5
-
-
-
5
-
-
-
-
26
-
44
Add to Reduce
540
225
45
-
1
9
5
12
18
-
-
2+6
-
4+4
Reduce to Deduce
5+4+0
2+2+5
4+5
-
-
-
-
1+2
1+8
-
-
8
-
8
Essence of Number
9
9
9
-
1
9
5
3
9

 

THE ART OF STEREOMETRY

THE LIKENING OF UNLIKE THINGS

 

 

-
-
-
-
25
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
-
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
15
-
3
-
33
15
15
-
-
-
-
-
-
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
5
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
K
=
2
6
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
8
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
10
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
11
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
-
45
-
8
-
81
45
45
-
-
-
-
-
-
-
-
-
-
O
=
6
12
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
13
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
-
12
-
2
-
21
12
12
-
-
-
-
-
-
-
-
-
-
U
=
3
14
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
15
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
L
=
3
16
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
8
17
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
K
=
2
18
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
19
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
27
-
6
-
72
27
27
-
-
-
-
-
-
-
-
-
-
T
=
2
20
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
21
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
8
22
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
23
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
24
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
S
=
1
25
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
31
-
6
-
77
41
31
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
8
9
4
35
12
14
16
36
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
3+5
1+2
1+4
1+6
3+6
L
=
3
-
8
LIKENING
81
45
9
-
1
8
9
4
8
3
5
7
9
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
1
8
9
4
8
3
5
-
9
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
1
8
9
4
8
3
7
7
9
-
2+6
-
2+5
-
2+8+4
1+4+0
3+1
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
14
5
5
-
1
8
9
4
8
3
7
7
9
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
5
5
9
-
1
8
9
4
8
3
7
7
9

 

 

-
-
-
-
25
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
-
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
4
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
4
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
4
-
-
-
-
-
I
=
9
5
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
K
=
2
6
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
8
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
N
=
5
10
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
G
=
7
11
1
G
7
7
7
-
-
-
-
4
-
-
7
-
-
O
=
6
12
1
O
15
6
6
-
-
-
-
4
-
6
-
-
-
F
=
6
13
1
F
6
6
6
-
-
-
-
4
-
6
-
-
-
U
=
3
14
1
U
21
3
3
-
-
-
3
4
-
-
-
-
-
N
=
5
15
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
L
=
3
16
1
L
12
3
3
-
-
-
3
4
-
-
-
-
-
I
=
8
17
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
K
=
2
18
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
E
=
5
19
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
T
=
2
20
1
T
20
2
2
-
-
2
-
4
-
-
-
-
-
H
=
8
21
1
H
8
8
8
-
-
-
-
4
-
-
-
8
-
I
=
8
22
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
N
=
5
23
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
G
=
7
24
1
G
7
7
7
-
-
-
-
4
-
-
7
-
-
S
=
1
25
1
S
19
10
1
-
1
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
8
9
4
35
12
14
16
36
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
3+5
1+2
1+4
1+6
3+6
L
=
3
-
8
LIKENING
81
45
9
-
1
8
9
4
8
3
5
7
9
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
1
8
9
4
8
3
5
-
9
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
1
8
9
4
8
3
7
7
9
-
2+6
-
2+5
-
2+8+4
1+4+0
3+1
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
14
5
5
-
1
8
9
4
8
3
7
7
9
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
5
5
9
-
1
8
9
4
8
3
7
7
9

 

TRANSPOSED LETTERS INTO NUMBER RE-ARRANGED NUMERICALLY

 

-
-
-
-
25
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
-
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
25
1
S
19
10
1
-
1
-
-
4
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
4
-
-
-
-
-
K
=
2
6
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
K
=
2
18
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
T
=
2
20
1
T
20
2
2
-
-
2
-
4
-
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
4
-
-
-
-
-
U
=
3
14
1
U
21
3
3
-
-
-
3
4
-
-
-
-
-
L
=
3
16
1
L
12
3
3
-
-
-
3
4
-
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
8
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
10
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
15
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
E
=
5
19
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
23
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
O
=
6
12
1
O
15
6
6
-
-
-
-
4
-
6
-
-
-
F
=
6
13
1
F
6
6
6
-
-
-
-
4
-
6
-
-
-
G
=
7
11
1
G
7
7
7
-
-
-
-
4
-
-
7
-
-
G
=
7
24
1
G
7
7
7
-
-
-
-
4
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
4
-
-
-
8
-
H
=
8
21
1
H
8
8
8
-
-
-
-
4
-
-
-
8
-
I
=
9
5
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
I
=
9
9
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
I
=
8
17
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
I
=
8
22
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
8
9
4
35
12
14
16
36
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
3+5
1+2
1+4
1+6
3+6
L
=
3
-
8
LIKENING
81
45
9
-
1
8
9
4
8
3
5
7
9
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
1
8
9
4
8
3
5
-
9
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
1
8
9
4
8
3
7
7
9
-
2+6
-
2+5
-
2+8+4
1+4+0
3+1
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
14
5
5
-
1
8
9
4
8
3
7
7
9
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
5
5
9
-
1
8
9
4
8
3
7
7
9

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
-
-
-
-
STEREO R METRY
-
-
-
R
=
9
-
3
RESTORE
100
37
1
M
=
4
-
2
ME
18
9
9
T
=
2
-
6
TRY
63
18
9
-
-
15
-
11
STEREO R METRY
181
64
19
-
-
1+5
-
1+1
-
1+8+1
6+4
1+9
-
-
6
-
2
STEREO R METRY
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
6
-
2
STEREO R METRY
1
1
1
-
-
-
-
-
STEREOMETRY
-
-
-

 

LAND ENGAGE

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LANGUAGE
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
1
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
N
=
5
3
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
U
=
3
5
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
A
=
1
6
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
32
-
8
LANGUAGE
68
32
32
-
2
2
6
4
10
6
14
8
9
-
-
3+2
-
-
-
6+8
3+2
3+2
-
-
-
-
-
1+0
-
1+4
-
-
-
-
5
-
8
LANGUAGE
14
5
5
-
2
2
6
4
1
6
5
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
LANGUAGE
5
5
5
-
2
2
6
4
1
6
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LANGUAGE
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
1
1
L
12
3
3
-
-
2
3
4
-
6
-
8
9
A
=
1
2
1
A
1
1
1
-
1
2
-
4
-
6
-
8
9
N
=
5
3
1
N
14
5
5
-
-
2
-
4
5
6
-
8
9
G
=
7
4
1
G
7
7
7
-
-
2
-
4
-
6
7
8
9
U
=
3
5
1
U
21
3
3
-
-
2
3
4
-
6
-
8
9
A
=
1
6
1
A
1
1
1
-
1
2
-
4
-
6
-
8
9
G
=
7
7
1
G
7
7
7
-
-
2
-
4
-
6
7
8
9
E
=
5
8
1
E
5
5
5
-
-
2
-
4
5
6
-
8
9
-
-
32
-
8
LANGUAGE
68
32
32
-
2
2
6
4
10
6
14
8
9
-
-
3+2
-
-
-
6+8
3+2
3+2
-
-
-
-
-
1+0
-
1+4
-
-
-
-
5
-
8
LANGUAGE
14
5
5
-
2
2
6
4
1
6
5
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
LANGUAGE
5
5
5
-
2
2
6
4
1
6
5
8
9

 

TRANSPOSED LETTERS REARRANGED NUMERICALLY

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LANGUAGE
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
2
1
A
1
1
1
-
1
2
-
4
-
6
-
8
9
A
=
1
6
1
A
1
1
1
-
1
2
-
4
-
6
-
8
9
L
=
3
1
1
L
12
3
3
-
-
2
3
4
-
6
-
8
9
U
=
3
5
1
U
21
3
3
-
-
2
3
4
-
6
-
8
9
N
=
5
3
1
N
14
5
5
-
-
2
-
4
5
6
-
8
9
E
=
5
8
1
E
5
5
5
-
-
2
-
4
5
6
-
8
9
G
=
7
4
1
G
7
7
7
-
-
2
-
4
-
6
7
8
9
G
=
7
7
1
G
7
7
7
-
-
2
-
4
-
6
7
8
9
-
-
32
-
8
LANGUAGE
68
32
32
-
2
2
6
4
10
6
14
8
9
-
-
3+2
-
-
-
6+8
3+2
3+2
-
-
-
-
-
1+0
-
1+4
-
-
-
-
5
-
8
LANGUAGE
14
5
5
-
2
2
6
4
1
6
5
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
LANGUAGE
5
5
5
-
2
2
6
4
1
6
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
3
5
7
-
-
-
-
-
LANGUAGE
-
-
-
-
-
-
-
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
A
=
1
6
1
A
1
1
1
-
1
-
-
-
L
=
3
1
1
L
12
3
3
-
-
3
-
-
U
=
3
5
1
U
21
3
3
-
-
3
-
-
N
=
5
3
1
N
14
5
5
-
-
-
5
-
E
=
5
8
1
E
5
5
5
-
-
-
5
-
G
=
7
4
1
G
7
7
7
-
-
-
-
7
G
=
7
7
1
G
7
7
7
-
-
-
-
7
-
-
32
-
8
LANGUAGE
68
32
32
-
2
6
10
14
-
-
3+2
-
-
-
6+8
3+2
3+2
-
-
-
1+0
1+4
-
-
5
-
8
LANGUAGE
14
5
5
-
2
6
1
5
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
5
-
8
LANGUAGE
5
5
5
-
2
6
1
5

 

 

T
=
2
-
3
THE
33
15
6
F
=
6
-
4
FIVE
42
24
6
S
=
1
-
6
SENSES
81
18
9
-
-
9
4
13
First
156
57
21
-
-
-
-
1+3
Add
1+5+6
5+7
2+1
-
-
9
-
4
Second
12
12
3
-
-
-
-
-
Reduce
1+2
1+2
-
-
-
9
-
4
Essence
3
3
3

 

 

S
=
1
-
5
SIGHT
63
27
9
S
=
1
-
5
SOUND
73
19
1
S
=
1
-
5
SMELL
61
16
7
T
=
2
-
5
TASTE
65
11
2
T
=
2
-
5
TOUCH
67
22
3
-
-
7
4
25
First
329
95
23
-
-
-
-
2+5
Add
3+2+9
9+5
2+3
-