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THE JOURNEYMAN 1977

 

 

 

 

 

GREETINGS CITIZENS OF PLANET EARTH GREETINGS

SENTIENT BEINGS OF THE RAINBOW LIGHT

I

THAT

AM

HERE HAVE HERE

A

MESSAGE

HEARKEN

O

NAMUH

THE

HE AZIN SHE THAT IS THEE THAT IS ME

I AM THE OPPOSITE OF THE OPPOSITE I

AM THE OPPOSITE OF OPPOSITE IS THE AM

I

ALWAYS

AM

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

 

I

THAT

AM

I THAT AM THAT I

I DIVINE LOVE LOVE DIVINE I

I DEFINE LOVE LOVE DEFINE I

I EVOLVE LOVE LOVE EVOLVE I

 

 

 

 

-
STAR TREK
-
-
-
4
STAR
40
4
4
4
TREK
54
18
9
8
STAR TREK
94
22
13
-
-
9+4
2+2
1+3
8
STAR TREK
13
4
4
-
-
1+3
-
-
8
STAR TREK
4
4
4

 

 

-
STAR TREK
-
-
-
3
STA
40
4
4
1
R
18
9
9
4
TREK
54
18
9
8
STAR TREK
112
31
22
-
-
1+1+2
3+1
2+2
8
STAR TREK
4
4
4

 

 

8
STAR TREK
112
31
4
12
FIRST CONTACT
148
58
4
20
First Total
260
89
8
2+0
Add to Reduce
2+6+0
8+9
-
2
Second Total
8
17
8
-
Reduce to Deduce
-
1+7
-
2
Essence of Number
8
8
8

 

 

FIRST CONTACT

STAR TREK

A novel by J.M. Dillard based on the film

STAR TREK; FIRST CONTACT

Story by Rick Berman & Brannon Braga & Ronald D. Moore

Screenplay by Brannon Braga & Ronald D. Moore

1996

First

STAR TREK

FIRST CONTACT

Second

STAR TREK

FIRST CONTACT

This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Third

STAR TREK

FIRST CONTACT

 

 

-
FIRST CONTACT
-
-
-
1
F
6
6
6
1
I
9
9
9
1
R
18
9
9
2
ST
39
12
3
-
FIRST CONTACT
-
-
-
2
CO
18
9
9
5
NTACT
58
13
4
12
FIRST CONTACT
148
58
40
1+2
-
1+4+8
5+8
4+0
3
FIRST CONTACT
13
13
4
-
-
1+3
1+3
-
3
FIRST CONTACT
4
4
4
-
-
-
-
-
-
-
-
-
-
3
THIRTEEN
99
45
9

 

 

FIRST CONTACT

STAR TREK

A novel by J.M. Dillard based on the film

1996

STAR TREK; FIRST CONTACT

Page 43

"He'd named his ship the Phoenix.

Page 47

".........the Phoenix........."

".........the Phoenix........."

Page 48

".........the Phoenix........."

Page 54

"The Phoenix had risen"

Page 57

".........the Phoenix........."

".........the Phoenix........."

".........the Phoenix........."

Page 246

"Lily could not help but laugh delightedly along with the other settlers who had silently crept up hoping to catch a glimpse of the aliens.

The Phoenix had risen at last, and she was never coming down. . ."

 

 

JOSEPH AND HIS BROTHERS

Thomas Mann

PHARAOH'S DREAM

Page 914

"WELL then, Pharaoh had betaken himself once more to instructive On out of unconquerable yearning to escape from the empire of Amun and commune with the shiny-pates of the sun-house about Har­makhis-Khepere-Atum-Re, Aton. The court chroniclers, puckering their lips and obsequiously crouching, mincingly entered in the record His Majesty's beautiful resolve; and how thereupon he mounted a great car made of electrum, together with Nefertiti, called Nefernefruaton, the Queen of the lands, whose body was fruitful and whose arm was about her consort; and how he had radiantly taken his beautiful way, followed in other cars by Tiy, the mother of God, Nezemmut, the Queen's sister, Baketaton, his own sister, and many chamberlains and ladies-in-waiting with ostrich-feather fans on their backs. The heavenly bark Star of the Two Lands had also been used by stretches; the chroniclers had set down how Pharaoh, sitting under his canopy, had eaten a roast pigeon, also held the bone out to the Queen and she ate from it, and how he put into her mouth sweet­meats dipped in wine.
At On, Amenhotep entered his palace in the temple, district and slept, there dreamlessly the first night, exhausted from ,the journey. The following day he began by sacrificing to Re-Horakhte with bread and beer, wine, birds, and incense. After that he listened to the Vizier of the North, who spoke before him at length, and then, regardless of the headache that had brought on, devoted the rest of the day to the much-desired talks with the priests of the God. These conferences, which at the moment greatly occupied Amenhotep's mind, had been taken up with the subject of the bird Bennu, also / Page 915 / called Offspring of Fire, because it was said that he was motherless, and moreover actually his own father, since dying and beginning were the same for him. For he burned himself up in his nest made of myrrh and came forth from the ashes again as young Bennu. This happened, some authorities said, every five hundred years; happened in fact in the temple of the sun at On, whither the bird, a heron-like eagle, purple and gold, came for the purpose from Arabia or even India. Other authorities asserted that it brought with it an egg made of myrrh, as big as it could carry, wherein it had put its deceased father, that is to say actually itself, and laid it down on the sun-altar. These two assertions might- subsist side by side- after all, there subsists so much side by side, differing things may both be true and only different expressions of the same truth. But what Pharaoh first wanted to know, what he wanted to discuss, was how much time had passed out of the five hundred years which lay between the bird and the egg; how far they were on the one hand from the last appearance and on the other from the next one; in short, at what point of the phoenix­year they stood. The majority opinion of the priests was that it must be somewhere about the riddle of the period. They reasoned that if it was still near its beginning, then some memory of the last appearance of Bennu must still exist and that was not the case. But suppose they were near the end of one period and the beginning of the next; then they must reckon on the impending or immediate return of the time-bird. But none of them counted on having the experience in his lifetime so the only remaining possibility was that they were about the middle of the period. Some of the shiny-pates went so far as to suspect that they would always remain in the middle, the mystery of the Bennu bird being precisely this: that the distance between the last appearance of the Phoenix and his next one was always the same, always a middle point. But the mystery was not in itself the important thing to Pharaoh. The burning question to be discussed, which was the object of his visit, and which then he did discuss for a whole half­day with the shiny-pates, was the doctrine that the fire-bird's myrrh egg in which he had shut up the body of his father did not thereby become heavier. For he had made it anyhow as large and heavy as he could possibly carry, and if he was still able to carry it after he had put his father's body in it, then it must follow that the egg had not thereby increased in weight.
That was an exciting and enchanting fact of world-wide importance. In young Pharaoh's eyes it was worthy of the most circum­stantial exposition. If one added to a body another body and it did not become heavier thereby, that must mean there were immaterial bodies - or differently and better put, incorporeal realities, immaterial as sunlight; or, again differently and still better put, there was the spiritual; and this spiritual was ethereally embodied in the Bennu-father,
/ Page 916 / whom the myrrh egg received while altering its character thereby in the most exciting and significant way. For the egg was altogether a definitely female kind of thing; only the female among birds laid eggs, and nothing could be more mother-female than the great egg out of which once the world came forth. But Bennu the sun-bird, motherless and his own father, made his own egg himself, an egg against the natural order, a masculine egg, a father-egg, and laid it as a manifestation of fatherhood, spirit, and light upon the alabaster table of the sun-divinity.

Pharaoh could not talk enough with the sun-calendar men of the temple of Re about this event and its significance for the developing nature of Aton. He discussed deep into the night, he discussed to excess, he wallowed in golden immateriality and father spirit, and when the priests were worn out and their shiny pates nodded, he was still not tired and could not summon resolution to dismiss them - almost as though he were afraid to. stay alone. But at last he did dismiss them, nodding and stumbling to their rest, -and himself sought his bedchamber."

 

 

JOSEPH AND HIS BROTHERS

Thomas Mann 1875 - 1955

PHARAOH'S DREAM

Page 914

"WELL then, Pharaoh had betaken himself once more to instructive On out of unconquerable yearning to escape from the empire of Amun and commune with the shiny-pates of the sun-house about Har­makhis-Khepere-Atum-Re, Aton. The court chroniclers, puckering their lips and obsequiously crouching, mincingly entered in the record His Majesty's beautiful resolve; and how thereupon he mounted a great car made of electrum, together with Nefertiti, called Nefernefruaton, the Queen of the lands, whose body was fruitful and whose arm was about her consort; and how he had radiantly taken his beautiful way, followed in other cars by Tiy, the mother of God, Nezemmut, the Queen's sister, Baketaton, his own sister, and many chamberlains and ladies-in-waiting with ostrich-feather fans on their backs. The heavenly bark Star of the Two Lands had also been used by stretches; the chroniclers had set down how Pharaoh, sitting under his canopy, had eaten a roast pigeon, also held the bone out to the Queen and she ate from it, and how he put into her mouth sweet­meats dipped in wine.
At On, Amenhotep entered his palace in the temple, district and slept, there dreamlessly the first night, exhausted from ,the journey. The following day he began by sacrificing to Re-Horakhte with bread and beer, wine, birds, and incense. After that he listened to the Vizier of the North, who spoke before him at length, and then, regardless of the headache that had brought on, devoted the rest of the day to the much-desired talks with the priests of the God. These conferences, which at the moment greatly occupied Amenhotep's mind, had been taken up with the subject of the bird Bennu, also / Page 915 / called Offspring of Fire, because it was said that he was motherless, and moreover actually his own father, since dying and beginning were the same for him. For he burned himself up in his nest made of myrrh and came forth from the ashes again as young Bennu. This happened, some authorities said, every five hundred years; happened in fact in the temple of the sun at On, whither the bird, a heron-like eagle, purple and gold, came for the purpose from Arabia or even India. Other authorities asserted that it brought with it an egg made of myrrh, as big as it could carry, wherein it had put its deceased father, that is to say actually itself, and laid it down on the sun-altar. These two assertions might- subsist side by side- after all, there sub­sists so much side by side, differing things may both be true and only different expressions of the same truth. But what Pharaoh first wanted to know, what he wanted to discuss, was how much time had passed out of the five hundred years which lay between the bird and the egg; how far they were on the one hand from the last appearance and on the other from the next one; in short, at what point of the phoenix­year they stood. The majority opinion of the priests was that it must be somewhere about the riddle of the period. They reasoned that if it was still near its beginning, then some memory of the last appearance of Bennu must still exist and that was not the case. But suppose they were near the end of one period and the beginning of the next; then they must reckon on the impending or immediate return of the time-bird. But none of them counted on having the experience in his lifetime so the only remaining possibility was that they were about the middle of the period. Some of the shiny-pates went so far as to suspect that they would always remain in the middle, the mystery of the Bennu bird being precisely this: that the distance between the last appearance of the Phoenix and his next one was always the same, always a middle point. But the mystery was not in itself the important thing to Pharaoh. The burning question to be discussed, which was the object of his visit, and which then he did discuss for a whole half­day with the shiny-pates, was the doctrine that the fire-bird's myrrh egg in which he had shut up the body of his father did not thereby become heavier. For he had made it anyhow as large and heavy as he could possibly carry, and if he was still able to carry it after he had put his father's body in it, then it must follow that the egg had not thereby increased in weight.
That was an exciting and enchanting fact of world-wide importance. In young Pharaoh's eyes it was worthy of the most circumstantial exposition. If one added to a body another body and it did not become heavier thereby, that must mean there were immaterial bodies - or differently and better put, incorporeal realities, immaterial as sunlight; or, again differently and still better put, there was the spiritual; and this spiritual was ethereally embodied in the Bennu-father, / Page 916 / whom the myrrh egg received while altering its character thereby in the most exciting and significant way. For the egg was altogether a definitely female kind of thing; only the female among birds laid eggs, and nothing could be more mother-female than the great egg out of which once the world came forth. But Bennu the sun-bird, motherless and his own father, made his own egg himself, an egg against the natural order, a masculine egg, a father-egg, and laid it as a manifestation of fatherhood, spirit, and light upon the alabaster table of the sun-divinity.
Pharaoh could not talk enough with the sun-calendar men of the temple of Re about this event and its significance for the developing nature of Aton. He discussed deep into the night, he discussed to excess, he wallowed in golden immateriality and father spirit, and when the priests were worn out and their shiny pates nodded, he was still not tired and could not summon resolution to dismiss them - almost as though he were afraid to. stay alone. But at last he did dismiss them, nodding and stumbling to their rest, -and himself sought his bedchamber."

 

 

THE MAGIC MOUNTAIN

Thomas Mann

1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."

 

 

 

 

THE PHOENIX

Myth and Symbol in Ancient Egypt

R. T. Rundle Clark 1959

Page 245

"The Phoenix, known to the Egyptians as the Benu Bird, was one of the primeval forms of the High God. The Shu Texts epitomize the appearance of light and life out of the original darkness and chaos as: / Page 246 / 'that breath of life which emerged fiom the throat of the Benu Bird, the son of Re in whom Atum appeared in the primeval nought, infinity, darkness and nowhere.'

One has to imagine a perch extending out of the waters of the Abyss. On it rests a grey heron, the herald of all things to come. It opens its beak and breaks the silence of the primeval night with the call of life and destiny, which 'determines what is and what is not to be'. The Phoenix, therefore, embodies the original Logos, the Word or declaration of destiny which mediates between the divine mind and created things. It is essentially an aspect of God, self created. and not a minor deity. But the heron form is not to be taken too literally; it is a way of expressing one of the basic activities of God rather than a historical or naturalistic figure. It is the first and deepest manifestation of the 'soul' of the High God.
Underlying all Egyptian speculation is the belief that time is composed of recurrent cycles which are divinely appointed: the day, the week of ten days, the month, the year-even longer periods of 30, 400 or 1460 years, determined according to the conjunctions of sun, moon, stars and inundation. In a sense, when the Phoenix gave out the primeval call it initiated all these cycles, so it is the patron of all division of time, and its temple at Heliopolis became the centre of calendrical regulation. As the herald of each new dispensation, it becomes, optimistically, the harbinger of good tidings. During the Middle Kingdom the Benu Bird became the 'soul' of Osiris and the symbol for the planet Venus-the morning star which precedes the sun out of the Underworld and is the herald of a new day. In spite of these minor roles, however, the Benu Bird continues to be 'he who created himself' -a form of the High God. In fact, Atum...Re, Shu and Osiris meet in the bird as the symbol of the godhead in time.

Fig. 40. The Phoenix (in Coffin Text 335) (omitted)

The Egyptians had two ideas about the origin of life. The first was that it emerged in God out of the Primeval Waters; the other was, that vital essence-Hike-was brought hither from a distant, magical source. The latter was 'the Isle of Fire' -the place of everlasting light beyond the limits of the world, where the gods were born or revived and whence they were sent into the world. The Phoenix is the chief messenger from this inaccessible land of divinity. A Coffin Text makes the victorious soul say:
'I come from the Isle of Fire, having filled my body with Hike, like "that bird" who [came and] filled the world with that which it had not known.'44
So the Phoenix came from the far away world of eternal life, bringing the message of light and life to a world wrapped in
the helplessness of the primeval night. Its flight is the width of the world: 'over oceans, seas and rivers,'45
to land, at last, in Heliopolis, the symbolic centre of the earth where it will announce the new age.
We are told that 'the watchers tremble' with joy when they behold it coming, with the assurance that creation is still active and the world is not yet to be reabsorbed into the Abyss. It is for this reason that Atum can say, in Chapter 17 of the Book of the Dead:

Page 248

'I am that great Benu Bird in Heliopolis, who determines what is and what is not to be.'
This great symbol, the most persuasive in the Egyptian repertoire, was misunderstood by Herodotus who, as a stranger to the inner meaning of Egyptian religion, brought it down to the level of a fairy tale:
'There is another sacred bird called the Phoenix. I have never seen it myself except in pictures, for it is extremely rare, only appearing, according to the people of Heliopolis, once in five hundred years, when it is seen after the death of its parent. If the pictures are accurate its size and appear,; ance are as follows: its plumage is partly red and partly gold, while in shape and size it is very much like an eagle. They (the Heliopolitans) tell a story about this bird which I personally find incredible: the Phoenix is said to come from Arabia, carrying the parent bird encased in myrrh; it proceeds to the temple of the sun and there buries the body. In order to do this, they say it first forms a ball as big as it can carry, then, hollowing out the ball, it inserts its (dead) parent, subsequently covering over the aperture with fresh myrrh. The ball is then exactly the same weight as it was at first. The Phoenix bears this ball to Egypt, all encased as I have said, and deposits it in the temple of the sun. Such is their myth about this bird.'46
This is very different from the hieratic figure in Chapter 83 of the Book of the Dead-the 'Spell for becoming the Benu Bird.' The soul declares:
'I flew up as the Primeval God and assumed forms­
I grew in the seed and disguised myself as the Tortoise, I am the seed corn of every god,
I am yesterday. . .
I am Horus, the god who gives light by means of his body. . .

I come as day, I appear in the steps of the gods, Page 249
I am Khons (the moon) who proceeds through the universe.
Here the Phoenix is the principle of life, not so much in any particular form but the constant divine power in all its supreme manifestations, whether natural or mythological. For the author of the rubric to this text, the Phoenix was a synthesis of the main forms of life, a general symbol to include all particular ones."

 

 

 

 

TO

THAT

HEART OF HEARTS

I

BELIEVE HELP THOU MINE UNBELIEF

O

NAMUH

YOU

ARE GOING ON

A

JOURNEY A VERY SPECIAL JOURNEY

DO HAVE A PLEASANT JOURNEY DO

 

 

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

UFO Evidence : SETI : The Search for Extraterrestrial Intelligence

There are many methods that SETI scientific teams use to search for .... tabloid nonsense instead of on far more evide-nce than has been provided for SETI. ... www.ufoevidence.org/topics/SETI.htm

Project Phoenix is the world's most sensitive and comprehensive search for extraterrestrial intelligence. It is an effort to detect extraterrestrial civilizations by listening for radio signals that are either being deliberately beamed our way, or are inadvertently transmitted from another planet. Phoenix is the successor to the ambitious NASA SETI program that was cancelled by a budget-conscious Congress in 1993.

 

 

COSMIC MESSAGE IN A BOTTLE

"A cosmic "message in a bottle" is to be left in space as a relic of the world's languages.

A disc engraved with the first three chapters of Genesis in 1,000 native tongues will travel to a distant comet. It will be carried on the European Space Agency's (Esa) Rosetta mission, set for take-off some time in 2003. The unmanned spacecraft will orbit the ball of ice, matter and dust, and then put a lander on the comet's surface. The inscription, attached to the outside of the main spacecraft, is designed to act as a relic of the languages on Earth.

Once the mission is over, the mother ship could end up circling for thousands of years until it breaks up or collides with a planet"

http://news.bbc.co.uk/2/hi/science/nature/2654755.stm

 

 

MESSAGE IN A BOTTLE

Lyrics Sting and Police

Just a castaway, an island lost at sea, oh
Another lonely day, with no one here but me, oh
More loneliness than any man could bear
Rescue me before I fall into despair, oh

Ill send an s.o.s. to the world
Ill send an s.o.s. to the world

I hope that someone gets my
I hope that someone gets my
I hope that someone gets my

Message in a bottle, yeah
Message in a bottle, yeah

A year has passed since I wrote my note
But I should have known this right from the start
Only hope can keep me together
Love can mend your life but
Love can break your heart

Ill send an s.o.s. to the world
Ill send an s.o.s. to the world

I hope that someone gets my
I hope that someone gets my
I hope that someone gets my

Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah


Walked out this morning, dont believe what I saw
Hundred billion bottles washed up on the shore
Seems Im not alone at being alone
Hundred billion castaways, looking for a home

Ill send an s.o.s. to the world
Ill send an s.o.s. to the world

I hope that someone gets my
I hope that someone gets my
I hope that someone gets my

Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah

Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.

 

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

 

 

THE PHOENIX AND THE MIRROR

Avram Davidson 1969

Page 244

CHAPTER THIRTEEN


THE RED MAN was seated, slumped, upon the ground when they reached him at last. The journey had evidently wearied him much, more than it had Vergil. Not until his blurred eyes focused on Laura did a flicker of interest show in them, and he slowly rose to his feet and prepared to mount. Vergil would have liked to take some of the scant food remaining in their packs, for, though he had drunk sweet water in a silver cup at the Cyclops' castle, he had not then thought to ask for anything to eat. But it was best to wait. Let them get well away.
Only. . .

"This is not the way we came," he called out to his guide

The Red Man shook his head slightly. "Another route. . . " his words came, faintly over his shoulder.

"That's wise. We will avoid the Troglodytes this time, I suppose?" But no answer came. He rode alongside of Laura, and spoke to her" but she had / Page 244 / little to say. Her manner was as passive as ever. Indeed, she seemed so blank and docile that Vergil felt a pang of doubt concerning his feelings for her. Could she really be little more than a lovely doll? Had Cornelia's state and beauty sapped and stunted her personality? Or was this merely a sort of protective shock?
Presently she was enough aroused to answer one or two of his questions-or, rather, to explain why it was she could not answer them. "1 do not know why they took me from the Great High Road," she said softly. "They said that Queen­that my mother had sent them, and they showed me a letter from her." .
"A forgery, doubtless. But it is very strange. . . to have brought you so far, when convenient hiding places were so much nearer. One wonders why, for what motive. Ransom?" But Laura did not know. She gazed out of her mild and lovely wine-dark eyes on the passing desert. From time to time Vergil suggested a halt, but the Red Man pressed on. Sometimes he shook his head, some­times he gestured ahead with his driving stick; he never spoke. They had grown so gradually weary that it took some time for Vergil and Laura to realize that their present route had taken them quite definitely out of and away from the Sea of Sand. They were now, and had been for some time, in a region of stones, the land rising gradually on all sides.
They were discussing this, in weary wonder, when he observed that she had closed her eyes and pressed her hand to her temple. He drew his camel in close to hers and reached out to support her.

Page 246

We must stop now," he called out. "The princess is very faint."
Without turning his head, the
Red Man said,
"We are almost ,there.."

"Almost there?" Vergil felt anger rising over fatigue." Almost where? I tell you, we must stop at once!" But Ebbed-Saphir spoke only to the mounts, and they would not pause now for all of Vergil 's urgings. It was a slight shift in the wind which brought tidings of what their eyes soon enough beheld. A perfume, a fragrance, as of some garden in Cyprus. . . he thought, at first, he
dreamed. . . Then he saw it.

But it was no garden. Up, up past a wilderness of polished stones glittering in the fading sun like giant gems the trail had led them, finally diemboguling into a high plateau. And there was a great pile, as large as a house, of logs: scented cedarwood and fragrant sandalwood and trees of myrrh and . other odorous timbers of balsam and the like. Intricately carved and carpeted steps led to the
summit and there was a pavilion somewhat furnished.

"A clap of thunder, a blaze of light sounded and shone in Vergil's head. Fragments whirled and danced and, suddenly, like pieces of a mosaic, came together in a visible pattern. "Man of fire! Man- of Tyre!" a voice shouted as the Red Man dismounted and.advanced. "Phoenician? No, not Phoenician alone, but. . . "

"Phoenix" said the Red Man. His face blazed with fiery light. .
Not just a Phoenician, but a Phoenix! Not,
indeed, the symbolic, metaphorical bird of legend, / Page 247 / but the actual being itself. Gone now was all semblance of fatigue; all was joyful haste, as of a man going to a long-awaited tryst. The words poured forth from him. He, too, was old-if not as old as the Cyclops-but he was mortal, and his mortality indescribably wearied him. Up and down the world and to and fro, he had been coming and going for centuries: and now his time was at hand, had been at hand for these two years past. Only the fire could liberate him from the fretting, chafing shackles of his flesh, and, by its destruction of his present body, enable him to renew his youth.

The sign of regeneration. Vergil thought. Eagle, serpent, phoenix.
Aloud, he said, "If such is your need, Captain Phoenix, then it is not for me to stand in your way."
But the other looked at him, teeth and eyes gleaming in his blazing face. "You? You are nothing but a path on which I tread. The Phoenix has no need of wizards
."

"Then do what you must. Why you have brought me here, I do not at all know. Is it to kindle your pyre? The task likes me not, but-"

An-Thon Ebbed-Saphir laughed his brief scorn. "I have little time to enjoy the irony of it, but I have brought you here to pull, as it were, my chestnuts from the fire. I know the Cyclops hates me. I was not certain that you would succeed in rescuing my bride from him-"
"Your Bride?"
The Red One nodded. "Yes. . . You spoke of my need. Little do you know of it, that you ask in such / Page 248 / astonishment. Yes, the Phoenix must have a bride! And, as the Phoenix is always male, he must take his bride from among the daughters of ordinary men. Our marriage, my marriage, the marriage of the Phoenix, is not an act of venery-though in such sweatings and writhings we usually join as gladly as the rest of you. No-only the union of male and female in the fire's dissolution can result in the formation of the magical egg from which the new Phoenix will emerge. My bride!" -he turned to Laura, extending his hand-"my bride!"
With a gasp and a quivering breath, she drew back within the shelter of Vergil's arm and cloak.
"You need not fear. The pain is brief and slight, the joy is exceeding great, and in these our wedding resembles weddings of mortality and flesh. Neither fear me nor disdain me, but come sur­mount with me our matrimonial pavilion on the pyre. . . You still fear? Believe me that you need not! I will be patient a moment more, but I have not forever. " ,
Vergil said, as the setting sun cast its red reflection on the other's face, "But why, Phoenix, out of all the world of women, have you selected this one woman? You see she does not wish it, nor should , you wonder. But surely in all the world there must
be at least one who would?:'
"There is. She was. Long ago, as this girl measures time, the other pledged her troth to this mystic wedding in return for long life, for love, and for the potency to gain a throne. She gained that throne, she shared that love, she was to live as long as her Phoenix lived: . . perhaps five hundred years. . . perhaps more. . . one can never be sure."

 

 

-
7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
-
-
8
6
-
5
9
6
+
=
34
3+4
=
7
=
7
-
7
-
-
-
8
15
-
14
9
24
+
=
70
7+0
=
7
=
7
-
7
-
7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
-
7
-
-
5
-
-
-
+
=
12
1+2
=
3
1+0
3
-
3
-
-`
16
-
--
5
-
-
-
+
=
21
2+1
=
3
=
3
-
3
-
7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
-
16
8
15
5
14
9
24
+
=
91
9+1
=
10
1+0
1
-
1
-
-
7
8
6
5
5
9
6
+
=
46
4+6
=
10
1+0
1
-
1
-
7
P
H
O
E
N
I
X
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
6
-
-
-
6
-
-
6
occurs
x
2
=
12
1+2
3
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
--
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
10
7
P
H
O
E
N
I
X
-
-
35
-
1
7
-
46
-
28
-
-
--
-
-
-
-
9
-
-
-
3+5
-
-
-
-
4+6
-
2+8
10
7
P
H
O
E
N
I
X
-
-
8
-
1
7
-
10
-
10
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1+0
-
1+0
1
7
P
H
O
E
N
I
X
-
-
8
-
-
7
-
1
-
1

 

 

-
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
-
-
-
--
-
-
-
-
-
-
-
8
6
-
5
9
6
-
1
-
8
9
5
6
+
=
63
6+3
=
9
=
9
-
2
-
--
-
8
15
-
14
9
24
`-
19
-
8
9
14
24
+
=
144
1+4+4
=
9
=
9
-
9
-
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
-
-
-
--
-
-
-
-
-
--
7
-
-
5
-
-
-
-
-
7
-
-
-
-
+
=
19
1+9
=
10
1+0
1
-
1
-
-`
-
-
--
5
-
-
-
`-
-
16
--
-
-
-
+
=
37
3+7
=
10
1+0
1
-
1
--
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
-
-
-
--
-
-
-
-
--
-
16
8
15
5
14
9
24
`-
19
16
8
9
14
24
+
=
181
1+8+1
=
10
1+0
1
-
1
--
-
7
8
6
5
5
9
6
-
1
7
8
9
5
6
+
=
82
8+2
=
10
1+0
1
-
1
-
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
--
-
-
-
-
5
5
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
3
=
15
1+5
6
--
-
-
-
6
-
-
-
6
-
-
-
-
-
-
6
-
-
6
occurs
x
3
=
18
1+8
9
--
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
9
-
-
-
-
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
9
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
36
-
1
13
-
82
-
37
-
 
-
-
-
-
-
9
-
-
-
-
-
9
-
-
-
-
3+6
-
-
1+3
-
8+2
-
3+7
9
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
9
-
1
4
-
10
-
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1+0
-
1+0
9
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
9
-
-
4
-
1
-
1

 

 

A SENSE OF HUMOUR HAVE I A SENSE OF HUMOUR I HAVE A SENSE OF HUMOUR

 

-
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
5
1
 
-
6
 
-
8
-
-
6
-
-
+
=
27
2+7
-
9
-
9
-
9
-
-
-
-
19
-
14
19
-
-
15
-
-
8
-
-
15
--
--
+
=
90
9+0
-
9
-
9
-
9
-
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
5
-
-
5
-
-
6
-
-
3
4
-
3
9
+
=
36
3+6
-
9
-
9
-
9
-
-
1
-
-
5
-
-
5
-
-
6
-
-
21
13
-
21
18
+
=
90
9+0
-
9
-
9
-
9
-
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
1
-
19
5
14
19
5
-
15
6
-
8
21
13
15
21
18
+
=
180
1+8+0
-
9
-
9
-
9
-
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
+
=
63
6+3
-
9
-
9
-
9
-
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
3
=
3
-
3
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
-
-
-
3
occurs
x
2
=
6
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
4
-
-
-
-
-
5
5
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
-
6
6
-
-
-
-
6
-
-
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
9
occurs
x
1
=
9
-
9
9
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
36
-
-
14
-
63
-
54
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
3+6
-
-
1+4
-
6+3
-
5+4
9
5
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
5
-
9
-
9
-
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
-
-
-
-
-
-
-
-
-
-
9
5
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
5
-
9
-
9

 

 

14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
5
1
 
-
6
 
-
8
-
-
6
-
-
+
=
27
2+7
-
9
-
9
-
9
-
-
-
19
-
14
19
-
-
15
-
-
8
-
-
15
--
--
+
=
90
9+0
-
9
-
9
-
9
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
1
-
-
5
-
-
5
-
-
6
-
-
3
4
-
3
9
+
=
36
3+6
-
9
-
9
-
9
-
1
-
-
5
-
-
5
-
-
6
-
-
21
13
-
21
18
+
=
90
9+0
-
9
-
9
-
9
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
1
-
19
5
14
19
5
-
15
6
-
8
21
13
15
21
18
+
=
180
1+8+0
-
9
-
9
-
9
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
+
=
63
6+3
-
9
-
9
-
9
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
3
=
3
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
-
-
-
3
occurs
x
2
=
6
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
4
-
-
-
-
5
5
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
6
6
-
-
-
-
6
-
-
-
-
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
 
-
-
-
-
-
-
-
-
-
-
9
-
-
9
occurs
x
1
=
9
-
9
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
36
-
-
14
-
63
-
54
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
3+6
-
-
1+4
-
6+3
-
5+4
5
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
5
-
9
-
9
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
-
-
-
-
-
-
-
-
-
-
5
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
5
-
9
-
9

 

 

-
14
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
-
-
-
-
-
-
1
 
5
1
-
-
6
-
-
8
-
-
6
-
-
+
=
44
4+4
-
8
-
8
-
8
-
-
9
-
8
-
-
-
-
-
-
19
-
14
19
-
-
15
-
-
8
-
-
15
-
-
+
=
107
1+0+7
-
8
-
8
-
8
-
14
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
5
-
1
-
-
5
-
-
5
-
-
6
-
-
3
4
-
3
9
+
=
46
4+6
=
10
1+0
1
-
1
-
-
-
-
-
1
22
5
-
1
-
-
5
-
-
5
-
-
6
-
-
21
13
-
21
18
+
=
118
1+1+8
=
10
1+0
1
-
1
-
14
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
1
22
5
-
1
-
19
5
14
19
5
-
15
6
-
8
21
13
15
21
18
+
=
225
1+8+0
-
9
-
9
-
9
-
-
9
-
8
1
4
5
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
+
=
90
6+3
-
9
-
9
-
9
-
14
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
3
=
3
-
3
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
-
-
-
3
occurs
x
2
=
6
-
9
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
4
-
-
-
-
-
-
-
5
-
-
-
-
5
5
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
6
-
-
-
-
6
-
-
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
9
occurs
x
1
=
9
-
9
9
14
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
36
-
-
14
-
63
-
54
-
1+4
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
3+6
-
-
1+4
-
6+3
-
5+4
9
5
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
5
-
9
-
9
-
-
9
-
8
1
4
5
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
-
-
-
-
-
-
-
-
-
-
9
5
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
5
-
9
-
9

 

 

Message boards : Cafe SETI ...

setiweb.ssl.berkeley.edu/forum_forum.

Fun with Numbers

 

Posted 12 Jun 2007 1:43:07 UTC
Last modified: 12 Jun 2007 2:13:56 UTC

666:


666: is the number of the Devil. If you look closely, you will see that there is never any post in any thread numbered 666 on Cafe Seti. The numbering goes to 665, then jumps to 667.


Question: Is that because the mods have been ordered to remove all 666 post numbers from the thread? Or, is this an administrative "fix" to keep the forums "Kid Friendly"? Or...is this some kind of religious cabal foisted on the forums by the Da Vinci Code guardians?

 

Posted 14 Jun 2007 2:45:31 UTC -

69

This number is often used as an example number. It is popular among hackers as an addition to metasyntactic variables (foo69, bar69). It is also notable because it is the largest number whose factorial can be calculated by a pocket calculator limited to standard scientific notation with a 2 digit exponent.

{Hahaha! Fooled ya! :-P)

 

Straight from the dictionary:

69
adj : being nine more than sixty

 

 

 

DAVID DENISON

WELCOME

13-33 PM JUNE 14 2007

 

 

 

BEHOLD THE MAN 1980

 

SIGNALS WHAT SIGNALS

SIGNALS

OF

THAT THAT THAT

HOLY

ISISISIS

 

..

I

THAT I THAT

I

AM

ISISIS

THAT I THAT

ME

THAT

EGO

THAT

CONSCIENCE

THAT YOU THAT

ISISIS HOLY ISISIS

THAT

ISISIS DIVINE THOUGHT THOUGHT DIVINE ISISIS

YOU ARE DIVINE CREATORS CREATORS DIVINE ARE YOU

ISISIS EVERYTHING EVERYTHING ISISIS

ISISIS LIFE EVERLASTING EVERLASTING LIFE ISISIS

THEREFORE THOU ART EVERLASTING LIFE LIFE EVERLASTING ART THOU THEREFORE

 

 

Every breath you take Every move you make Every bond you break Every step you take Ill be watching you

Every single day Every word you say... www.lyricsfreak.com/p/police/every+breath+you+take

 

 

EVERY BREATH YOU TAKE

Every breath you take Every move you make Every bond you break Every step you take

Ill be watching you

Every single day Every word you say Every game you play Every night you stay

Ill be watching you

Oh, cant you see You belong to me How my poor heart aches With every step you take

Every move you make Every vow you break Every smile you fake Every claim you stake

Ill be watching you

Since youve gone I been lost without a trace I dream at night I can only see your face

I look around but its you I cant replace I feel so cold and I long for your embrace I keep crying baby, baby, please...

Oh, cant you see You belong to me How my poor heart aches With every breath you take

Every move you make Every vow you break Every smile you fake Every claim you stake

Ill be watching you

Every move you make Every step you take

Ill be watching you Ill be watching you Ill be watching you Ill be watching you Ill be watching you

 

 

5
HORUS
-
-
-
-
H+O
23
14
5
-
R
18
9
9
9
U+S
40
13
4
5
HORUS
81
36
18
-
-
8+1
3+6
1+8
5
HORUS
9
9
9

 

 

-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
8
6
-
-
1
+
=
15
1+5
=
6
=
6
-
-
8
15
-
-
19
+
=
42
4+2
=
6
=
6
-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
-
-
9
3
-
+
=
12
1+2
=
3
=
3
-
-
-
-
18
21
-
+
=
39
3+9
=
12
1+2
3
-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
8
15
18
21
19
+
=
81
8+1
=
9
=
9
-
-
8
6
9
3
1
+
=
27
2+7
=
9
=
9
-
5
H
O
R
U
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
5
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
7
SEVEN
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
18
5
H
O
R
U
S
-
-
27
-
-
5
-
27
1+8
-
-
-
9
-
-
-
-
2+7
-
-
-
-
2+7
9
5
H
O
R
U
S
-
-
9
-
-
5
-
9
-
-
8
6
9
3
1
-
-
-
-
-
-
-
-
9
5
H
O
R
U
S
-
-
9
-
-
5
-
9

 

 

5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
8
6
-
-
1
+
=
15
1+5
=
6
=
6
-
8
15
-
-
19
+
=
42
4+2
=
6
=
6
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
-
9
3
-
+
=
12
1+2
=
3
=
3
-
-
-
18
21
-
+
=
39
3+9
=
12
1+2
3
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
8
15
18
21
19
+
=
81
8+1
=
9
=
9
-
8
6
9
3
1
+
=
27
2+7
=
9
=
9
5
H
O
R
U
S
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
5
H
O
R
U
S
-
-
27
-
-
5
-
27
-
-
-
9
-
-
-
-
2+7
-
-
-
-
2+7
5
H
O
R
U
S
-
-
9
-
-
5
-
9
-
8
6
9
3
1
-
-
-
-
-
-
-
-
5
H
O
R
U
S
-
-
9
-
-
5
-
9

 

SHEMSU HOR

 

 

I
=
9
-
2
IN
23
14
5
L
=
3
-
5
LIGHT
56
29
2
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
W
=
5
-
3
WOW
61
16
7
S
=
1
-
6
SIGNAL
62
26
8
A
=
1
-
3
AND
19
10
1
S
=
1
-
4
SETI
53
17
8
L
=
3
-
2
LO
27
9
9
A
=
1
-
3
AND
19
10
1
B
=
2
-
6
BEHOLD
46
28
1
S
=
1
-
4
SUCH
51
15
6
A
=
1
-
1
A
1
1
1
S
=
1
-
6
SIGNAL
62
26
8
A
=
1
-
2
AS
20
2
2
T
=
2
-
4
THAT
49
13
4
-
-
40
4
56
First Total
603
243
72
-
-
4+0
-
5+6
Add to Reduce
6+0+3
2+4+3
7+2
-
-
4
-
11
Second Total
9
9
9
-
-
-
-
1+1
Reduce to Deduce
-
-
-
-
-
4
-
2
Essence of Number
9
9
9

 

 

8
QUO VADIS
108
36
9
6
VOX POP
108
36
9
8
INSTINCT
108
36
9
11
DESCENDANTS
108
36
9
11
SORROW
108
36
9
8
STARTING
108
36
9
9
COMPLETES
108
36
9
7
JOURNEY
108
36
9

 

 

1
I
9
9
9
3
SAY
45
9
9
7
DECODER
54
36
9
6
DECODE
36
27
9
4
CODE
27
18
9
-
-
-
-
-
-
-
-
-
-
5
CODED
31
22
4
5
CODES
46
19
1

 

 

-
CODE
--
-
-
2
C+O
18
9
9
2
D+E
9
9
9
-
DECODE
--
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
-
DECODER
--
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
1
R
18
9
9

 

 

CODE DE CODE

C+O D+E D+E C+O D+E

9+9+9+9+9

C+O D+E D+E C+O D+E

CODE DE CODE

 

-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
-
6
-
-
+
=
6
-
=
6
=
6
-
-
-
15
-
-
+
=
15
1+5
=
6
=
6
-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
3
15
4
5
+
=
27
2+7
=
9
=
9
-
-
3
6
4
5
+
=
18
1+8
=
9
=
9
-
4
C
O
D
E
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
ONE
1
-
-
-
2
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
-
-
6
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
27
4
C
O
D
E
-
-
18
-
-
4
-
18
2+7
-
-
-
-
-``
-
-
1+8
-
-
-
-
1+8
9
4
C
O
D
E
-
-
9
-
-
4
-
9
-
-
3
6
4
5
-
-
-
-
-
-
-
-
9
4
C
O
D
E
-
-
9
-
-
4
-
9

 

 

4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
6
-
-
+
=
6
-
=
6
=
6
-
-
15
-
-
+
=
15
1+5
=
6
=
6
4
C
O
D
E
-
-
-
-
-
--
-
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
3
-
4
5
+
=
12
1+2
=
3
=
3
4
C
O
D
E
-
-
-
-
-
--
-
-
-
3
15
4
5
+
=
27
2+7
=
9
=
9
-
3
6
4
5
+
=
18
1+8
=
9
=
9
4
C
O
D
E
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
-
6
-
-
-
-
6
occurs
x
1
=
6
4
C
O
D
E
-
-
18
-
-
4
-
18
-
-
-
-
-``
-
-
1+8
-
-
-
-
1+8
4
C
O
D
E
-
-
9
-
-
4
-
9
-
3
6
4
5
-
-
-
-
-
-
-
-
4
C
O
D
E
-
-
9
-
-
4
-
9

 

 

-
SIGNAL
-
-
-
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
7
SIGNAL
62
35
26
-
-
6+2
3+5
2+6
7
SIGNAL
8
8
8

 

 

-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
7
-
1
3
+
=
11
1+1
=
2
=
2
-
-
-
-
7
-
1
12
+
=
20
2+0
=
2
=
2
-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
19
9
7
14
1
12
+
=
62
6+2
=
8
=
8
-
-
1
9
7
5
1
3
+
=
26
2+6
=
8
=
8
-
6
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
1
occurs
x
2
=
2
2
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
--
--
--
--
--
--
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
-
--
--
--
--
--
-
-
6
SIX
6
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
--
--
--
--
--
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
20
6
S
I
G
N
A
L
-
-
25
-
-
6
-
26
2+0
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+6
2
6
S
I
G
N
A
L
-
-
7
-
-
6
-
9
-
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
2
6
S
I
G
N
A
L
-
-
7
-
-
6
-
9

 

 

-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
7
-
1
3
+
=
11
1+1
=
2
=
2
-
-
-
7
-
1
12
+
=
20
2+0
=
2
=
2
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
19
9
7
14
1
12
+
=
62
6+2
=
8
-
8
-
1
9
7
5
1
3
+
=
26
2+6
=
8
-
8
6
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
1
occurs
x
2
=
1
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
6
S
I
G
N
A
L
-
-
25
-
-
6
-
26
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+6
6
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
6
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

SIGNALS WHAT SIGNALS

 

 

7
SIGNALS
81
27
9
4
WHAT
52
16
7
7
SIGNALS
81
27
9

 

 

-
SIGNALS
-
-
-
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
1
S
19
10
1
7
SIGNALS
81
45
27
-
--
8+1
4+5
2+7
7
SIGNALS
9
9
9

 

 

-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
1
9
-
5
-
-
1
+
=
16
1+6
=
7
=
7
-
-
19
9
-
14
-
-
19
+
=
61
6+1
=
7
=
7
-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
-
-
7
-
1
3
-
+
=
11
1+1
=
2
=
2
-
-
-
-
7
-
1
12
-
+
=
20
2+0
=
2
=
2
-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
19
9
7
14
1
12
19
+
=
81
8+1
=
9
-
9
-
-
1
9
7
5
1
3
1
+
=
27
2+7
=
9
-
9
-
7
S
I
G
N
A
L
S
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
2
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
--
--
--
--
--
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
--
--
--
--
--
-
-
-
6
SIX
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
--
--
--
--
--
-
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
20
7
S
I
G
N
A
L
S
-
-
25
-
-
7
-
27
2+0
-
1
-
-
-
1
-
1
-
-
2+5
-
-
-
-
2+7
2
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9
-
-
1
9
7
5
1
3
1
-
-
-
-
-
-
-
-
2
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9

 

 

7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
1
9
-
5
-
-
1
+
=
16
1+6
=
7
=
7
-
19
9
-
14
-
-
19
+
=
61
6+1
=
7
=
7
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
-
7
-
1
3
-
+
=
11
1+1
=
2
=
2
-
-
-
7
-
1
12
-
+
=
20
2+0
=
2
=
2
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
19
9
7
14
1
12
19
+
=
81
8+1
=
9
-
9
-
1
9
7
5
1
3
1
+
=
27
2+7
=
9
-
9
7
S
I
G
N
A
L
S
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
5
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
7
S
I
G
N
A
L
S
-
-
25
-
-
7
-
27
-
-
9
-
-
-
-
-
-
-
2+5
-
-
-
-
2+7
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9
-
1
9
7
5
1
3
1
-
-
-
-
-
-
-
-
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9

 

 

-
A SIGNAL
-
-
-
1
A
1
1
1
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
7
A SIGNAL
63
36
27
-
-
6+3
3+6
2+7
7
A SIGNAL
9
9
9

 

 

-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
-
-
-
7
-
1
3
+
=
12
1+1
=
3
=
3
-
-
1
-
-
-
7
-
1
12
+
=
21
2+1
=
3
=
3
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
-
19
9
7
14
1
12
+
=
63
6+3
=
9
=
9
-
-
1
-
1
9
7
5
1
3
+
=
27
2+7
=
9
=
9
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
2
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
--
-
-
--
--
--
--
--
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
--
-
-
--
--
--
--
--
-
-
6
SIX
6
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
8
-
--
-
-
--
--
--
--
--
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
20
7
A
-
S
I
G
N
A
L
-
-
25
-
-
7
-
27
2+0
-
-
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+7
2
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
-
1
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
2
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
-
-
-
7
-
1
3
+
=
12
1+1
=
3
-
3
-
1
-
-
-
7
-
1
12
+
=
21
2+1
=
3
-
3
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
-
19
9
7
14
1
12
+
=
63
6+3
=
9
-
9
-
1
-
1
9
7
5
1
3
+
=
27
2+7
=
9
-
9
7
A
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
7
A
-
S
I
G
N
A
L
-
-
25
-
-
7
-
27
-
-
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+7
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
1
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

-
O THAT SIGNAL
--
--
--
1
O
15
6
6
1
T
20
2
2
2
HA
9
9
9
1
T
20
2
2
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
11
O THAT SIGNAL
126
54
45
1+1
-
1+2+6
5+4
4+5
2
O THAT SIGNAL
9
9
9

 

 

-
O THAT SIGNAL
--
--
--
1
O
15
6
6
4
THAT
49
13
4
6
SIGNAL
62
26
8
11
O THAT SIGNAL
126
45
18
1+1
-
1+2+6
4+5
1+8
2
O THAT SIGNAL
9
9
9

 

 

-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
6
-
-
8
-
-
-
1
9
-
5
-
-
+
=
29
2+9
=
11
1+1
2
-
-
15
-
-
8
-
-
-
19
9
-
14
-
-
+
=
65
6+5
=
11
1+1
2
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
2
-
1
2
-
-
-
7
-
1
3
+
=
16
1+6
=
7
=
7
-
-
-
-
20
-
1
20
-
-
-
7
-
1
12
+
=
61
6+1
=
7
=
7
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
15
-
20
8
1
20
-
19
9
7
14
1
12
+
=
126
1+2+6
=
9
-
9
-
-
6
-
2
8
1
2
-
1
9
7
5
1
3
+
=
45
4+5
=
9
-
9
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
-
-
-
-
2
-
-
2
-
-
-
-
-
-
-
-
-
2
occurs
x
2
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
--
-
-
-
--
--
--
--
--
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
6
-
-
-
--
-
-
-
--
--
--
--
--
-
-
6
occurs
x
1
=
6
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
-
8
--
-
-
-
--
--
--
--
--
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
4
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
41
-
-
11
-
45
-
1+1
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
4+1
-
-
1+1
-
4+5
4
2
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
5
-
-
2
-
9
-
-
6
-
2
8
1
2
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
4
2
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
5
-
-
2
-
9

 

 

FRIDAY THIRTEEN THIRTEEN FRIDAY

DAILY MAIL

Friday, July 13, 2007

Simon Cass

Back Page

"Star Trek"

Page 54

".........magic........."

"Witchcraft and Wizardry"

".........The Order Of The Phoenix........."

".........The Order Of The Phoenix........."

".........The Order Of The Phoenix........."

".........The Order Of The Phoenix........."

".........Sirius........."

 

 

METRO

Friday, July 13, 2007

Page 13

".........LOVE........."

Page 19

"A pilgrimage to remember"

 

Page 23

".........The Order Of The Phoenix........."

".........The Order Of The Phoenix........."

 

 

METRO

Friday, July 13, 2007

Page 29

BBC

Channel 2 Proms 8-0 pm

"Beethovens Choral Symphony"

 

 

DAILY MAIL

Friday, July 13, 2007

Geoffrey Levy and Richard Kay

Page 13

".........It was God who created people........."

".........Revelation had always been his business........."

 

 

DAILY MAIL

Friday, July 13, 2007

Jonathan Cainer

Page 50

"WE CANT just ignore the fact that it is Friday the 13th."

ARIES Mar 21 - Apr 20

"It's Friday the 13th"

TAURUS Apr 21 - May 21

"It's Friday the 13th"

GEMINI May 22 - June 22

"It's Friday the 13th"

CANCER June 23 -July 23

"It's Friday the 13th"

LEO July 24 - Aug 23

"It's Friday the 13th"

VIRGO Aug 24 - Sept 23

"It's Friday the 13th"

LIBRA Sep 24 - Oct 23

"It's Friday the 13th"

SCORPIO Oct 24 - Nov 22

"It's Friday the 13th"

SAGITTARIUS Nov 23 Dec 21

"It's Friday the 13th"

CAPRICORN Dec 22 - Jan 20

"It's Friday the 13th"

AQUARIUS Jan 21 Feb 19

"It's Friday the 13th"

PISCES Feb 20 - Mar 20

"It's Friday the 13th"

 

 

6 FRIDAY 63 36</